Miley Cyrus Explains Her 2025 Oscars Mission: It Was a "Business Trip" for Songwriting

(Introduction)
Miley Cyrus arrived at the 2025 Academy Awards in the expected glamour.She walked the red carpet, spoke to press, and took in the show. But her core reason for being there was not as a spectator or a nominee. In a recent, frank interview, Cyrus explained that her attendance was, in her words, “a business trip.” Her primary goal was to meet filmmakers and offer her services as a songwriter for future film projects. This move cuts through the usual celebrity narrative and reveals a focused artist making a strategic career play.

(The Strategic Move)
Cyrus stated she is at a point in her life and career where she wants to focus on songwriting,both for herself and others. She sees film as the ultimate storytelling medium and wants to be part of it in a meaningful way. “The Oscars is where the best storytellers in the world gather,” she said. “I have a skill—writing songs that capture feeling and advance a narrative. It made sense to go to the source.” She made it clear this was not about seeking fame or a new vanity project. It was a practical step. She views songwriting for film as a craft, and she is presenting herself as a craftsperson for hire.

(Bypassing the Normal Channels)
The music and film industries operate with layers of agents,managers, and intermediaries. By attending the Oscars in person, Cyrus chose a direct approach. “Emails can get lost. Meetings can be scheduled and rescheduled. But a genuine, in-person conversation at an event like that? That has impact,” she explained. She did not name specific directors she spoke with, but indicated she had several “great talks” with nominees and other attendees. The goal was to plant a seed. She wanted them to think of her the next time they are in an edit bay and feel a scene needs a specific musical voice.

(The Skill Set She’s Selling)
Cyrus is not just a pop star with a hit catalog.Her career has shown a wide range. She has written country-tinged ballads, rock anthems, disco-pop tracks, and heartfelt piano-driven songs. This versatility is her sales pitch. A coming-of-age drama needs a different sound than a sci-fi epic or a tense thriller. Cyrus believes her chameleon-like musical ability, combined with her lifetime of interpreting different characters (from her Hannah Montana days to her recent rock persona), makes her uniquely suited to adapt her writing to a director’s vision. She stressed she is not interested in forcing a “Miley” sound onto a film, but in creating the right sound for the film itself.

(The Industry Reaction)
This direct pitch has been met with a mix of surprise and respect within industry circles.Some see it as a smart, proactive move that treats her music as a serious business. A veteran music supervisor, who asked not to be named, said, “It’s actually brilliant. Most artists wait for the offer. She’s making the offer. It shows a level of confidence and maturity in her craft that directors will respond to.” It reframes her from a celebrity wanting to dabble in movies to a professional seeking collaboration. This could open doors that typical industry pathways might keep closed.

(A Shift in Celebrity Behavior)
Cyrus’s Oscars mission points to a broader shift in how top-tier artists manage their careers.The lines between performer, writer, and entrepreneur are increasingly blurred. Attending a major event with a concrete professional goal, beyond publicity, reflects a more business-minded approach to artistry. It also demystifies the process. It shows that even at the highest levels, artists still have to network, pitch their ideas, and seek out new work. Cyrus treated the Oscars not as a glittering party, but as a high-stakes networking event in her field.

(The Importance of Film Music)
The interview also let Cyrus talk about her deep respect for film music.She cited classics like “The Bodyguard” soundtrack and more recent works like the curated scores for films by directors like Greta Gerwig and Bradley Cooper. “A great song in a film doesn’t just play over the credits,” she said. “It becomes part of the film’s DNA. It can define a character’s journey or elevate a key moment into something iconic.” She sees this as the highest form of songwriting—work that serves a larger story and connects with an audience in a shared, cinematic experience.

(Overcoming Potential Perceptions)
Cyrus is aware that some might see this as a celebrity whim.She addressed this directly. “I know people might think, ‘Oh, she’s just bored,’ or whatever. But this isn’t new for me. I’ve been writing songs for twenty years. I’ve written for other artists. This is an extension of that, just aimed at a different canvas.” She emphasized her work ethic and her willingness to work in the less glamorous parts of the process—editing sessions, temp tracks, and multiple revisions. This is key to convincing filmmakers she is serious, not just looking for a quick Oscar for Best Original Song.

(The Path Forward)
So,what comes next? Cyrus said the Oscars trip was “step one.” Step two is the follow-up. She and her team will be reaching out to the connections she made, setting up more formal meetings, and likely sharing custom demos or ideas tailored to directors’ past work or announced projects. She is not expecting an immediate offer, but is playing the long game. The hope is that for the 2026 or 2027 Oscars, she might be attending not as a pitchwoman, but as a nominee for a song she wrote for a film.

(Conclusion)
Miley Cyrus’s revelation about her 2025 Oscars“business trip” is a telling moment. It strips away the fairy-tale facade of such events and reveals them as workplaces for creative professionals. Her decision to personally offer her songwriting services to filmmakers is a bold, pragmatic, and deeply respectful move toward a new artistic challenge. It reflects an artist who knows her worth, understands her craft, and is not afraid to walk into the heart of Hollywood to ask for the job. In doing so, she is not just looking for a new gig; she is actively writing the next chapter of her career, one conversation at a time.