"The Kourites: Protectors of Zeus and Pioneers of Pyrrhic Dance"

Kourites dance around Zeus (infant).

Pyrrhic dance the war dance of the ancient Greeks, which was part of military training. (Rescued by the Pontians and the Cretans in Greece).

The creation of the Pyrrhic dance. According to one version of the legend, Pyrrhic was created by the Kourites, when Zeus was an infant.

The Kourites were one of the first inhabitants of Crete, Greece, and they danced a war dance in armour to cover his crying and not to be heard by Saturn who was chasing him.

▪ According to Aristotle and Homer, Pyrrhic was an armed dance, which was danced by children, men and women.

It contained sideways turns, setbacks, jumps and lowers, offensive moves and defensive moves and the dancers made lively voices.

Plato mentions that Pyrrhic was a divine gift of the Gods to Humans and divided it into two types "peaceful" and "warlike".

He even mentions that it was a part of the adulation for Dionysus.

Strabo mentions that the first to dance the war dance was Achilles' son, Pyrrhus, because he was glad that he killed Euripides, while some claim that Kouritis Pyrrichos danced over the body of Patroclus to mourn him.

Ancient texts say that the dancers were lined up in a military formation, holding shields and spears and imitating the movements of soldiers during battle.

The Athenians danced it in Panathenaea and the Spartans during war.

In fact, a text by Xenophon mentions a festival organized in 400 BC. the inhabitants of Kerasounta, in which they danced Pyrrichio dancing.

Over the years the Greek-Pontians continued to dance the intense war dance, which is considered the most authentic version of ancient Pyrrhic.

The dancers are men, dressed in black and armed, standing in a straight line holding hands with their heads held high.

Gradually the rhythm of the dance rises and despite the differences it has undergone over time, it continues to give a euphoric feeling, those who watch it.

Kourites (the infant) dances around Zeus.

The Greek combat dance known as the pyrrhic dance was practiced as part of military training. (Saved in Greece by the Cretans and the Pontians).

the Pyrrhic dance's invention. In one version of the story, the Kourites created Pyrrhic when Zeus was still a baby.

Among the earliest people to live in Crete in ancient Greece were the Kourites, who covered his weeping with an armoured battle dance so that Saturn, who was pursuing him, would not hear them. ▪ Pyrrhic was an armed dance that was performed by men, women, and children, according to Aristotle and Homer.

The dancers made enthusiastic sounds, and the routine featured sideways twists, setbacks, jumps and lowers, attacking and defensive actions.

Plato

Kourites twirls around the baby Zeus.

The Greeks used the battle dance known as the pyrrhic dance as a form of military training. (Carried to safety in Greece by the Pontians and the Cretans).

the invention of the dance of Pyrrhi. In a particular tale, Pyrrhic was made when Zeus was still a baby by the Kourites.

One of the earliest people to live on Crete in Greek history, the Kourites, danced a battle dance while wearing armour to hide his tears from Saturn, who was pursuing him. ▪ Aristotle and Homer describe the Pyrrhic as an armed dance performed by men, women, and children.

The dancers used energetic voices and performed a variety of stunts, including sideways twists, setbacks, jumps, and lowers.

Platonic

Around Zeus (baby), Kourites dances.

A component of military preparation, the Pyrrhic dance was an ancient Greek combat dance. (Adopted in Greece by the Pontians and the Cretans).

how the Pyrrhic dance came to be. Pyrrhic was made by the Kourites when Zeus was still a baby, according to one tale.

To hide his sobbing and avoid being seen by Saturn, who was pursuing him, the Kourites, who were among the earliest people to settle on Crete in Greece, performed a warrior dance while wearing armour. Men and women of all ages performed the armed dance known as the pyrrhic, according to Aristotle and Homer.

Along with energetic vocals, the dancers performed a variety of stunts including sideways spins, setbacks, jumps, and plunges.

Platon