Journal logo

Silo: From Bestselling Science Fiction Book to TV Series

Review of Silo from Apple TV Series based on Silo Series written by American Sci-Fi Author Hugh Howie.

By Riham Rahman Published 9 months ago 3 min read
SiLo poster

We do not know why we are here.
We do not know who built the Silo.
We do not know why the world outside is how it is.
We do not know when it will be safe to go out.
We only know—today is not that day.”


In a future scorched by ruin, where Earth breathes poison and silence treads where footsteps once echoed,
A world once brimming now lies barren—lifeless, lost, and laced in mystery.
But ten thousand souls endure, deep beneath the soil,
In a Silo—an underground ark, a cold cathedral to survival,
A dystopia painted with order, yet veiled in secrets untold.

No one knows how they arrived here.
No one knows who forged these iron walls.
No one knows what lies beyond the dust-blurred lens of the lone cafeteria screen.
Is the world outside truly dead—or just a lie too long believed?
Curiosity is a crime. History is forbidden.
To question is to betray.
To seek is to sin.
And punishment comes swift:
Exile, to “clean” the sensors—to vanish beneath the toxic sky.

The Silo stands tall—144 floors deep into the Earth.
Above lies the Upper Top, the Middle Floors span the heart,
And the Deep Down breathes the heat of machines.
Within these levels hums an entire world:
Mayors and judges, farmers and medics,
IT chiefs and officers of law,
And a single rule-bound life, measured by permissions and silences.

Sheriff Holston, a keeper of order,
One day surrenders his badge, his post—
Driven by the ghost of his wife,
Who three years prior walked the same doomed path.
Before stepping outside, Holston leaves behind a name,
One that echoes through the corridors like prophecy:
Juliette Nichols.

A mechanic. Unknown to law.
Bound to the rotors, to the rhythm of machines,
Juliette never dreamt of becoming a Sheriff.
But grief sharpens the soul—
And the death of a lover once labeled “natural”
Leaves her restless, her spirit lit with suspicion.

Mysteries multiply.
The Mayor dies.
The Deputy Sheriff follows, lifeless on his floor.
Suicides whispered by lips that tremble.
Juliette, the woman from the depths, now walks halls of power.
But shadows grow longer, and the Silo resists her rise.

Who killed her lover?
Who spins this web of murder?
Did Holston uncover the truth—
The forbidden truth buried beneath steel and silence?
Who built the Silo?
Is the world outside truly unlivable,
Or is it the truth they fear most?

Adapted from Hugh Howey’s acclaimed Wool,
The Silo finds new life in Apple TV Plus’s hands,
With Graham Yost guiding the vision,
And Morten Tyldum of The Imitation Game breathing it to the screen.
Rebecca Ferguson, fierce and flawless, leads the charge—
Not just as actor, but producer,
Bearing the weight of the tale with quiet power.
Alongside her, the brilliant Tim Robbins brings a cold precision
As head of IT—a gatekeeper to secrets.From mechanics to mayhem, from love to law,
Each character is etched in detail,
Their steps echoing in halls heavy with truth.

The world-building is exquisite—
Every bolt and breath rendered real.
Likely forged with Unreal Engine 5,
This future feels close, almost tangible.

Visually arresting, musically haunting—
The cinematography carves despair into beauty.
And though it's science fiction, it feels like prophecy.
Inside, a dystopia of rigid rules.
Outside, a post-apocalyptic unknown.

Each of the 10 episodes unravels a knot,
Only to tighten a new one—
Mystery begets mystery,
And the viewer is pulled deeper into the labyrinth.

A dance of sci-fi and murder mystery,
Where plot twists cut like blades,
And suspense clings like dust in the air.
By the end, you will find yourself within the Silo,
Breath held,
Eyes wide,
Heart racing.

Rebecca Ferguson shines—
From oil-streaked mechanic to law-bound sentinel.
And Tim Robbins is a storm behind glass.
Commons, too, lends depth and weight,
With every word and gesture echoing strength.

As Sheriff Holston said,
“We do not know why we are here.”
But when the credits roll,
You will ask—
What lies beyond the screen?
And how deep do the lies go?

The Silo doesn't just demand to be watched—
It dares you to question everything.

Think!

artbook reviewcelebritiesfact or fictionfeatureheroes and villainsindustryinterviewmovie reviewpop culturetv reviewsocial media

About the Creator

Riham Rahman

Writer, History analyzer, South Asian geo-politics analyst, Bengali culture researcher

Aspiring writer and student with a deep curiosity for history, science, and South Asian geopolitics and Bengali culture.

Asp

Reader insights

Be the first to share your insights about this piece.

How does it work?

Add your insights

Comments

There are no comments for this story

Be the first to respond and start the conversation.

Sign in to comment

    Find us on social media

    Miscellaneous links

    • Explore
    • Contact
    • Privacy Policy
    • Terms of Use
    • Support

    © 2026 Creatd, Inc. All Rights Reserved.