Acrostic
Whispers of the Heart
Whispers of the Heart Exploring the Deep Emotions That Shape a Poet’s World The room was quiet except for the soft scratching of a pen moving across paper. A small window let in the early light of dawn, casting long shadows on the wooden floor. Elara sat curled in her writing chair, wrapped in a woolen shawl, her eyes lost in the rhythm of words flowing from her heart. To the outside world, Elara was just another quiet soul living in a quiet village. But within her lived a universe of emotion—chaotic, raw, beautiful. She was a poet, not by trade, but by calling. Each line she wrote came from somewhere deeper than thought. It was as if her heart whispered secrets only ink could capture. Poetry had always been her way of making sense of the world. As a child, when she couldn’t explain why she felt overwhelmed watching autumn leaves fall, she wrote about them. When she couldn’t speak of her mother’s illness, she turned her grief into soft, aching verses. To Elara, poems weren’t just words—they were containers for feelings too fragile to be said aloud. Many people think poets are simply dreamers, lost in their thoughts. But Elara knew the truth. Poets feel more. Not because they choose to, but because their hearts are tuned to a finer frequency. Where others see rain, poets feel the sadness of the sky. Where others hear laughter, poets sense the echo of unspoken longing behind it. This sensitivity, though a gift, came at a price. There were days Elara couldn’t write at all—not because there was nothing to say, but because she felt too much. Her chest would tighten with unspoken emotions, her mind swirling with fragments of beauty and sorrow she couldn't yet name. On those days, she would walk by the river, letting nature carry some of the weight. Once, a friend asked her, “Doesn’t it get exhausting, feeling everything so deeply?” Elara smiled gently. “Yes,” she had said. “But it’s also how I know I’m alive.” Her poems rarely rhymed, and they didn’t always follow rules. But they carried truth. Her words reached into people, brushing the places they’d hidden away. A neighbor once told her that a poem she’d written about loneliness made her cry for the first time in years. “It was like you put my silence into words,” she had said. That was the magic of poetry, Elara believed—it was the language of the unspeakable. She remembered the first time she read her poems in public. Her hands shook as she stood before a small room of listeners, a folded paper in hand. Her voice trembled at first, but as the words left her lips, a strange calm settled over her. People listened—not just to her, but with her. They felt every heartbeat, every ache, every joy between the lines. She wasn’t alone in her feelings anymore. That night, she learned that vulnerability is a kind of strength. Through her poetry, Elara had also learned to forgive. There was a time when anger burned in her—at life, at loss, at people who couldn’t understand her sensitivity. But turning those feelings into verse softened the edges. The page didn’t judge. It allowed her to be raw, to bleed and bloom in equal measure. One morning, she wrote a line that stayed with her: "To feel deeply is not to suffer—it is to see the soul of things." And that became her compass. Whether writing about heartbreak or sunlight on the windowsill, she treated each feeling as sacred. She came to believe that poets weren’t just writers—they were translators of the human spirit. As the sun climbed higher in the sky, Elara finished her latest poem. She signed it quietly and placed it into a growing pile of handwritten pages. Each one held a piece of her—her grief, her wonder, her love for the world in all its flawed, fleeting beauty. And somewhere, she knew, someone would read her words and feel understood. Because poetry, at its core, is not about fancy language or perfect form. It’s about feeling seen. It’s about whispers of the heart reaching someone else’s soul and saying, “You are not alone.”
By Muhammad Saad 6 months ago in Poets
Whispers of the Dying Light
Whispers of the Dying Light A Poet’s Reflections at Sunset on Beauty, Longing, and the Quiet Ache of Time The sun was a half-sunk coin melting into the horizon, casting long strands of amber light across the hillside. Elias sat alone, knees pulled close, a weathered notebook resting on his thigh. He had come to this place every evening for the last week, chasing the exact moment when the world turned soft with gold and memory. Today, the sky was on fire. He didn’t write immediately. He rarely did. Words, for him, were slow visitors—like old friends who never rushed their arrival but always came bearing truth. Instead, Elias watched as the sky performed its silent symphony: oranges bleeding into reds, purples lurking at the edges. A breeze moved through the tall grass, and he imagined it as the earth’s own breath, exhaling stories from long ago. Behind him, the world was ordinary—people cooking dinner, streetlights flickering on, the faint hum of traffic. But here, on the crest of this hill, time did not demand movement. It only asked for attention. His fingers traced the frayed edge of a poem he had written days ago. It spoke of a bird—possibly imagined—that vanished into the sun each evening. He had written it while thinking of someone who used to sit beside him on this very hill. Someone who loved sunsets more than words. Mara. Her absence wasn’t sharp anymore. It had softened into something like fog—always present, rarely painful, but impossible to ignore. She had left two summers ago, chasing a life that didn’t include quiet hills or poets who wrote more than they spoke. He couldn’t blame her. He barely understood himself, let alone expected others to. But still, when the sky began to melt, he thought of her. Every time. The notebook flipped open with a gust of wind, landing on a blank page. Elias took it as permission. He plucked the pen from behind his ear and leaned forward, letting the feelings pour—not in verse, not yet—but in phrases, images, questions: > “What does the light say as it dies?” “Why do we remember people more clearly when the sky turns orange?” “Is longing just love that has nowhere to go?” He paused, then added: > “You don’t speak to me anymore, but sometimes I feel you in the wind.” That last line hung heavy on the page, heavier still in his chest. He imagined Mara sitting beside him again, barefoot in the grass, arms around her knees, hair catching the light like wildfire. She wouldn’t say much—she rarely did—but her eyes always seemed to be listening. "You always wrote best at sunset," she'd once said. "Because everything beautiful looks like it’s ending," he'd replied without thinking. She had looked at him with something between affection and fear. Now, with the sun slipping below the hills and shadows crawling toward him, Elias understood that moment more clearly than he ever had. He had always been fascinated with the beautiful endings, not realizing that some people were looking for beginnings. Still, there was comfort in this ritual. In the act of returning. Of watching the sun die and be reborn, as if to say: Some endings are gentle. Some are worth watching. Elias tore the page from his notebook and let it go. The wind lifted it, carried it up briefly, then sent it tumbling down the hill. He imagined someone finding it, reading the words, wondering about the man who wrote them. Maybe they'd understand. Maybe they wouldn’t. But he would return tomorrow. And the day after. Until the words no longer felt like echoes. As twilight settled, Elias packed up his notebook, stood slowly, and let the hush of evening wrap around him like a coat. The sky, now bruised with indigo, seemed to nod at him in farewell. He whispered, more to himself than anyone else, “You were right, Mara. I do write best at sunset.” And then he walked down the hill, leaving behind only footprints—and a few scattered pages that would dance in the wind until they, too, found a place to rest.
By Muhammad Saad 6 months ago in Poets
Verses in the Morning Light
Verses in the Morning Light A Poet’s Awakening at Sunrise — Reflections on Hope, Clarity, and the Promise of a New Day The sky was still tinged with indigo when Leona climbed the steps of the old rooftop. A hush lay over the city like a wool blanket, muffling the world before it stirred. She carried only a thermos of tea and her leather-bound notebook—frayed at the edges, swollen with ink and dreams. It had become her quiet ritual. Each morning, just before sunrise, she came to this rooftop above the bakery where the air still smelled faintly of flour and warmth. She came not for the view, though it was beautiful, nor for solitude, though it soothed her—but for the light. The first, fragile light that made everything seem possible. This morning, the horizon promised brilliance. The faintest glow kissed the tops of buildings and spilled across the clouds in streaks of lavender and gold. She smiled quietly, setting her notebook on her lap and taking a sip of tea. The warmth curled through her chest. Leona hadn’t always been a morning person. For years, she wrote in the late hours, when the world was heavy with silence and streetlights buzzed like secrets. But something had changed in her—gently, gradually, the way a river changes course without sound. After a season of grief, when her mother passed, her nights had grown restless, filled with dreams that made her eyes sting. She’d started waking before dawn, not on purpose, but because something in her needed the quiet clarity of beginning. And it was there, in the rising light, that poetry returned. At first, it came in whispers: fragments, single lines, images she didn’t understand until later. A robin on a fencepost. The smell of wet pavement. Her mother’s humming, distant but warm. Now, the words came more easily. The pain was not gone, but it had softened, like light filtering through curtains. She flipped open her notebook to a blank page and wrote: > “Today arrives like a breath held overnight— soft, trembling, full of forgiveness.” She paused, watching a flock of birds rise suddenly from a distant rooftop. The city was waking slowly: a window slid open across the street, a kettle whistled, a bus grumbled to life far below. And yet, this rooftop still felt like its own world—suspended between sleep and possibility. Leona remembered something her mother used to say, on the rare mornings they sat together sipping tea before the day began: “The sunrise doesn’t ask for applause. It just shows up, brilliant and quiet.” As a child, she hadn’t understood it. Now, it lived in her bones. She wrote another line: > “The sky does not compete with yesterday. It simply begins again.” There was comfort in that. In knowing that each morning, the sun would return without asking permission. That no matter how fractured the previous day had been, sunrise brought a fresh canvas. It didn’t erase anything, but it gave you space to keep going. Leona glanced at her hands—ink-stained, ringless, real. She had been through seasons of doubt, loneliness, and aching uncertainty. But here, wrapped in sunlight and birdsong, she felt something unfamiliar and welcome: peace. A few more lines spilled onto the page—something about light painting rooftops, about shadows retreating into alleys. She didn’t force the rhythm; it would find its shape in time. For now, it was enough to catch what the morning offered. The sun crested the horizon fully, casting gold over the bricks and glass. For a moment, the city glowed—not loud or triumphant, but with a soft kind of courage. The kind that doesn’t shout but stands tall anyway. Leona closed her notebook and leaned back, letting the warmth touch her face. This was why she came. Not just to write, but to remember. That light returns. That beginnings are real. That even in silence, life speaks. She breathed in deep. The scent of rising bread drifted from the bakery below, and somewhere, a child laughed. Leona smiled. She had poems to write, yes—but more than that, she had mornings to witness. And in each of them, she’d find pieces of herself once thought lost.
By Muhammad Saad 6 months ago in Poets
