Goodbye, Riverdale
A brief review of Riverdale's series finale
Riverdale's series finale was quite emotional for me. It wasn't seven seasons' worth of emotion--it was over 30 years as an Archie comics fan. A beautiful ending to an epic series that showed out in so many ways.
The 8-year-old kid in me, who wanted Jughead's beanie, says "thank you."
About the Creator
Clyde E. Dawkins
I'm a big sports fan, especially hockey, and I've been a fan of villainesses since I was eight! My favorite shows are The Simpsons and Family Guy, etc.
Keep reading
More stories from Clyde E. Dawkins and writers in Critique and other communities.
Who Is Clavicular? The Looksmaxxing Streamer Who Ran Over A Stalker In His Cybertruck
What is so damaging to this current culture is the ant-intellectualism which pervades nearly every element of it. Clavicular, real name, Braden Peters equivocates physical form with getting women, making money, and overall being a strong “man.”
By Skyler Saunders19 days ago in Critique
Angry People Click More: The Economics of Manufactured Dissent
(Ideas from the book The Economic Policy of Online Media: Manufacture of Dissent, Routledge, 2024) Abstract This article examines the formula ‘angry people click more’ as a core logic of contemporary online media and as a structural transformation of propaganda in the digital age. It argues that the defining feature of the current attention economy is not only the circulation of misinformation, but the systematic deployment of openly implausible claims designed to provoke moral outrage and sustain profitable engagement cycles. The analysis links Oxford’s 2025 Word of the Year ‘rage bait’ to earlier lexical markers of epistemic crisis such as ‘truthiness’ and ‘post-truth’, and situates this trajectory against the older ‘manufacture of consent’ model of Herman and Chomsky. While classical propaganda in totalitarian and mass-media systems sought ideological unity through censorship and the Big Lie, the emerging Propaganda 2.0 model, articulated by Peter Ayolov, monetises anger by manufacturing dissent and deliberately populating the public sphere with absurd, polarising narratives. The article interprets this dynamic through the allegories of ‘The Emperor’s New Clothes’ and Václav Havel’s greengrocer, showing how the move from fearful silence to permanent online rage changes both the psychology and political economy of propaganda. Drawing on Evgeny Morozov’s critique of fake-news moral panics, Frances Haugen’s disclosures about Facebook, and the documentary The Social Dilemma, it concludes that anger has become a tradable asset and that blatant lying has shifted from an authoritarian instrument of control to a market mechanism in a global ‘free trade in slogans’.
By Peter Ayolov7 days ago in Critique
Comments (5)
Fabulous critique!!! Heartfelt and splendidly written!!!❤️❤️💕
Your emotions can be felt through your review! Well done!
Well done! Though I never saw the show, I heard a lot of good things about it!
Nicely done.
I can see by your critique that you really love the show .😊