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Wandavision: 30 Greatest Scenes of the show so far

With one more instalment left in the gripping series, we take a look back at some of the show's best so far.

By Connor HamiltonPublished 5 years ago 24 min read
Wandavision (2021) Disney+

The recent addition to the Marvel Universe dropped earlier this year on Disney+ with it's first two episodes, immediately revealing itself to be one of the MCU's boldest and most unique instalments. In Friday's episode (26th Feb) titled 'Previously On...' the series delved into the chaotic Wanda Maximoff's (Elizabeth Olsen) past to discover what led to the creation of the suburban Westview viewers have come to know. With one episode still yet to be released this coming Friday (5th March), viewers are anxious to see how the 9-part series will wrap up the show and it's many yet unanswered questions.

The series has come with a fair few moments that will carry the show to it's legacy as one of Marvel's most visually stunning and gripping stories to date. However whilst it was nearly impossible to dissect such a fantastic series, the show does have several moments in it's run that hit home more than others, and now we'll take a look at some of the absolute best.

30. The Opening Titles

With the internal show of 'Wandavision' shifting in theme and style throughout the run of episodes to best suit the decade in which Wanda's Westview has found itself in, we have been treated to a whole host of fake 'opening titles' that mimick that of 20th Century (and a bit of 21st) sitcom opening titles. Though in the grand scheme of things the titles themselves very rarely give any major insight into the episode or Wanda's unique position, each episode starting off with a nostalgic flair really gives Wandavision the magic it needs. It begs the question of whether the upcoming Disney+ shows will also have 'opening titles', or whether the sitcom TV touch of this show allowed the opportunity to play around a bit outside of the usual 'Marvel' opener.

29. "I'm a Witch"

The opening scenes to the recent episode of Wandavision, titled 'Previously On...' really threw the viewers a bone when it came to properly identifying who Agatha Harkness (Katheryn Hahn) is. Revealed to be the villain of the series at the end of the episode prior, fans were left with a boppy song and a whole host of questions about the mysterious sorceress and her involvement in Wanda's Westview. Whilst the fans had to wait a little longer to discover Agatha's true intentions, this deep dive into her past as a witch from the Salem Trials was a nice touch. Seemingly killing her own mother (as strained as that relationship seemed) is already one step up from the Sparky the Dog killer we knew Agatha to be. Not only is this scene visually stunning, it's one of the few times in the MCU we've ever travelled back in time further than World War II. Agatha clearly isn't here to mess around, and this scene sets that foundation quite early on, which definitely raised the tension for the episode moving forward.

28. Misery in Westview

Though brief, this scene, also from the most recent episode, introduces us as viewers to the town of Westview mere moments before it was transformed into Wanda's suburban sitcom town. Though there's no dialogue in this scene, there's something about the way in which the town is presented that gives off a dreary and miserable tone. We've spent so many episodes wondering why Wanda has been keeping the people of Westview hostage, that we never once wondered whether this utopia she's created is exactly what some of these people needed. With the context that this scene takes place mere weeks after the Snap that brought back half of humanity, was Wanda's transformation of Westview purely fuelled by her own post-snap grief? It's likely we'll never know, but it's a nice thought to ease the truth of their potential suffering.

27. "Don't let him make you the villain."

Tensions between Monica Rambeau (Teyonah Parris) and Wanda have been high throughout the season once Wanda, and subsequently the viewers, discovered that local lady Geraldine was in fact a S.W.O.R.D. operative who was investigating the Hex surrounding Westview before accidentally being pulled in herself. Having been cast out by Wanda for her 'intrusion' in an earlier episode, Monica's re-arrival in town was the final straw for Wanda who proceeded to threaten Monica using her powers. This led to a fantastic, but brief, locking of horns between the two ladies, with Monica's newfound powers clearly startling Wanda. Though the two ladies ended up talking out most of their issues as opposed to fighting, it's Monica's beautiful speech about loss and letting it define you which touched home for a lot of viewers. Though her pleas fell on deaf ears due to Agatha's involvement, there was a brief moment between two of the shining stars of this season which truly made us wonder if this is only the beginning for these two, as friends and as allies.

26. "You can't control me the way you do them."

At the end of the episode titled 'On A Very Special Episode...', Vision (Paul Bettany) confronts Wanda about the suburban world they're living in and her part to play in the potential suffering of the townsfolk. Whilst Wanda initially dismisses the claim, there are some truly powerful performances going on from the two actors whose love for eachother quickly shifts into confusion and rage. What is rather a nice touch, mostly for the audience (and perhaps Darcy) is when Wanda responds to Vision's claim she can't control him with "Oh can't I," before rolling the credits of the episode. Whilst this initially came across as a rather funny moment, this dismissal of Vision's claims both in real time and in her sitcom suburbia highlights for us as the viewer that Wanda is more in control of this reality than we first though. Breaking out into a proper 'super-hero' marriage argument, the pair both levitate off the ground shouting at eachother, giving us a gentle reminder that whilst they live in what is an idealised human world, their heroic backgrounds will always come to the forefront no matter how normal they try to act.

25. "She's in my head."

Surprisingly, one of the show's freakiest scenes comes from the otherwise goofy and unsuspecting Norm (Asif Ali), Vision's work buddy. During a scene in which Vision and Norm are discussing the implimentation of computers in the workplace and emails, Vision and Norm discover an email from Darcy Lewis (Kat Dennings) which signals to Vision that something is drastically wrong in his otherwise perfect world. Upon releasing Norm from a presumed hypnotic state, Vision tries to calm a panicked Norm, asking him to explain what's going on. Unfortunately for Vision, Norm can't seem to relax, frantically asking after his sister and announcing "she's in my head." Whilst this makes a lot more sense for viewers now with the knowledge that both Wanda and Agatha have some divided control over the townsfolk, the scene in context of the episode was quite frightening and concerning. This becomes one of the first key moments of the series in which we start to hear Wanda spoken about in a potentially villainous light.

24. Someone's Watching

Whilst this scene doesn't necessarily last very long in relation to it's ilusive factor, upon watching the first episode, titled 'Filmed Before a Live Studio Audience', this scene was one of the most intriguing moments. Fans were quick to notice the S.W.O.R.D. logo on both the computer and notebook, but the mystery watcher themselves, since revealed to be Dr. Darcy Lewis, was a mystery to us all. In the context of watching the season back, this may not feel like much of a standout, but week to week, it's little cliffhangers like this that left us begging for more at the end of the first episode, which is why it earnt itself a spot on this list.

23. "Sitcom, sitcom, sitcom..."

In the most recent episode, exploring Wanda's past prior to the Nazi terror organisation HYDRA and later joining the Avengers, Agatha takes Wanda back to the night of her parent's, Irina and Olek' deaths, when an unexploded Stark Industries bomb crashed into their home. Prior to that moment however, Wanda's father can be seen carrying a suitcase full of American sitcom DVD's, asking Wanda and Pietro which of the many sitcoms they want to watch on what they've dubbed 'TV Night.' It becomes apparent that they utilise these American sitcoms as a family to learn English, previously being primarily fluent in Sokovian. Whilst this scene is perhaps overshadowed by the bomb that comes crashing through their roof, it's Wanda's personal connection with these sitcoms, namely so 'The Dick Van Dyke Show' which adds a whole new layer to the world in which she's created for herself and Vision. This theme of sitcoms runs throughout the season but never more so than in this episode, as we discover that Wanda has often turned to sitcoms as a support in the face of grief and loss.

22. It's not simply black and white.

In the second episode of the season, titled 'Don't Touch That Dial', Wanda can be seen waving off her husband Vision as he heads to a Neighborhood Watch meeting, but she is taken aback by a splash of colour in her otherwise 60's black and white world. Though the idea of colour in the season isn't unusual to us as viewers at this point, having seen the S.W.O.R.D. base watching Wanda in the episode prior, this acts as the first time that we, and Wanda, witnesses colour within the Hex. Though the helicopter itself is later explained as one of Jimmy Woo (Randall Park) and Monica's attempts to breach the Hex, it's appearance in the world is one of the first times in the season in which Wanda appears genuinely startled or out of touch with her otherwise overly perfect day to day.

21. Wanda and the Mind Stone

Another moment from the recent episode, properly solidifying it as one of the season's strongest episodes, is the scene in which Agatha takes Wanda back to her time as a member of HYDRA, having volunteered to join them as a hope to 'change the world.' Though we've always been led to believe Wanda and Pietro's powers were entirely a result of the Infinity Stone in Loki's staff altering them, this scene serves as an inference to the viewer that Wanda's powers, though weakened or benign, were merely enhanced or brought to the surface by the stone. Fans went crazy for this moment online, with many thinking it was the show's first hint to the existence of Mutants without the intervention of the Infinity Stones. Whether more will come of this scene later on down the line or in the final episode itself is unbeknownst to us, but what we do know is that this scene singlehandedly retconned the true genesis of Wanda's power.

20. "That makes you, the Scarlet Witch."

Acting as the pre-credits cliffhanger to the most recent episode of Wandavision (which I promise is not primarily the only episode on this list), Agatha Harkness at the peak of her exploration into Wanda's past finally condemns Wanda for the myth she's come to believe she is. Though fans have been calling Wanda 'The Scarlet Witch' for years, ever since her introduction to the MCU in the 2015 Avengers movie 'Age of Ultron', she has never explicitly been called such on screen. In the MCU universe, it is to be believed that Wanda's powers and her entrapment of Westview and it's residents is what Agatha can only describe as 'chaos magic.' Uncertain what this means for Wanda and everyone currently inside the Hex, this scene is one of the show's most powerful on delivery alone. It would be easy for fans to throw this scene aside due to Agatha labelling her as the Scarlet Witch appearing as a overdue realisation on the characters part, but Kathryn Hahn's delivery of this moment is so mesmerising and almost frightening, we start to wonder whether Wanda truly is the villain of the season after all.

19. "Vision, help him."

Throwing it right back to the first episode again, newly 'married' Wanda and Vision host a disasterous dinner party for Vision's boss Mr Hart (Fred Melamed) and his wife Mrs Hart (Debra Jo Rupp). Whilst discussing the ins and outs of their non-existent journey to being a married couple in Westview, an agitated Mr Hart begins to choke on his dinner whilst his wife chuckles along telling him to stop what she believes is in jest. This is the first moment in the entire season in which Wanda's perfect world starts to glitch or malfunction, and Wanda is forced, for what we can only believe is the first time, to snap out of her idealised reality. Vision manages to reach into Mr Hart and pull out the food on which he was choking and the dinner party resumes to normality (or as normal as possible.) Though subtle and perhaps inconsiquential in the grand scheme of things, the genuine confusion and sense of unease this scene gave the viewers on a first watch makes it one of the show's, and debut episodes, absolute best.

18. "Who's doing this to you, Wanda?"

In the show's second episode, the bright red helicopter acts as one of several different attempts to reach Wanda in Westview, but the world in which she has cocooned herself within proves to be not so un-impenetrable to radiowaves, when Jimmy Woo, as seen in the fourth episode 'We Interrupt This Programme' manages to contact Wanda through Dottie's radio. As this scene initially first occured without the context of Jimmy's involvement on the outside working alongside S.W.O.R.D., this scene became our first big clue that Wanda's life in Westview was not one being maintained, or at the very least created, by choice. This is also one of the first moments in which we see Wanda 'undo' something, immediately rewinding the moment to reengage with her otherwise blissfully disconnected life.

17. "Did you stop that bomb?"

Returning to the most recent episode, we bore witness to Wanda's TV night with her parents and brother Pietro on the night a bomb struck their flat. Though we've previously analysed the TV night itself, the scene in which Wanda and Pietro hide in fear beneath a table as they stare at a Stark Industries bomb waiting for it to go off is one of the show's most frightening scenes. Though we know the twins survived this incident, Agatha's questioning of how Wanda survived adds a whole new layer to a story we'd already been made aware of in Age of Ultron. Whilst Agatha tries to insist that Wanda must have used some sort of probability hex to save her and Pietro from the bomb, Wanda merely brushes the insinuation off, claiming it was a dud. The truth is we may never know the truth behind whether it was Wanda's powers saving them, or pure chance, but this scene adds an emotional punch to an otherwise horrific story in Wanda's life, as we finally see it play out before our eyes.

16. "Lagos - for when you make a mess you didn't mean to"

Whilst it would be cheating to some extent to include all of the adverts that have appeared in between Wandavision's television reality, there was one that have definitely made more of an impact than others. The most memorable one for most fans was that of Lagos. The Lagos advert is a typical 1980's advert for kitchen roll, but the clue to what the advert actually means is hidden within it's name. Fans with a good memory will recall that Lagos was in fact the name of the Nigerian town where the Avenger's saw out an operation to track down HYDRA fugitive Crossbones aka. Brock Rumlow (Frank Grillo). When the operation went wrong and Rumlow activated a Battlefield suit which would have blown himself, Captain America and all the people in the local area up, Wanda used her powers to contain the blast, but she misdirected her disposal of Rumlow and the blast, subsequently destroying and killing a building full of people. Wanda's actions were the final straw that led to the introduction of the Sokovian Accords, an restrictive agreement between the UN and the Avengers which caused an all out Civil War between the team. The advert itself openly comments on the idea that Lagos was 'a mess' that Wanda didn't meant to create, one that clearly still haunts her even in Westview.

15. "I can't feel you."

Once again returning to the most recent episode, we finally got to see the true context behind the scene where Wanda 'breaks into' S.W.O.R.D. and steals the Vision's body. The simple answer of what happened, is she didn't. Now with the context that Hayward was lying about Wanda stealing the body, all eyes turn to him and his creepy new White Vision, and what exactly his plans for the deceased AI are. However chilling that may be though, the scene in which Wanda is reunited with Vision's 'corpse' is the true tearjerker moment that brought it onto this list. Elizabeth Olsen won almost every single viewer over in this heartbreaking scene where she touches Vision's head and states "I can't feel you." This harks back to the beginning of Avengers: Infinity War in which a contented Wanda and Vision share a romantic moment together where she tells him, "I just feel you." This scene not only acts as the show's most devastating moment yet, but also is the first time we see Wanda fully come to terms with Vision's actual death. All be it she does drive directly to Westview after this moment, but for a brief second, Wanda admits to herself he's gone.

14. "You're quiet, Agnes."

There's nobody quite as underrated in this series as the twins Billy (Julian Hilliard) and Tommy (Jett Klyne) - or by their comic book names as we hope they'll soon go by: Wiccan and Speed. Whilst Tommy has followed in his Uncle Pietro's footsteps as a hero with speedy abilities, Billy follows his mum's path in being more telepathic and magical. This leads to a rather unsettling moment in which Billy, mid-conversation with Agnes who was yet to have been revealed as Agatha, tells her she's 'quiet.' Whilst fans by this point had already become rather suspicious of Wanda and Vision' nosey neighbor, this moment became the first proper instance in which a character called Agnes out for her unsettling behaviour. It's no surprise that this moment is swiftly followed by Billy and Tommy's dissapearance, as this marks the moment that Agatha realises she might be well and truly caught out. This scene is both chilling and awkwardly adorable in it's own way, and though they don't get many moments to shine, the twins are truly one of the highlights of the season.

13. "He was killed by Ultron, wasn't he?"

As someone who hadn't read any spoilers or theories prior to the season before starting it, the reveal that Monica, known to us at that point as Geraldine was not originally from inside the Hex was actually quite shocking. In this intense scene, Wanda having just given birth to the twins is sharing a moment of reflection and vulnerability with Monica about her own twin brother Pietro (Aaron Taylor-Johnson). However when Monica makes mention of Ultron, the mad AI who killed Wanda's brother, Wanda's entire mood and bubbly nature shifts and we are presented for the first time in the season, a rather hostile and frightening Wanda. Though it's not seen until a later episode what Wanda does with Monica (blasting her out of Westview), this moment is filled with so much tension as two characters stood within a false reality have a true moment of recognition that where they are is not real.

12. The Beekeeper

Returning to the second episode, there's a real sense of pity for anybody who watched this episode on the day of it's release and was then forced to wait almost a fortnight to understand what on earth this creepy scene meant. At the end of the episode which saw Wanda and Vision compete in a talent show, they are reflecting on their day, stood outside their house when suddenly an eerie figure in a beekepers uniform, surrounded by bee's crawls out from the drain. Whilst further context from the fourth episode makes this moment slightly less frightening, this moment truly became the WTF moment of the season, and not for shock value or fan-service, but for simply being so creepy and so unexpected, it will be seered onto our brains forever. Wanda herself is unpleased by the sight and with a simple 'No,' proceeds to wind back time again like with Dottie and the radio incident. Whatever became of that Beekeeper is a mystery, but you'd be right in thinking it'll probably never be explained.

11. "Should we just take it from the top?"

Though the fifth episode of the show slowed down in pace in relation to the rest of the season (with the exception of it's cliffhanger), this moment proved to be a real foreshadowing moment to the fans, not only of Wanda's reality being under her control, but of Agnes' secret awareness of Westview and it's current entrapment. At this point we're simply meant to be unaware of Agnes' villainous side, even though many fans had her pegged even from the trailer, but this moment is genuinely one of the weirdest moments, when during a conversation with Wanda and Vision, Agnes, recognising that Vision won't let her hold the babies, suggests they take the scene from the top, as it's not gone the way Wanda had clearly intended. Whilst this scene could clearly just be the show's way of foreshadowing Agnes' self awareness, it also hints towards the idea that Vision was beginning to act against Wanda's wishes, and thus his reluctance to give Agnes the babies began to represent his own self-awareness of Westviews unusual manner.

10. "It's all Wanda."

Though this scene wasn't exactly new to us, having seen Monica thrown from Westview at the end of the third episode by a disgruntled Wanda, the moment in question actually repeats itself towards the end of the fourth episode in which we learn all about Monica's true identity and the reason for her appearance within Westview. Though the scene itself is rather simple and may appear rather unimportant in the grand scheme of things, Monica's claim that "it's all Wanda" really pilots the belief from that episode onwards that Wanda is acting in a way that is harmful to others and not just herself, truly making her the villain of her own series.

9. "They're all coming back."

You'd be forgiven for thinking this list was for a show all about Monica, but ironically though her name isn't in the title, Monica's moments on the show have proven to be very iconic and popular among the fanbase. One very important and interesting scene with Monica is when we witness a flashback to moments after the Hulk's Snap in Avengers: Endgame. We quickly learn that Monica was one of the people who was 'dusted' in the wake of Thanos' snap in Avengers: Infinity War. Whilst this moment is so far pretty unimportant in relation to the entire piece, given that Wandavision is the only piece of MCU content besides Spider-Man: Far From Home that we've had set post-snap, it feels incredibly special that we are beginning to see the impact the snap had on different people, places and so forth. Monica for example wakes up in a hospital where she had been visiting her mother, Maria Rambeau from Captain Marvel, five years prior. Unfortunately as a result of the snap, she was absent during her mother's passing and though perhaps not hugely important to the Wandavision universe, it helps drive Monica towards aiding Wanda out of the Hex and the grief she's lost within, relating on her own personal level.

8. "Don't go past Ellis Avenue."

Whilst this line might not seem like the most unusual words for a mother to say to her children, it's meaning is packed with a lot more than meets the eye. In the sixth episode of the series 'All-New Halloween Spooktacular', Vision wanders off on his own on Halloween night and visits the infamous world beyond Ellis Avenue of which Wanda warned her kids. There, Vision finds a whole host of Westview residents, who unlike those closer to the town centre and thus Wanda and Vision's house, seem devoid of life or happiness. This proves to be one of the most frightening aspects of the season as we come to realise that Wanda's powers clearly do not have as much control or concentration as we originally believed, and that people on the outskirts of her perfect suburban world remain trapped between a sense of self awareness and puppetry. One woman is seen repetitvely hanging up her washing in one single motion as Vision watches on in horror. It's truly the scene of the entire season that shifts the entire mood within Westview from that of a bubbly comical sitcom, to a dark and twisted presentation of what we'd soon come to learn is called Chaos Magic.

7. "I have what I want."

As if a relatively dark Wanda wasn't already too much when we witnessed Wanda blast Monica right out of town, a devilish Hayward decides to make matters worse for S.W.O.R.D's reputation in Wanda's mind, as he launches what Monica believed to be just a camera into the Hex. When it's revealed to be a weapon, Wanda feels the need to deliver the weapon back personally, confronting Hayward and Monica in the process. In one of the most tense scenes of the season, Monica tries to rationalise with a agitated and frightening Wanda, who seems remarkably unphased by the guns all pointing at her. Instructing S.W.O.R.D, Hayward and Monica to leave her alone, we get to see Wanda show off her magic a little, shifting the guns to all point at Hayward before strutting back into the Hex. Whilst dark and quite worrying for those who are concerned about Wanda's future as a potential villain in the MCU, the scene is one of Elizabeth Olsen's best, and she looks rather bad*ss.

6. "She recast Pietro?"

When Wandavision was announced, fan speculation was rife with theories of so and so showing up and so forth, and one name that constantly kept coming up was Quicksilver. It's with this speculation that many fans were then shocked when Pietro did show up...but not quite as they knew him. In the MCU, Quicksilver was played by Aaron Taylor-Johnson and was killed during the Battle of Sokovia in Avengers: Age of Ultron. The Quicksilver who showed up on Wanda's doorstep however was that of Evan Peters, who is most known in the Marvel Universe for playing the adaptation of Quicksilver from the FOX X-Men movies. As such, fans were immediately confused and were almost certain this meant the confirmation of the Multiverse theory (of which it's still yet to confirm or deny.) Fans own confusion was translated straight onto screen as Darcy watches on in confusion and shock, claiming "she recast Pietro," a subtle dig at sitcoms for recasting characters left right and centre. Whilst the true nature of not-Pietro's arrival in the MCU is still unanswered, the scene itself still goes down as one of the shows finest so far.

5. "The people need help."

In the sixth episode, after exploring the outer regions of Westview, a confused and upset Vision begins to put the pieces together about the town and it's trapped inhabitants. Doing what every great superhero does best, Vision puts them before his own safety and takes a risk, pushing his way through the Hex to reach whoever waits on the other side. Unlucky for him, he is met by armed soldiers, Hayward and an outmanned Darcy Lewis who is the only person willing to help him. As Vision begs for help for the people in the Hex (and noteably never for himself), his outershell starts tearing apart and we witness as he begins to die all over again. As Darcy watches on in horror, this truly stands as Vision's most incredible scene in the series thus far. The scene comes with the knowledge from the fifth episode that Vision does not remember life before Westview, and so his heroic actions only further amplify his kind nature, transforming into a self-sacrificing hero all over again.

4. "I can get through."

After speaking about Vision's absolute best scene of the series, it's time to discuss Monica's. In the seventh episode of the series, Monica, with the help of her aero-space engineer buddies, tries to re-enter the Hex by driving a perfectly protected vehicle through it. This attempt to get through however, ends in complete failure, with the Hex chewing up and spitting out the car, with Monica barely escaping in time. In the episode prior, Darcy had warned Monica that the Hex is becoming way too dangerous for her to keep entering and exiting, with the two trips through it thus far beginning to re-write her DNA. Monica's knowledge of this as she proclaims "I can get through," before charging at the Hex unprotected has already made her a fan favourite hero. The scene is visually stunning and Monica powers her way through the Hex, (which is now suddenly blue...okay.) Overlapped with dialogue from Captain Marvel in which a young Monica says she want's to meet her mother Maria up in space, the scene becomes one of the MCU's greatest transformations into a superhero thus far. Nick Fury's words "only if you learn to glow like your Auntie Carol," have a whole new meaning when we witness Monica fall through the other side, eyes bright blue, quite clearly a changed woman. Perhaps, for the better.

3. "It's moving!"

No episode of Wandavision is complete without some aspect of a cliffhanger, and the sixth episode was absolutely no exception. After Vision begins clawing his way out of the Hex to get help for the Westview residents, a concerned Darcy rushes to his aid but is intercepted by S.W.O.R.D. agents and handcuffed to a truck. Pleading for them to help him, fans watched in absolute horror as Wanda, warned by Billy of his father's near death state, begins to extend the Hex to reach Vision and get him back inside Westview safely. While a heroic gesture in itself, Wanda's actions begin to spiral out of control once again as she engulfs the entirety of the local S.W.O.R.D. operatives and base, including Darcy, into the Hex. Whether her over-extension of the Hex was done out of malice to punish the S.W.O.R.D. agents or not is completely unknown to us, but the moment itself is one of the most epic moments of the series, watching as the Hex in real time alters reality into a whimsical 2000's fairground.

2. It's Been Agatha All Along

Oh, Agatha! If there's anything we could argue that Wandavision was missing it was the presence of a real villain. Though at times the series piloted us towards the belief that Wanda was the antagonist and protagonist of her own series, we swiftly discovered that was not simply the case. Kathryn Hahn' nosey neighbor Agnes had fans suspicious from the offset, with some fans clocking her as early as the trailer release, but nobody was even slightly prepared for how fantastic, dastardly and frankly, campy, her reveal as the secret villain of the series would be. Set to her own catchy theme song, Agatha All Along, we get to look into the wicked world of Agatha Harkness' as she reeks pure havoc across Wanda's idylistic reality. Whilst this moment was really in tone with the classical sitcom style of the series, it's placement at the end of a 2010' inspired sitcom episode was rather random but exciting, drawing us straight back to where it all began in black and white with funny, campy humour and wickedly cheesy acting. No other villain reveal in the MCU can touch this one in the sense of pure chaos and creativity (even Trevor Slattery in Iron Man 3), It'd be perhaps bold but fair to argue that this moment will go down as one of the most iconic moments of the MCU of all time (thus far). And when all is said and done, we certainly won't ever stop singing Agatha All Along.

1. "Wanda. Welcome Home."

And it's straight back to the recent episode for the number one spot. Perhaps one of the most visually stunning scenes of the MCU to date, the most powerful scene of Wandavision takes us back to before Wanda's idylistic Westview, at it's very creation. Grief stricken and standing where Vision once intended to build their home, Wanda's chaos magic overwhelms her and as she screams out in misery, her magic begins to work all around her, transforming the once gloomy Westview into a 50's suburban paradise, building the perfect house all around her and giving Wanda back the one thing she desired more than anything: Vision. Created by energy from the Mind Stone that remained within her from her HYDRA experiments, Wanda created Vision from nothing but pure grief. Unbelievably gorgeous to look at, the scenes command of colour and music as Wanda's world transforms around her is truly the highlight of the series, and as Wanda steps out before Vision once more, dressed up in the 50's housewife clothing she'd grown to know from her treasured sitcoms, we witness Wanda at both the pinnacle of her grief, slowly thriving in contentment, and sinking in ignorance. In short, we find ourselves right back at the beginning.

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