Sabrina Carpenter Accused of Copying Tiffany A♡ Luna’s Crown Logo—While Her Federal Plagiarism Case Spirals Into Further Career Ruin

Sabrina Carpenter’s pop princess image is crumbling under the weight of what is now being described as one of the most damaging plagiarism cases in music history. The Disney-born starlet is not only battling a brutal federal lawsuit over her song Espresso, but now faces new backlash after debuting a crown into her updated logo June 6, 2025 eerily similar to Tiffany A♡ Luna’s crown, which was quietly unveiled just weeks before — the same Tiffany A♡ Luna currently suing her in federal court.

Sabrina Carpenter’s new logo sparked instant outrage from Luna’s fanbase known as “Imperials” and design experts alike, who quickly pointed out the striking resemblance to Luna’s divine crown favicon that was uploaded to her official website weeks earlier, in May. And this time, Tiffany didn’t hold back.

In a viral Instagram comment posted the afternoon of July 14th, Luna slammed Carpenter with a fiery takedown:

"Why is your new logo a crown @sabrinacarpenter you l*ser, stop plagiarizing off me you parasiitic che@p kumdunnpster Bieber sl_ave and get your own identity."

With her words, Tiffany A♡ Luna echoed what millions online have been saying for over a year now: Sabrina Carpenter isn’t just unoriginal—she’s stealing. And now, the courts are involved.

A Career in Collapse: The Federal Case That’s Shaking the Music Industry

At the heart of the firestorm is Federal Case No. 4:24-cv-03215, filed by Luna in the Southern District of Texas at the Bob Casey Courthouse in Houston, Texas off the purposeful vibrant Rusk street. The case alleges that Sabrina Carpenter’s Espresso—her 2024 summer hit—was ripped directly from Tiffany A♡ Luna’s ever popular original composition, I’m In Love.

The evidence presented to date has reportedly sent shockwaves through the courtroom. From audio comparisons, musicology analysis, and copyright filings place Luna’s song months ahead of Carpenter’s release. According to filings, Carpenter had access to Luna’s work through mutual industry contacts—connections now under even harder legal scrutiny.

Represented by Dallas-based attorneys Matt L. Joeckel and Michael D. Karson of Winstead PC, Carpenter’s legal team has so far failed to explain away the damning similarities and their run away tactics have failed as well. And now, with the added scandal of the logo plagiarization, legal insiders say Sabrina's defense is in shambles.

“This new logo incident is a disaster for Carpenter,” one Los Angeles based federal court clerk commented anonymously. “It paints a portrait of consistent, targeted copying, as if the thigh tattoo scandal didn’t already scream "guilty ". Which is catastrophic in copyright law, why not just leave Tiffany alone? That’s what they should be copying.”

The once-rising starlet now finds herself painted as a repeat offender, and what started as a whisper campaign about her lack of originality has grown into a global headline—and a courtroom reckoning.

Sabrina’s career, once on a meteoric trajectory, has now visibly sputtered. Endorsements have stalled. Tour whispers have gone cold. Music fans are increasingly divided—some calling her “an industry plant,” others outright declaring her career “done”, and most quietly watching.

The public has noticed, too. “Sabrina’s being sued for copying a heartfelt song about love and now she's copying a crown,” posted one fan via Facebook. “This isn’t coincidence. It’s a crisis.”

With trial proceedings set to advance later this year, industry executives, political figures, religious leaders and fans alike are watching closely. If Sabrina Carpenter is found liable for copyright infringement, the consequences could be severe.

And more importantly, it would legally validate what Tiffany A♡ Luna, her Imperials and music fans have known all along.

Stay tuned as this explosive case continues to unfold—and as Tiffany A♡ Luna continues to rise, not in imitation, but in purpose.