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Beauty in Black Season 2: Power, Money, and Chaos Are Back on September 11, 2025!
Okay, friends, grab your snacks and a comfy chair, because Beauty in Black Season 2 is almost here, on September 11, on Netflix. It promises even more drama, intrigue, and jaw-dropping moves than the first season. Yes, like before, there’s plenty of time to soak in the chaos, bringing the signature mix of charm and edge.
By Sara Yahia4 months ago in Critique
3 TV Shows and 10 Truths: From Background Hummus to Main Course
For decades, Hollywood treated Arab women like background hummus, flat, decorative, and just there to make someone else look exotic. Veiled, silent, or sighing theatrically, they were reduced to one-note caricatures. Finally, that’s changing.
By Sara Yahia4 months ago in Critique
Retro, Risqué, and Remarkably Relevant: Netflix’s "Aema" Makes History Sizzle
Netflix threw us a curveball this summer. On August 22, 2025, the streamer dropped a gem... a historical comedy-drama rooted in one of Korea’s most controversial pop-culture relics: Madame Aema. For the uninitiated, Madame Aema was a wildly popular and scandalous series of erotic films that exploded in 1980s Korea, sparking debates on censorship, morality, and who gets to control women’s stories.
By Sara Yahia5 months ago in Critique
I Can't Speak Out Loud
Everyone has a dark side, hidden stories that no one knows about. Maybe, until now, you haven’t been able to share yours. The dark side doesn’t mean something bad; it’s simply the part of us that remains unseen, still in the dark, unnoticed by anyone.
By Raghad Nassar5 months ago in Critique
Red Moon And Killer Wolves
Red Moon And Killer Wolves Under the red moon the forest changed. Trees leaned as if listening. The wolves came, their fur dark with shadow. They did’nt growl, they did not run. They walked slow, eyes fixed ahead, as though something unseen pulled them forward. In the village a single lamp still burned. A woman stepped outside, looking up at the strange sky. She never saw them reach her. One moment she stood breathing, next the ground drank her silence. The wolves kept moving, leaving nothing behind but blood in the dirt and the heavy pulse of the moon above.
By Marie381Uk 5 months ago in Critique
The Ultimate Guide to Types of Kitchen Cabinets: Styles, Materials, and Features
Kitchen cabinets are the backbone of any kitchen design, combining functionality with aesthetic appeal. Choosing the right type of kitchen cabinet can transform your space, enhance storage, and elevate your home’s value. With countless styles, materials, and features available, understanding the options is key to creating a kitchen that suits your needs and taste. In this comprehensive guide, we’ll explore the various types of kitchen cabinets, their materials, styles, and features to help you make an informed decision for your next kitchen renovation or build.
By handy maneshon5 months ago in Critique
The Gift of Insight
The Gift of Insight How Constructive Critique Builds Growth, Confidence, and Mastery Sasha adjusted the light above her easel, squinting at the canvas that had consumed her weekend. The colors felt right. The brushstrokes were bold. Still, something about the composition felt... off. Art school had taught her technique. What it hadn't prepared her for was the silence that followed when she finished a piece. Friends gave her polite praise. Her social media posts gathered likes, but no substance. What Sasha needed wasn’t approval—it was perspective. So when her mentor, Miguel, offered to give her feedback, she hesitated for only a second before accepting. Miguel had a reputation. He wasn’t cruel, but he was honest. Students often joked that a Miguel critique left you thinking harder than an exam. But those same students returned to him again and again, their skills sharper each time. They met in his small studio the following afternoon. Sasha leaned her canvas against a brick wall, trying not to fidget. Miguel looked at the painting for a long moment. Then he smiled. “You’ve got great energy here,” he began. “Your use of contrast draws me in, and that layering in the background—it’s working well.” Sasha exhaled. Praise felt good. But she waited, sensing more was coming. “Now,” he continued, “can I show you something?” She nodded. Miguel picked up a small mirror and held it in front of the painting. “When you look at your piece in reverse like this, do you notice how the left side feels heavier?” Sasha tilted her head. He was right. The composition, once vibrant in her eyes, now seemed lopsided. She had been so close to it, so invested, that she hadn’t seen the imbalance. “That’s one of the hardest things about creating,” Miguel said gently. “We get attached. But critique helps us step outside ourselves. It’s not about tearing down—it’s about seeing clearer.” As they talked through other parts of the piece—color temperature, line direction, emotional tone—Sasha began to scribble notes. Miguel never told her what to fix. He asked questions, offered observations, and left space for her to make her own decisions. By the end of the session, Sasha didn’t feel defeated. She felt empowered. --- The next few weeks, she made a point to invite more critique—from peers, professors, even her younger brother, who, to her surprise, had a sharp eye for visual storytelling. What changed wasn’t just her art—it was her attitude. She began to separate herself from her work. A critique wasn’t a personal attack; it was a generous offering. Each comment, even the ones that stung at first, carried insight. When given respectfully and received openly, critique became a conversation—one that made her better. One afternoon, she watched a fellow student, Cara, struggle through a harsh group review. The feedback, though valid, had been blunt. Cara looked deflated, her voice tight as she defended each choice. Sasha waited until the session ended, then approached her. “I’ve been there,” she said gently. “Want to grab coffee and talk through your piece again? Just you and me?” Cara agreed, and over warm mugs and quiet conversation, Sasha offered the same approach Miguel had used with her—encouragement first, then thoughtful questions, observations, and space to reflect. When they returned to the studio later that week, Cara’s piece had transformed. “You helped me actually hear the critique,” she told Sasha. “I didn’t feel like I had to defend myself. I felt like I could explore.” --- By the end of the semester, Sasha’s work had reached a new level of depth and clarity. She still had doubts—what artist didn’t?—but now she welcomed feedback. She even started a small critique circle, built on trust, kindness, and curiosity. What she had feared—judgment, rejection—had turned out to be the very thing that pushed her forward. Critique, she realized, was not a test of worth. It was a tool for growth. Like pruning a plant, it might seem harsh in the moment, but it made room for stronger, fuller bloom. And in that spirit, every time she picked up a brush, she did so not with fear, but with confidence—knowing that insight, when given with care and received with openness, was one of the greatest gifts any creator could receive.
By Muhammad Saad 5 months ago in Critique
The Mysterious Library
In the heart of a bustling city, there existed a library like no other. Its exterior was unassuming, with worn stone walls and a faded sign that creaked in the wind. But step inside, and you would find yourself in a world beyond your wildest dreams.
By Tariq Pathan 5 months ago in Critique
Ethan Slater joins as Erin Moriarty returns to ‘Gen V’ Season 2: Deets Inside
The upcoming season of Gen V is generating buzz. Ethan Slater joins as Thomas Godolkin. Erin Moriarty will reprise her role as Starlight. Chace Crawford’s The Deep and Nathan Mitchell’s Black Noir will also return. The trailer was revealed at San Diego Comic-Con. It showed Starlight saving Jaz Sinclair’s character.
By Dena Falken Esq5 months ago in Critique
Trailer Trash McMansions
Feeling poor? Sometimes it’s a matter of just not being able to land a job with a good pay cheque. Or sometimes it’s a matter of refusing to tolerate corporate bullshit even for a good pay cheque. There is absolutely nothing wrong with being poor.
By Narghiza Ergashova5 months ago in Critique
