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The Bench That Knew My Secrets

Some places remember what people forget.

By Mohammad AshiquePublished 8 months ago 3 min read
The Bench That Knew My Secrets
Photo by saeed karimi on Unsplash

When I was twelve, I found a bench that listened better than anyone I knew.

It was tucked away in the far corner of our local park in Ohio—a forgotten wooden seat under an old birch tree, facing nothing in particular. No playground. No lake. Just a patch of scrubby grass, a few cigarette butts, and silence.

I don’t remember the first time I sat there. But I remember the feeling—like no one could find me. Or maybe like no one cared to look.

My house back then was... complicated.

Mom was mostly kind but mostly tired. Dad was mostly silent unless he wasn’t, and then he was angry. My older sister was busy making escape plans in the form of college applications and midnight phone calls. I was just... there.

At home, the TV was always on. The kitchen smelled like burnt toast and lemon-scented floor cleaner. The hallway light flickered even though Dad swore he’d fixed it. There were rules, but they changed based on moods and the amount of gin left in the bottle.

So I started leaving.

I’d grab a backpack, say I was going to the library (a half-truth), and walk until I reached the bench. No one followed. No one asked.

The bench didn’t ask either. That’s why I trusted it.

At first, I just sat. I liked the way the breeze moved through the birch leaves. I liked how people didn’t notice me—like I’d become part of the scenery.

Eventually, I started whispering things. Out loud. To the air. To the wood.

“I think I hate my dad sometimes.”

“I wish I could be invisible forever.”

“I lied about liking soccer. I just wanted to be picked for once.”

The bench never interrupted. Never gave advice. Never rolled its eyes.

Some days I cried. Others I stared at nothing until the light changed. One time I fell asleep, woke up with ants in my socks, and laughed so hard I startled a pigeon.

That bench became a secret diary without a lock.

High school happened like a fast-forward button pressed too hard. Crushes. Fights. Grades. One bad haircut. One heartbreak that felt like the end of the world until the next heartbreak came along.

But I always found my way back to the bench.

It saw me through:

  • My first panic attack (I thought it was asthma)
  • My first poem (bad rhymes, but honest ones)
  • My first time realizing I might not be as “straight” as I was pretending to be

It heard my college rejections, and the single acceptance that made me cry into my hoodie.

The bench knew me better than any friend. And yet, it asked for nothing.

I left Ohio at 18 and thought I’d never look back.

City life was loud in a different way—intentional noise, busy noise. I filled journals with thoughts now. I learned to tell secrets to people, not objects.

But every time I came home for holidays, I visited the bench.

Even at 24, with a job and rent and wrinkles starting near my eyes, I sat there like a child. I’d close my eyes and pretend I never left. Just for a minute.

The last time I saw it was a rainy Thanksgiving. I had just come out to my mom. It had not gone well.

“I knew it,” she’d said, but not in a kind way. More like: “I knew it, and I wish I didn’t.”

I walked to the park in the rain without an umbrella. The bench was still there—soaked, moldy in places, one leg slightly uneven now.

I sat down anyway.

And I cried like I hadn’t cried since I was thirteen.

We don’t talk enough about the objects that hold us together when people don’t.

A bench. A hoodie. A notebook. A stupid rock you kicked every day walking home.

Not everything that saves us is human.

That bench was my therapist, my confession booth, my best friend. It knew my worst moments and held me anyway.

When I had no language for my sadness, it offered me silence in return—and sometimes, that was enough.

A few months ago, I bought an old house with a creaky porch and an overgrown yard. And in that yard, under a maple tree, I installed a bench.

Not metal. Not shiny.

Old wood. Slightly uneven. Nothing special.

But I sit there sometimes. And I listen.

To the birds. To the wind. To whatever version of myself still needs to talk.

And sometimes—only sometimes—I imagine that somewhere, in some quiet corner of the universe, a ghost of that old park bench is listening back.

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About the Creator

Mohammad Ashique

Curious mind. Creative writer. I share stories on trends, lifestyle, and culture — aiming to inform, inspire, or entertain. Let’s explore the world, one word at a time.

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