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Most recently published stories in Critique.
Angry People Click More: The Economics of Manufactured Dissent
(Ideas from the book The Economic Policy of Online Media: Manufacture of Dissent, Routledge, 2024) Abstract This article examines the formula ‘angry people click more’ as a core logic of contemporary online media and as a structural transformation of propaganda in the digital age. It argues that the defining feature of the current attention economy is not only the circulation of misinformation, but the systematic deployment of openly implausible claims designed to provoke moral outrage and sustain profitable engagement cycles. The analysis links Oxford’s 2025 Word of the Year ‘rage bait’ to earlier lexical markers of epistemic crisis such as ‘truthiness’ and ‘post-truth’, and situates this trajectory against the older ‘manufacture of consent’ model of Herman and Chomsky. While classical propaganda in totalitarian and mass-media systems sought ideological unity through censorship and the Big Lie, the emerging Propaganda 2.0 model, articulated by Peter Ayolov, monetises anger by manufacturing dissent and deliberately populating the public sphere with absurd, polarising narratives. The article interprets this dynamic through the allegories of ‘The Emperor’s New Clothes’ and Václav Havel’s greengrocer, showing how the move from fearful silence to permanent online rage changes both the psychology and political economy of propaganda. Drawing on Evgeny Morozov’s critique of fake-news moral panics, Frances Haugen’s disclosures about Facebook, and the documentary The Social Dilemma, it concludes that anger has become a tradable asset and that blatant lying has shifted from an authoritarian instrument of control to a market mechanism in a global ‘free trade in slogans’.
By Peter Ayolovabout 8 hours ago in Critique
Countdown to Pearl Harbor: The Twelve Days To The Attack
Countdown to Pearl Harbor: The Twelve Days To The Attack by Steve Twomey I really wasn’t expecting much of this read; I grabbed it while I was at Pearl Harbor because how could I not get a book while I was there?
By Matthew J. Frommabout 23 hours ago in Critique
Understanding the P. Diddy Controversy and the 50 Cent Factor
For over three decades, the name Sean "Diddy" Combs was synonymous with the pinnacle of American success. From the glitz of the "White Parties" in the Hamptons to the chart-topping dominance of Bad Boy Records, Diddy wasn't just a mogul; he was a gatekeeper of culture. However, by 2025, the music industry’s most polished facade finally cracked. What followed was a legal and social collapse so comprehensive that it transformed a global icon into a cautionary tale of power, ego, and accountability.
By Teodor Monescua day ago in Critique
"Challengers" Movie Review
Challengers is a triumphantly sexy cinematic rollercoaster ride, too incredulously fun not to watch. Tashi Duncan is played by Zendaya, the exceptionally emotive young movie star. Matched against her are two gorgeously nerdy-looking young players, Mike Faist as Art Donaldson and Josh O’Conner as Patrick Zweig. All three have the blessing of great chemistry whenever they spar across screen. Alongside their star qualities are bouncing timelines, demonstrating a lifetime of flagrantly competitive choices that create a trail of wasted potential and misguided lust. Director Luca Guadagnino really knows how to make a graceful yet scandalous picture. Trent Reznor and Atticus Ross's EDM score intensifies the thrill of tennis and prideful characters up to an eleven. After watching Challengers multiple times, I am forced to argue that all sporting events should henceforth take place at a fist-pumping rave. When first hearing about this movie, I thought the entire plot had been offered up within the two-minute trailer. Two friends like a tennis star. Tennis star has a career-ending injury. Tennis star picks blonde boy, and brunette boy is angry. Audience members think they have digested the full ingredients of the film before getting their soles sticky from the theatre floor. Yet, this new-age masterpiece is anything but a simple meal.
By Spider Blacka day ago in Critique
The Tainted Cup
The Tainted Cup by Robert Jackson Bennett I made this entire series to write this review. The 2024 Hugo Winner is a Holmes and Watson style whodunnit taking place in a fantasy world that blends Area X from the Southern Reach Trilogy and The Lost World–more on the setting later.
By Matthew J. Fromm2 days ago in Critique
Standing While Falling. Top Story - January 2026.
Quotation from Friedrich Nietzsche "He who wrestles long with monsters should beware lest he himself become a monster. And if you gaze long into an abyss, the abyss also gazes into you. Man is not destroyed by suffering, but by the meaning he makes of it."
By LUCCIAN LAYTH2 days ago in Critique
The Lost City of Z
The Lost City of Z by David Grann Growing up I thought I wanted to be an archaeologist. Now that I’m a ripe 32, I realize what I really wanted to be was an adventurer–someone who dug deep into the dark and emerged with treasures unseen for millennia.
By Matthew J. Fromm3 days ago in Critique
Mistakes in Stranger Things - Season 5
Stranger Things 5: A Train Wreck of Lazy Writing and Brand Blunders When Stranger Things first dropped in 2016, it was a masterpiece of atmosphere and tight storytelling. It felt like a love letter to the 80s. Fast forward to Season 5, and that love letter has been shredded. What we got instead was a bloated, nonsensical mess that felt like the creators were just checking boxes to get it over with. It wasn't just a disappointment; it was a total collapse of the logic and stakes that made us care about Hawkins in the first place.
By Teodor Monescu3 days ago in Critique
Words of Radiance
Words of Radiance by Brandon Sanderson And so we come to the yearly ovation for Mr. Sanderson. The man is a genius, his lecture series is one of the most important resources ever developed for writers, and I’m yet to pick up a Sando that’s scored below a 70. I have critiques that we’ll come to, but suffice to say I am a big supporter of Sanderson.
By Matthew J. Fromm4 days ago in Critique
A New beginning
A new beginning is like a brand-new box of crayons. You open this new box and there are those colors so bright and ready to go, as so many of us do in January it seems. Ready to start new projects and looking forward to what these colors will project in our various projects that are or may be planned. We look to be optimistic in our color choices from the reds to the yellows to the greens and blues and all the opportunities that these colors give us to think and choose for not everything is black and white.
By Mark Graham6 days ago in Critique
Memory
"Memory" Movie Review. This 2023 film is as depressing as it is uplifting. Directed by Michel Franco and the pace is never fast and the viewer needs to pay attention to the little details that are key to the plot. It is more like a foreign film then an American one in that scenes don't necessarily blend into one another, but their relevancy is germane.
By Robert M Massimi. ( Broadway Bob).6 days ago in Critique
