This is by far my favorite musical television series. Galavant is witty, poignant, and refreshingly addictive comedic entertainment. This show holds a special place in my heart for its unforgettable one-liners, whimsical characters, celebrity cameos, and catchy earworms that I still hum to this very day. Bring Galavant back, ABC!!
About the Creator
Who Is Clavicular? The Looksmaxxing Streamer Who Ran Over A Stalker In His Cybertruck
What is so damaging to this current culture is the ant-intellectualism which pervades nearly every element of it. Clavicular, real name, Braden Peters equivocates physical form with getting women, making money, and overall being a strong “man.”
By Skyler Saunders18 days ago in Critique
Angry People Click More: The Economics of Manufactured Dissent
(Ideas from the book The Economic Policy of Online Media: Manufacture of Dissent, Routledge, 2024) Abstract This article examines the formula ‘angry people click more’ as a core logic of contemporary online media and as a structural transformation of propaganda in the digital age. It argues that the defining feature of the current attention economy is not only the circulation of misinformation, but the systematic deployment of openly implausible claims designed to provoke moral outrage and sustain profitable engagement cycles. The analysis links Oxford’s 2025 Word of the Year ‘rage bait’ to earlier lexical markers of epistemic crisis such as ‘truthiness’ and ‘post-truth’, and situates this trajectory against the older ‘manufacture of consent’ model of Herman and Chomsky. While classical propaganda in totalitarian and mass-media systems sought ideological unity through censorship and the Big Lie, the emerging Propaganda 2.0 model, articulated by Peter Ayolov, monetises anger by manufacturing dissent and deliberately populating the public sphere with absurd, polarising narratives. The article interprets this dynamic through the allegories of ‘The Emperor’s New Clothes’ and Václav Havel’s greengrocer, showing how the move from fearful silence to permanent online rage changes both the psychology and political economy of propaganda. Drawing on Evgeny Morozov’s critique of fake-news moral panics, Frances Haugen’s disclosures about Facebook, and the documentary The Social Dilemma, it concludes that anger has become a tradable asset and that blatant lying has shifted from an authoritarian instrument of control to a market mechanism in a global ‘free trade in slogans’.
By Peter Ayolov6 days ago in Critique
Comments (3)
If never heard of this one either but it sounds cheesy in the best way 😁
I've never even heard of this show! I should check it out! Loved your review!
I second this motion! Or a spin off "The Adventures of Tad Cooper"