Chef Nakamura
Bands with the Balkans

In the quiet hum of his West Village restaurant, Chef Nakamura slides his blade through a pristine slab of bluefin tuna. âOne million and one,â he murmurs. He has counted every slice of fish, ever since starting his first restaurant. His father said a real man avoids frivolous controversy, seeks simple work and dedication. Nakamura had taken those words to heart.
Peering over the counter, he sees tables in the dining room occupied by the usual Lower Manhattan crowd of minor celebrities, Wall Street business people, and trust-fund kids.
More than a few tables are empty. Nakamura catches Kateâs attention.
âFewer customers tonight?â he asks, trying to hide any hint of concern.
Kate's eyes dart to his, then away. âYes, thatâs becauseâŚâ Her voice trails off and her eyebrows pinch together.
âBecause why?â Nakamura presses.
She shakes her head. âNever mind. You wouldn't understand.â
Since returning from a month-long sabbatical in Patagonia, he has felt out of sync with the city. People have been treating him differently. Like a piece of freshly cut squid, thereâs something there he canât quite put a finger on.
âIs it something about me?â he asks. âDo I smell? Body odor?â
Kateâs eyes widen, and she lets out a small, nervous laugh. âNo. Thatâs not it. Forget about it.â
Chef Nakamura returns to meticulously preparing scallops, deveining shrimp, slicing pickled mackerel, and all the other work required of a distinguished sushi chef.
After a while, Kate returns. âA customer wants to know if you have Slovenian sea bass.â
âNo. Sorry.â He shrugs, he is used to odd requests but hasnât heard that one before.
Kate nods and walks away. Nakamura notices her disappointment.
A second later, she returns. âThe customer just walked out.â
Nakamura frowns, his knife hovering over the tuna.
âSo, I side with Slovenia. How about you?â Kate asks, her voice sharp.
Confused, Nakamura mumbles, âNo. I donât think so.â
âNo?!â she gasps, her eyes flashing with something he canât quite placeâanger, frustration, maybe even fear. âI canât believe this,â she hisses, turning on her heels, and strides away.
Nakamura sighs, running a hand through his hair. What has he done wrong this time? He doesnât always understand the things Americans talk about. Thatâs why he sticks to cooking. Simpler that way.
An hour later, a commotion erupts. A group of men in fishing waders and flannel shirts burst into the restaurant, their boots clomping against the polished wooden floor.

âFree the Slovenian Sea Bass!â they chant. One of them points a finger at Nakamura. The man, his face ruddy, barks in an Irish accent, âSo, do you side with Slovenia?â
Nakamura blinks, knife still in hand. âWhat?â
âDo you side with Slovenia? Yes or no?â
Nakamuraâs knife hovers over the tuna. Slovenia? What is that? A brand of soy sauce?
âYouâre Irish?â he asks, hoping to defuse the tension.
The manâs face turned crimson. âWhy does that matter? While Croatia hoards the Adriatic, Sloveniaâs fishermen are starving! Do you want to starve a whole country?â
Another man chimes in. âThe Bay of Piran has been boxed in from every direction. Weâre shutting down every seafood restaurant in New York that doesnât side with Slovenia!â
Nakamura wipes his hands on his apron. âIâm just a sushi chef. I donât know about this.â
The man steps closer, his eyes blazing. âWell, let me explain it to you. Croatia has 3,900 miles of Adriatic coastline, and Slovenia has 29. Do you know what itâs like to only have 29 miles of coastline?!â
Nakamura sighs, âWhat does this have to do with me?â
The angry manâs face contorts into an expression of even greater disgust. Heâs looking at something on the wallâa framed photo of Nakamura grinning next to a celebrity.
âWell, would you look at that! You and Gwyneth Paltrow. She goes on holiday in Croatia! A Croatian lover,â the man shouts, slamming his fist on the counter.
Nakamuraâs voice is calm but firm. âGwyneth is a nice actress. I like her very much.â
Suddenly, the men surround him, grab him by the arms and drag him to the balcony. The cold night air hits his face as they push his upper body toward the edge. Below, the streets of Manhattan buzz with cars honking and people talking, oblivious to whatâs unfolding above them
âThis is for the SeÄovlje!â the angry man shouts, hoisting him further over the edge. âAny last words?â
Nakamuraâs heart pounds. Should he tell them how much he likes Gwyneth Paltrow again? To be honest, he doesn't really know anything about American celebrities. What does this man want to hear? The man's breath, smelling of whiskey, is heavy on Nakamuraâs face when someone taps his shoulder.
âGreg. Thereâs been a deal. The sea bass war is over.â
Cold sweat pours from Nakamuraâs forehead, his breath coming in shallow gasps. The man almost lets go of him, but then, as if remembering something he forgot, he flings Nakamura back onto the roof.
âDamn,â the man mutters to his friend, his face full of disappointment. He turns to Nakamura. âSorry, chef. All good?â
âYes. All good.â
The men shuffle out of the restaurant, their voices fading away.
Chef Nakamura straightens his apron, his hands trembling slightly. He walks back into the kitchen. With care, he picks up his knife and slices the next piece of tuna. âOne million and two,â he says, his voice resolute.
In the end, fish don't care about borders or disputes.
About the Creator
Scott Christensonđ´
Born and raised in Milwaukee WI, living in Hong Kong. Hoping to share some of my experiences w short story & non-fiction writing. Have a few shortlisted on Reedsy:
https://blog.reedsy.com/creative-writing-prompts/author/scott-christenson/



Comments (10)
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