Nonfiction
Europe’s Amnesia: How the West Remembers What It Wants, and Forgets What It Must
Europe has mastered the art of remembrance — just not for everyone. Across cities like Berlin, Paris, and Amsterdam, you’ll find meticulously maintained Holocaust memorials, plaques marking Nazi crimes, and museums dedicated to "Never Again." And rightly so. The horrors of fascism deserve eternal remembrance.
By David Thusi9 months ago in Critique
Signed and Resigned
I just need enough to be solvent, but that may be hard without rescinding this letter and sacrificing my sanity To those reading my resignation while casually pushing policies that are supposed to impact our work culture, but they never do, I hope you find this letter. I seriously hope that after finding this letter you read it too.
By Narghiza Ergashova9 months ago in Critique
The Invention of Whiteness: How Race Was Manufactured to Divide and Rule
When we talk about race, it often feels like we’re speaking about something ancient and immutable. But the truth is more unsettling: race, especially the category of “whiteness,” is a modern invention — designed not by biology, but by power.
By David Thusi9 months ago in Critique
Buried Brilliance: How Global Knowledge Was Erased to Elevate the West
When we’re taught the origins of science, mathematics, and philosophy, the names sound familiar — Aristotle, Newton, Galileo, Descartes. European. Male. Genius. But what if I told you that this “lineage of brilliance” is not just incomplete — it’s a deliberate fiction?
By David Thusi9 months ago in Critique
Truth, Theft, and the Courage to Remember: Reclaiming Our Stolen Histories
History, we are told, is about facts. Dates. Kings. Wars. Inventions. But the question I keep returning to is: Whose facts? Whose kings? Whose inventions? I didn’t grow up asking that question. I accepted the timeline I was taught — the one that began in Ancient Greece, skipped to Rome, fast-forwarded to the Enlightenment, then marched triumphantly into the Industrial Revolution. I was told this was progress. That this was civilization. But something always felt off.
By David Thusi9 months ago in Critique
Extreme to Extreme
Extreme to Extreme Why does it seem so hard to follow the motto of the Greeks? They believe in the means between the two extremes. We here in America always appear to vacillate amid the extremes whether it be Democrat or Republican. We find ourselves running from one to the other in rapid succession barely catching our collective breaths. Once we do settle on something or someone, we find that it is quite often not what we thought, and we end up with “buyer’s remorse”. I firmly believe that lately we are feeling that way all the more.
By Shareese Aouad10 months ago in Critique
Stolen Identity: How Europe Built Itself by Erasing Others
I used to look at Europe and admire its order. The marble streets. The paintings. The architecture. The libraries with their golden shelves. And then I began to ask: Where did all of this come from? Not just physically — but morally, historically, and spiritually. And the answer, if we’re honest, is this: Europe’s identity was built on theft.
By David Thusi10 months ago in Critique
🎬 Is Tube Mastery & Monetization by Matt Par Worth It in 2025? My Unfiltered Review After 30 Days Inside the Course. AI-Generated.
Let’s face it: not everyone wants to be the next MrBeast—or even show their face online. That’s where faceless YouTube automation comes in. It promises income without ever turning on a webcam.
By Hustle General10 months ago in Critique
"Echoes of the Forgotten"
A Journey Through Lost Memories and Hidden Truths The rain had just begun when Elira stepped into her grandmother’s attic for the first time in years. Dust swirled in the air, lit by the pale light seeping through the cracked windowpanes. She was here for closure. After her grandmother's funeral, Elira returned to the house she hadn't visited since childhood, hoping to find something—anything—that would explain the strange dreams that had haunted her for weeks.
By Kaleem Ullah10 months ago in Critique
