movie
Best geek movies throughout history.
Postscript after watching the movie: Corpse Bride
Corpse Bride is an incredible old legend. The animated masterpiece "Corpse Bride," which Tim Burton was said to have spent over ten years in was popular a few years ago. I didn't have the opportunity to watch it with my friend until a few days ago. The treatment of tone is a dim sorrow. The plot of the story is not very new. All mistakes are derived from a small ring. The corpse bride, a beautiful and passionate lady before her death, still kept her talent and soul, although her limbs would fall off when she danced, her eyes would roll out when she shed tears, and green worms came in and out of her head cavity. The favorite scene is at the end of the play, where the corpse bride turned into pieces of white butterflies and flew away.
By Golden Maple5 years ago in Geeks
A Filmmaker's Guide to: Detectives
In this chapter of ‘the filmmaker’s guide’ we’re actually going to be learning about literature and film together. I understand that many of you are sitting in university during difficult times and finding it increasingly hard to study and I understand that many of you who are not at university or not planning on it are possibly stuck of what to do, need a break or even need to catch up on learning film before you get to the next level. This guide will be brief but will also contain: new vocabulary, concepts and theories, films to watch and we will be exploring something taboo until now in the ‘filmmaker’s guide’ - academia (abyss opens). Each article will explore a different concept of film, philosophy, literature or bibliography/filmography etc. in order to give you something new to learn each time we see each other. You can use some of the words amongst family and friends to sound clever or you can get back to me (email in bio) and tell me how you’re doing. So, strap in and prepare for the filmmaker’s guide to film studies because it is going to be one wild ride.
By Annie Kapur5 years ago in Geeks
Movie Review: 'On the Rocks' Another Triumph for Sofia Coppola
I can already hear the whining over On the Rocks. I can hear people saying ‘nothing happens’ or ‘it’s so boring,’ or other such unimaginative complaints. Indeed, On the Rocks has no explosions, it has no special effects and no bombastic, propellant score to rouse your limited attention span. All that On the Rocks has are a pair of masterful performances skillfully directed by one of the most thoughtful and nuanced directors of our age. I don’t understand why that’s not enough for so many of you?
By Sean Patrick5 years ago in Geeks
Spoiler Alert: 9 Ways Netflix Botched Their Remake of 'Rebecca'
Netflix’s remake of the 1940 Alfred Hitchcock masterpiece, Rebecca, is not good. Don’t get me wrong, it’s a handsome movie, well staged with two terrific lead actors in Lily James and Armie Hammer. Unfortunately, the writers and director Ben Wheatley let everyone else down by failing to understand what made the original Rebecca a master work that remains relevant and witty to this day.
By Sean Patrick5 years ago in Geeks
Some Changes I Would Have Made In The Sequel Trilogy
I respect everyone's opinions on the sequel trilogy, whether you liked it or not. Personally, I think the sequel films had a lot of promise, but turned into a jumbled mess. However, instead on placing the blame on who did what wrong, I'd like to say what changes to the characters and their story arcs I would have made.
By Jonathan Meyers5 years ago in Geeks
A Filmmaker's Guide to: Carpe Diem
In this chapter of ‘the filmmaker’s guide’ we’re actually going to be learning about literature and film together. I understand that many of you are sitting in university during difficult times and finding it increasingly hard to study and I understand that many of you who are not at university or not planning on it are possibly stuck of what to do, need a break or even need to catch up on learning film before you get to the next level. This guide will be brief but will also contain: new vocabulary, concepts and theories, films to watch and we will be exploring something taboo until now in the ‘filmmaker’s guide’ - academia (abyss opens). Each article will explore a different concept of film, philosophy, literature or bibliography/filmography etc. in order to give you something new to learn each time we see each other. You can use some of the words amongst family and friends to sound clever or you can get back to me (email in bio) and tell me how you’re doing. So, strap in and prepare for the filmmaker’s guide to film studies because it is going to be one wild ride.
By Annie Kapur5 years ago in Geeks
Vertigo (1958)
In this article, we will be looking at 2019’s book “1001 Movies to See Before You Die” and going through each film in a random order that I have chosen. We will be looking at what constitutes this film to be on the list and whether I think this film deserves to be here at all. I want to make perfectly clear that I won’t be revealing details from this book such as analyses by film reporters who have written about the film in question, so if you want the book itself you’ll have to buy it. But I will be covering the book’s suggestions on which films should be your top priority. I wouldn’t doubt for a second that everyone reading this article has probably watched many of these movies anyway. But we are just here to have a bit of fun. We’re going to not just look at whether it should be on this list but we’re also going to look at why the film has such a legacy at all. Remember, this is the 2019 version of the book and so, films like “Joker” will not be featured in this book and any film that came out in 2020 (and if we get there, in 2021). So strap in and if you have your own suggestions then don’t hesitate to email me using the address in my bio. Let’s get on with it then.
By Annie Kapur5 years ago in Geeks
Late Review: "Una Noche"
Foreign films have it rough. As you browse Hulu, Netflix, Amazon Prime, etc. the moment you see a film title in a language you can't read or a weird film poster, you (usually) automatically skip it. It has happens to all of us. Never judge a book by its cover right? Whether it is an album cover, a book cover, or a film cover, it is natural for people to discard something you don't recognize right away. This is truly the case for international media. It's the same reason why people fail to give anime a try (but that's a topic for a different day).
By George Gomez5 years ago in Geeks
A Filmmaker's Review: The Greatest Story Ever Told (1965)
An almost three and a half hour long film about the life and death of Jesus Christ, this film not only misses out no details but it also has a pretty great cast of characters. I have to say that honestly, it was so long that I sometimes I felt myself zoning out but the realism of rioting after the death of King Herod and the execution of the masses upon the warning of the birth of Jesus to the King made it more exciting to watch. I have seen many films about the life of Jesus Christ and yet this one has to be one of my favourites.
By Annie Kapur5 years ago in Geeks
Reservoir Dogs (1992)
In this article, we will be looking at 2019’s book “1001 Movies to See Before You Die” and going through each film in a random order that I have chosen. We will be looking at what constitutes this film to be on the list and whether I think this film deserves to be here at all. I want to make perfectly clear that I won’t be revealing details from this book such as analyses by film reporters who have written about the film in question, so if you want the book itself you’ll have to buy it. But I will be covering the book’s suggestions on which films should be your top priority. I wouldn’t doubt for a second that everyone reading this article has probably watched many of these movies anyway. But we are just here to have a bit of fun. We’re going to not just look at whether it should be on this list but we’re also going to look at why the film has such a legacy at all. Remember, this is the 2019 version of the book and so, films like “Joker” will not be featured in this book and any film that came out in 2020 (and if we get there, in 2021). So strap in and if you have your own suggestions then don’t hesitate to email me using the address in my bio. Let’s get on with it then.
By Annie Kapur5 years ago in Geeks
A Filmmaker's Guide to: Biography and Biopic
In this chapter of ‘the filmmaker’s guide’ we’re actually going to be learning about literature and film together. I understand that many of you are sitting in university during difficult times and finding it increasingly hard to study and I understand that many of you who are not at university or not planning on it are possibly stuck of what to do, need a break or even need to catch up on learning film before you get to the next level. This guide will be brief but will also contain: new vocabulary, concepts and theories, films to watch and we will be exploring something taboo until now in the ‘filmmaker’s guide’ - academia (abyss opens). Each article will explore a different concept of film, philosophy, literature or bibliography/filmography etc. in order to give you something new to learn each time we see each other. You can use some of the words amongst family and friends to sound clever or you can get back to me (email in bio) and tell me how you’re doing. So, strap in and prepare for the filmmaker’s guide to film studies because it is going to be one wild ride.
By Annie Kapur5 years ago in Geeks
#tbt La Cienaga // Lucretia Martel
La Ciénaga (2001), directed by Argentinean auteur Lucretia Martel, embodies the sardonic sensibilities of New Argentine Cinema. Perhaps the best example of this in the film is Martel’s infatuation with the corporal. The film opens with unflattering close-ups of cellulite and aging bodies near an outdoor pool – bodies that are otherwise, humorously, positioned for print magazine advertising. Shortly thereafter, the film’s most probable heroine, Mecha, drunkenly injures herself in a moment that parallels a later scene where a cow slowly descends into quicksand. In these scenes the primary subject on screen reflects the country’s aging bourgeoisie, which Martel records both intimately and with a mocking distance. Like other films of New Argentine Cinema, Martel’s work takes a structural departure from traditional narrative cinema, and with La Ciénaga the filmmaker uses it to paint a scathing portrait of the Argentinean bourgeoisie.
By Hayat Hyatt5 years ago in Geeks
