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You People

Netflix's new release

By ArshithPublished 3 years ago 3 min read

Interracial relationships can be challenging and can challenge one's assumptions. This is where the appeal of You People, a Netflix comedy, comes in as it addresses the difficulties and awkwardness of interracial romance. Directed by Kenya Barris and written by Barris and Jonah Hill, the film follows a white Jewish man and a Black Muslim woman as they navigate the cultural exchange and conflict that comes with their relationship. However, the film falls short in its execution as it feels improvised and disjointed with no real point to make. The cringe comedy and ignorance portrayed in the film comes across as insincere and disingenuous. Despite a strong cast of comedic legends, the film fails to deliver consistent laughs and ultimately comes across as boring.

This comedy, inspired by the 1967 film Guess Who's Coming to Dinner, centers around the romantic relationship between Ezra, a Jewish investment banker, and Amira, a Black costume designer. The two meet by chance and their relationship progresses quickly, leading them to introduce each other to their respective parents. Ezra's parents, played by Julia Louis-Dreyfus and David Duchovny, struggle to appear accepting and open-minded, while Amira's father, played by Eddie Murphy, is openly hostile to the couple. The film begins with promise, but ultimately the message becomes heavy-handed and the humor loses its spark.

Instead, a more effective approach to tackling interracial relationships in art and media would be to focus on empathy and understanding. By delving deeper into the perspectives and experiences of both parties, and exploring the nuances of their relationship, a more authentic and relatable story can be told. This is where the true power of comedy lies - in its ability to bring people together and make them laugh through shared understanding and humanity.

This could include exploring the complexities of navigating cultural differences and the unique challenges faced by interracial couples. Additionally, it could also focus on the positive aspects of interracial relationships, such as the growth and learning that can come from embracing diversity and understanding different perspectives. In short, interracial relationships are complicated but can be a source of growth, learning, and joy when approached with empathy and understanding.

The cringe comedy, which is a staple of Jonah Hill's performances, also grows tiresome and fails to elicit the empathy necessary for good comedy. While the film has a good intention, it ultimately falls short in its execution and fails to deliver a comedic experience that is both empathetic and entertaining. Directed by Kenya Barris and written by Barris and Jonah Hill, the movie follows the story of Ezra Cohen, a white Jewish man, and Amira Mohammed, a Black Muslim woman, as they navigate the cultural exchange and conflict that comes with their interracial romance. However, the film falls short in its execution, as it feels disjointed and poorly directed, with scenes that appear to be improvised and lacking any real purpose. The cringe comedy, which is a staple of Jonah Hill's performances, also grows tiresome and fails to elicit the empathy necessary for good comedy. While the film has a good intention, it ultimately falls short in its execution and fails to deliver a comedic experience that is both empathetic and entertaining.

In conclusion, You People tries to tackle the complexities and awkwardness of interracial relationships, but falls short in its execution. The film is filled with forced misunderstandings and cringe-worthy moments, and lacks a coherent message or direction. Despite a strong cast of comedic legends, the movie ultimately fails to deliver an empathetic or insightful take on the topic. Instead, it relies on ignorance for cheap laughs, which quickly becomes tedious and uninteresting. Overall, You People misses the mark in its attempts at comedy and fails to offer any real insight into the challenges of interracial relationships.

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