Movie
Barbie: nice movie...
Don't get me wrong. Barbie is a great film, with bags of humor and lots of funny references to other films... for those old enough to remember 2001: A Space Odyssey. Problem is, it didn't know where to end. There is only so much existentialism a theatre audience can take.
By Raymond G. Taylor2 years ago in Critique
The Awkward Allure: A Critique of ‘Napoleon Dynamite’
'Napoleon Dynamite' is a quirky time capsule of early-2000s awkwardness. Its offbeat humor and peculiar characters evoke a polarized response—either you're charmed or you're not. While it has earned cult status, its plot meanders aimlessly, potentially leaving viewers as listless as its protagonist. A unique but divisive experience. It sucked!
By Stevie Johnson2 years ago in Critique
Man In The Box
Man In The Box has always been my favorite Alice In Chains song. Perhaps because I’ve often felt that I’ve been trying to escape the box that people are always trying to paint me into. Most definitely it has something to do with Layne Staley and Jerry Cantrell’s vocal styling.
By Atomic Historian2 years ago in Critique
The Jaws of Summer
In 1975, a little known budding director named Steven Spielburg made a film based on a book about a shark. Terrifying audiences, it spawned a bunch of sequels of varying quality. It also altered the landscape of cinema forever. The summer blockbuster had been birthed from the exploding shark's remains.
By Dave Rowlands2 years ago in Critique
Unwrapping Barbie: Balancing Beauty, Impact and Imagination in 50 Words
An iconic figure influencing values. Plastic perfection upholds unattainable beauty standards. Barbie Movies: Colorful tales weaving friendship and ambition, but some critics note formulaic plots, provoking discussions about femininity. Cinematic journeys inspire despite debates
By Tereza Giannouri2 years ago in Critique
In the Mix with YouTube
Music mix channels are some of the best parts of YouTube. They keep you company when writing or studying. They’re great for finding new music, without having to dig through tons of other channels, or Spotify. It’s often the best part of my day to put music on and write.
By Atomic Historian2 years ago in Critique
The chosen one
In the Goblet of Fire, the rules were given for the Triwizard tournament; one being over 17, adults can't add an underage wizard and no spell can be used. Not only was Harry Potter’s name added, he became the fourth contestant. Despite the rules, Harry Potter was forced to play.
By Jen Phillips2 years ago in Critique
The Godfather's Brilliance: A Critical Appreciation
"The Godfather" is a cinematic masterpiece. With impeccable casting, writing, and directing, the film's brilliance shines through. Marlon Brando and Al Pacino deliver exceptional performances, supported by an outstanding cast. Even in my critical eyes it's a perfect ten, as it flawlessly captures the essence of power, family, and crime.
By Brooklyn Damien2 years ago in Critique
My Fair Lady
My Fair Lady is abuse, misogyny, and an alarming age gape all concealed in delightful musical numbers. Alas, despite these glaring flaws, it delights and warms the heart. Join Eliza, a poor flower girl, as she rises up in social ranking with the help of a berating phonetics professor, Henry.
By Laura Lann2 years ago in Critique
Barbie Is Not A Masterpiece
In a world where blockbusters based on toys or other shiny pre-existing IPs rule the Cinelux, Barbie never takes itself seriously and even laughs and winks when it does. No Oscar bait here, but chances are the gold could have a pink lining this year, Thanks to Ms. America (Ferrera).
By Herman Wilkins2 years ago in Critique
Hocus Pocus
Spooky season is almost here, and what is it without Winnifred, Mary, and Sarah? The perfect blend of goofy and fun with iconic characters and just enough heart to put a spell on you forever. Gary and Penny Marshall are icing on the cake. But the sequel is absolute garbage.
By Natalie Gray2 years ago in Critique
