Endicott College's 'The Great Comet': An Operatic Marvel

I see nothing but the candle in the mirror, no visions of the future.

Endicott College performs Natasha, Pierre & The Great Comet of 1812 as its spring mainstage musical. Based on Leo Tolstoy’s 1869 novel War and Peace, The Great Comet tells the story of romantic entanglement and the search for meaning. Natasha and Pierre’s worlds collide as they figure out their dilemmas.

I had no idea what to expect from Endicott College’s The Great Comet, and I was met with a beautifully elegant and sophisticated opera. The Great Comet is a challenging theater piece, performed with conviction by students. It’s a musically bold performance with transformative themes about love and redemption.

A talented group of students brings The Great Comet to life, each delivering marvelous and rich vocal performances. Since returning to campus in January, the cast has devoted time to learning songs and understanding the show’s meaning.

Leading the cast as Pierre, Simeon Owens is astonishing. He bestows an emotionally resonant depiction of a man searching for his purpose. As Natasha, Lucy Boyden brings a fresh and inwardly fierce innocence to her character. Her powerful vocal talents echoed throughout Endicott’s theatre, especially in ‘No One Else.’

Though undergoing distinct dilemmas, Natasha and Pierre search for the same purpose. Their bond is significant, portraying how connections bring us together in critical moments.

Samantha Huelle's commanding presence as Marya, Natasha’s formidable godmother, earned applause. Alli Moody (Sonya) and Faith DaSilva (Helene) are both standouts in their roles. They truly studied the layers of these characters.

Maria Groover is tremendous in the role of the charming Anatole, a notorious seducer. I am quite impressed with the range Groover explored with this character. Another highlight is Ryan Abbott as Prince Bolkonsky, making audiences cackle.

No small part ever exists in the theater. The ensemble fills in several supporting roles or ensemble members. Characters either object or try to help with Pierra and Natasha’s dilemma. The ensemble’s infectious energy lights up the stage in several dance numbers.

Speaking of which, choreographer Aaron Swiniuch created dynamic and zestful dances that bring this world to life. Dances are energetic, showing off students' talents and even acrobatics. The commitment is stellar.

Conducted by music director Becca Kenneally, the live band created an extraordinary upbeat rock opera. From the opening number to the final ballad, songs burst with energy and enigmatic storytelling.

The technical work immerses audiences into this world through the scenery, lighting, sound design, and costumes. Lighting created a breathtaking image of the night sky in the final act. The stage is decorated as a chessboard, symbolic of the character’s decisions.

After the show, I read more about its messages and themes. The Great Comet resonates with invigorating themes about love, finding identity, and change. Finding happiness is an essential part of life.

“All good art makes us think, ask questions, and calls us to action,” said director Katie Clarke-Robertson. She and assistant director Kyle Gregory had several conversations about stories they wanted to share. This is a meaningful show about finding identity, making decisions, and learning to love yourself.

The Great Comet has fun being what it is, even adding audience interaction. I was unexpectedly invited to the stage for a short dance! This is the part about theater that I love. It takes audiences on unexpected adventures.

The emotion that poured out of the final song made audiences erupt in thunderous applause. The Great Comet plays at Endicott College until April 6. I wish I could see it a second time, as it is double-cast. Consider seeing a performance of this stirring opera.