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Celtic Halloween

The original version of the holiday and what it became

By ADIR SEGALPublished 8 months ago 4 min read

In the west of Ireland, on the night of October 31st, a peculiar atmosphere descended upon the villages, as if the very air were charged with an unseen energy. The evening hung in the balance, caught between the fading warmth of summer and the biting chill of winter, a time when the natural world itself seemed to hold its breath.

It was a liminal moment, one where the boundaries between life and death, the living and the dead, blurred. Samhain, the ancient Celtic festival, marked the turning of the wheel of the year and was believed to be the time when the veil between our world and the realm of spirits was thinnest, allowing the two to intermingle.

For the Celts, this was a time of deep significance. The belief was that on the first day of November, the souls of their ancestors would return to the world of the living. Their presence could be felt—sometimes a comforting reminder of those who had passed, but often a source of unease and trepidation.

The spirits might touch the lives of the living in subtle ways—whispering through the winds, rattling doors, or even making their presence known through dreams. This return of souls evoked both fear and hope, a duality that was woven into the very fabric of Samhain's mysticism. But it was the night before, October 31st, that truly carried the weight of the unknown.

On this eve, the boundary between the seen and the unseen, the living and the dead, was at its thinnest. Every door stood vulnerable, every shadow hid the potential for an encounter with a wandering spirit. These spirits were not all benevolent—some were restless, angry, or mischievous, and their intentions were not always friendly. To avoid unwanted encounters with these spirits, the villagers sought out various means of protection.

One such method was carving grotesque faces into turnips, rutabagas, and other root vegetables. These were no ordinary carvings, but deliberately distorted, terrifying visages. The idea was that these twisted faces would scare away the malevolent spirits that roamed the earth on this night.

The carved vegetables became symbolic allies, embodying both defense and deterrence. It was believed that only the most frightening, unsettling faces could keep the spirits at bay, offering a modicum of protection to those who were brave enough to venture out into the darkened streets.

But protection wasn’t just about carvings—it was about hiding, too. People began to disguise themselves, wearing masks and costumes that allowed them to blend into the supernatural world. Some would dress as spirits, fairies, or monsters, and in doing so, they hoped to confuse any wandering spirits, tricking them into thinking that they, too, were from the other side.

In these costumes, the villagers entered the shadows and merged with the supernatural realm. This was no longer just a night of fear; it became a game, a test of survival. Only the disguised, the concealed, could pass through unscathed.

As the centuries passed, Samhain, once a festival rooted in ancient Celtic traditions, began to evolve. When Christianity spread through Europe, the church found itself in a challenging position. How could it convert the pagans without eradicating their cherished customs? The solution came not through suppression, but through adaptation.

Rather than attempting to erase Samhain entirely, the church chose to align it with its own calendar. They introduced the feast of All Saints' Day—All Hallows' Day—on November 1st, effectively repurposing the pagan festival into a Christian one.

However, the evening before, October 31st, was still ripe with mystery and potential. It became "All Hallows' Eve," a time for prayer and reverence, but also a time when the echoes of Samhain’s ancient magic still lingered. Over time, "All Hallows' Eve" was shortened to Halloween, and while the religious significance shifted, the underlying theme of honoring spirits and the dead remained.

Yet, the traditions of Samhain didn’t vanish entirely. Even as Christianity sought to reshape local customs, many of the older practices—disguises, feasts, and fire—remained embedded in the new Halloween celebrations. The blending of Christian and pagan practices gave birth to the Halloween we know today, a festive night where the boundary between the living and the dead is not feared but celebrated.

The celebration of Halloween also took on new forms and meanings. When Irish immigrants arrived in America during the Great Famine of the 1840s, they brought with them not only their traditions but also the practice of carving turnips to ward off spirits. In America, however, they encountered a new fruit—the pumpkin. The pumpkin, much larger and easier to carve than the traditional turnip, quickly became the new medium of choice for creating Jack-O'-Lanterns.

What began as a simple means of protection morphed into a colorful, decorative centerpiece of Halloween festivities. And so, the Jack-O'-Lantern—carved with faces both eerie and playful—became an enduring symbol of the holiday.

Today, while many may no longer believe in wandering spirits or the protective magic of carved pumpkins, the tradition endures, though in a more secular and lighthearted form. Halloween continues to connect different generations, reminding us of the shared human fascination with the mysterious and the unknown.

Perhaps, for some, there is still a flicker of belief in the magic of the pumpkin. It’s not so much about the spirits that may or may not visit, but rather about the sense of wonder and mystery that remains. And perhaps, as we don our costumes and masks, we are all searching for a little bit of that old magic—the chance to momentarily escape the ordinary, to remember the spirits of the past, and to feel a connection to something that transcends the physical world. After all, in the magic of Halloween, anything is possible.

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About the Creator

ADIR SEGAL

The realms of creation and the unknown have always interested me, and I tend to incorporate the fictional aspects and their findings into my works.

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