Frank Miller's Ronin
Frank Miller, like Alan Moore, R. Crumb, Neil Gaiman, and a few others, is a titan in the reinvention of comics—the reboot into a new, adult-ready state of cultural being—insomuch as he literally reinvented the kooky, quirky Batman and redefined him for the world not as a wisecracking Adam West doing the “Batusi,” but as a brooding, cyberpunk anarcho-vigilante cum morally conflicted crime fighter in The Dark Knight Returns—the reverberations of which would be felt down through the decades and into the new century, the new millennium. Now, Batman is horror much, much more than humor—and even more human.