Bill Nighy and More Join Audible’s Star-Studded Harry Potter Audiobooks
A new wave of stars joining Audible’s immersive Harry Potter audiobooks, set to launch this November.
Audible’s ambitious full-cast Harry Potter recordings have just got even more magical. The platform has revealed a fresh wave of actors joining the project — including Bill Nighy, Sope Dirisu and Saoirse-Monica Jackson — in what’s being billed as the final major casting round before the series begins rolling out in less than two weeks.
The New Arrivals
Bill Nighy (Harry Potter and the Deathly Hallows: Part 1) returns to the wizarding world as Professor Slughorn, bringing his trademark mix of warmth and world-weariness to the genial Potions Master. He’s joined by Sope Dirisu (Gangs of London) as Sirius Black, and Saoirse-Monica Jackson (Derry Girls) as Professor Trelawney.
The new additions continue with David Holmes — Daniel Radcliffe’s long-time stunt double in the original films — as Stan Shunpike; Stephen Mangan (Green Wing) as a spirited Nearly Headless Nick; Mackenzie Crook (Pirates of the Caribbean) as Kreacher; Millie Gubby as the dreamy Luna Lovegood; Tracey-Ann Oberman (Doctor Who) as Madam Hooch; and Anna Maxwell Martin (Motherland) as Rita Skeeter.
The production also continues to distinguish between its younger and older castings of iconic characters. Jude Farrant voices Draco Malfoy during the early Hogwarts years (Books 1–3), with Maximus Evans taking over as the older, more conflicted version from The Goblet of Fire onwards. Similarly, Jake Sigsworth portrays Neville Longbottom in the opening adventures, before Archie Mountain assumes the role as the character matures into one of the series’ quiet heroes.
An Already Enchanted Ensemble
These latest signings join an already dazzling line-up. Hugh Laurie leads as Albus Dumbledore, Matthew Macfadyen lends his gravitas to Lord Voldemort, and Riz Ahmed portrays the complex Severus Snape. Michelle Gomez brings her trademark bite to Professor McGonagall, with Cush Jumbo narrating the series. Mark Addy is Hagrid, Alex Hassell plays Lucius Malfoy, and Daniel Mays voices Dobby, while twin sisters Sara and Avni Deshmukh take on the Patil twins.
Beyond Hogwarts’ walls, Keira Knightley steps into the shoes of the ever-prim Dolores Umbridge, Kit Harington captures Gilderoy Lockhart’s theatrical vanity, and Iwan Rheon delivers quiet depth as Remus Lupin. James McAvoy’s Mad-Eye Moody promises both grit and eccentricity, Ruth Wilson conjures the feral menace of Bellatrix Lestrange, Ambika Mod brings energy to Tonks, Simon Pegg charms as Arthur Weasley, Gemma Whelan embodies Professor Sprout, Matt Berry struts as Sir Cadogan and Leo Woodall adds warmth as Bill Weasley.
The Golden Trio Across Time
As previously reported, the iconic trio is voiced by separate younger and older casts, a thoughtful creative choice that mirrors the characters’ development across the series. Frankie Treadaway, Max Lester and Arabella Stanton bring Harry, Ron and Hermione to life in the early Hogwarts years — The Philosopher’s Stone, The Chamber of Secrets and The Prisoner of Azkaban — while Jaxon Knopf, Rhys Mulligan and Nina Barker-Francis take over from The Goblet of Fire onwards, guiding listeners through the darker, more mature chapters.
In another rare bit of cross-media casting, Arabella Stanton will also portray Hermione Granger in HBO’s upcoming live-action Harry Potter series — the first performer to embody the same role across both audio and screen.
A New Era of Wizarding Audio
The first instalment of Audible’s Harry Potter: The Full-Cast Audio Editions is set for release in November, with the remaining books to follow. Audible and Pottermore Publishing have hinted that a few final names are still to be revealed before launch, promising even more familiar voices from British stage and screen.
For now, this latest announcement cements the project as one of the most ambitious audiobook ventures ever produced — a full-scale reinvention of J.K. Rowling’s world that invites fans to hear Hogwarts as they’ve never heard it before.
About the Creator
Ted Ryan
Screenwriter, director, reviewer & author.
Ted Ryan: Storyteller Chronicles | T.J. Ryan: NA romance
Socials: @authortedryan | @tjryanwrites | @tjryanreviews
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Poet 'flabbergasted' by London fireworks request
In an unusual request that has left the literary world buzzing, a prominent British poet expressed shock after being asked to contribute a poem to accompany London’s iconic New Year’s Eve fireworks display. While poetry and fireworks may seem like an unlikely pairing, the organizers of London’s world-famous spectacle hoped to add a new layer of meaning and reflection to the annual celebration. For the poet involved, however, the request proved both surprising and challenging, highlighting the intersection of art, public spectacle, and expectation. An Unexpected Invitation The poet, whose work has been celebrated for its introspective and reflective qualities, revealed that the invitation came out of the blue. “I was completely flabbergasted,” they said. “To think that my words could be part of a massive public event like the London fireworks—it’s thrilling, but also daunting.” The request involved composing a poem that could be read aloud just before the fireworks began, setting the tone for millions of viewers both in person along the Thames and watching through live broadcasts. Organizers reportedly wanted a piece that captured the essence of London, the passage of time, and the hope that comes with the arrival of a new year. While the themes may appear straightforward, translating them into a poem suitable for such a massive, public platform is no small feat. As the poet noted, “It’s one thing to write for readers in a quiet room. It’s another to write for thousands of people looking up at the sky, waiting for the pyrotechnics to begin.” Balancing Art with Spectacle This request highlights a broader question about the role of art in public celebrations. London’s New Year’s Eve fireworks have traditionally focused on visual spectacle, with music often accompanying the display. Adding poetry introduces an element of reflection and literary expression, encouraging viewers to pause and consider not just the fireworks but the ideas and emotions they evoke. The poet described the challenge as a balancing act. “You want to create something meaningful, something that resonates, but you also have to recognize that it’s just before a massive, loud display of fireworks,” they explained. “Your words have to land instantly, emotionally, because the visual spectacle is overwhelming.” This challenge reflects the broader difficulty artists often face when working in public spaces: their work must be accessible, immediate, and impactful while retaining depth and authenticity. The Pressure of Public Expectation Being asked to contribute to such a high-profile event comes with enormous pressure. The poet admitted feeling the weight of responsibility, noting that millions of people will hear the poem, and the stakes are high. “When you write for the page, you have the luxury of quiet reflection. Here, you’re competing with pyrotechnics, cheers, and cameras,” they said. “It’s thrilling, but it’s also nerve-wracking.” This moment also reflects how poetry continues to find new avenues for public engagement. From spoken word performances to interactive installations, poets are increasingly being called to contribute to events outside traditional literary spaces. The London fireworks request exemplifies this trend, illustrating how poetry can amplify emotions, create context, and transform a visual spectacle into a moment of collective reflection. Creative Freedom or Constrained Vision? While the invitation was an honor, the poet noted some constraints. “They wanted certain themes, certain emotions, and a length that could fit into the opening sequence,” they said. “It’s challenging to balance artistic freedom with practical requirements, but it’s also an opportunity to push your creativity in new directions.” For many poets, constraints like these can stimulate innovation, forcing them to think differently about rhythm, imagery, and narrative structure. The experience also raises questions about how public art is curated and who gets to shape collective experiences. Poetry, by nature, is subjective and personal, but in this context, it becomes part of a shared cultural moment, bridging private reflection and public celebration. Looking Forward As London prepares for its annual New Year’s Eve fireworks, all eyes will be on the Thames, anticipating the dazzling display. Behind the spectacle, however, will be a poet whose words aim to complement and deepen the experience. For viewers, it may be a reminder that fireworks are not just visual wonders but emotional and intellectual experiences, enriched by the power of language. The poet’s reaction—flabbergasted, humbled, and inspired—speaks to the ongoing relevance of poetry in contemporary life. Even in an age dominated by social media, lights, and screens, the written word retains the ability to surprise, move, and connect people in unexpected ways. London’s New Year’s Eve fireworks may never have been just a visual celebration; now, thanks to a poet’s touch, it promises to be a moment where the sky and the human imagination meet. Conclusion While the idea of combining poetry with fireworks may seem unusual, it underscores the enduring power of words to frame human experiences. As London’s crowds count down to midnight, the poem will offer a pause—a moment to reflect on the past year, anticipate the future, and experience the beauty of language alongside the thrill of pyrotechnics. For the poet, the request was flabbergasting, but for the city and its millions of spectators, it may become an unforgettable way to welcome the New Year.
By Fiazahmedbrohi 6 days ago in Geeks
Comments (1)
I am really looking forward to this 😁