Music
Standing While Falling. Top Story - January 2026.
Quotation from Friedrich Nietzsche "He who wrestles long with monsters should beware lest he himself become a monster. And if you gaze long into an abyss, the abyss also gazes into you. Man is not destroyed by suffering, but by the meaning he makes of it."
By LUCCIAN LAYTH2 days ago in Critique
Autotune Tears
Digital Tears and Ghosts in the Studio The script has become a seasonal awards-show classic: an established artist, face solemn and trophy in hand, uses their acceptance speech to denounce the latest technological heresy. Today, the monster is artificial intelligence (AI)—a soulless threat, a soul-less automaton poised to usurp human creativity and devalue artists’ livelihoods. Yet this moral panic is not new; it is merely the latest chapter in the music industry’s long, repetitive history of resisting progress—a predictable cycle of fear, rejection, and, inevitably, assimilation.
By Francisco Navarro18 days ago in Critique
The Man on Fire: A Story of Love, Sacrifice and Redemption
The Man on Fire, released in 2004 by Tony Scott and starring Denzel Washington, is much more than just an action film. It is a poignant dive into the twists and turns of the human soul, where violence mixes with raw emotion and redemption takes shape in the simplest gestures. But at the heart of this gripping thriller, what stands out above all is the unique relationship that develops between bodyguard Creasy and young Pita, a kidnapped girl.
By Baptiste Monnet2 months ago in Critique
I went back and watched Twilight: New Moon (2009)
The Sophomore Slump New Moon, the second installment in the Twilight saga, attempts something genuinely daring for a blockbuster franchise: it removes its male lead for the majority of the film's runtime. This bold narrative choice serves the story's emotional arc but simultaneously exposes the franchise's structural weaknesses. In an era where young adult adaptations were rushing to capitalize on the success of the first film, New Moon takes the unexpected route of dwelling in darkness, depression, and absence—a risky gambit that doesn't entirely pay off.
By Parsley Rose 3 months ago in Critique
Finally Sat Down to Watch Midsommar (2019)
Ari Aster's 2019 film Midsommar represents an ambitious and polarizing entry in contemporary horror cinema. Following his acclaimed debut *Hereditary*, Aster crafts a folk horror experience that deliberately inverts the genre's visual conventions while exploring the dissolution of a toxic relationship against the backdrop of a Swedish pagan festival. The result is a film that is simultaneously beautiful and disturbing, meditative and visceral, earning both ardent admirers and vocal detractors.
By Parsley Rose 3 months ago in Critique
8 Mile: The Sorrow of a Raunchy Dream and a Daily Battle
This 2002 film is not just a foray into the realm of rap ut a reflection of a man's battle within himself with his own personal demons. It is a raw and unflinching story that lingers long after the end credits.
By Baptiste Monnet4 months ago in Critique
Beauty in Black Season 2: Power, Money, and Chaos Are Back on September 11, 2025!
Okay, friends, grab your snacks and a comfy chair, because Beauty in Black Season 2 is almost here, on September 11, on Netflix. It promises even more drama, intrigue, and jaw-dropping moves than the first season. Yes, like before, there’s plenty of time to soak in the chaos, bringing the signature mix of charm and edge.
By Sara Yahia4 months ago in Critique
Overcoming Writer's Block
Bruce Springsteen was frustrated and exhausted when his manager, Jon Landau, insisted he write a preeminent single for his 1984 album “Born in the U.S.A.” By that point, Springsteen had already written over 80 songs for the album, yet a standout single still eluded him. Returning to his hotel later that evening, Springsteen poured all of his pent-up angst and frustration into the song “Dancing in the Dark”, wherein he grapples with the “joke[s]” that are writer’s block and self-doubt, as well as how the external pressures of the music industry and his own audience can stifle creativity and personal growth.
By Strange Overtones4 months ago in Critique
