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Cinderella is Dead Book Review

Opinion Piece

By Lilah LeePublished 5 years ago 3 min read
Cinderella is Dead Book Review
Photo by Christin Hume on Unsplash

Cinderella is Dead is a feminist retelling of the classic Disney version of Cinderella written by Kalynn Bayron. It follows the journey of a girl who's just come of age as she learns more about her oppressive society and journeys to change it. Bayron's debut novel landed on shelves in July of 2020, the release overshadowed by the ongoing global pandemic. However, it is a wonderful read for escapist reasons, taking readers away from the world of coronavirus and political upheaval and into a world of fairy tales and corrupt magic.

WARNING: SPOILERS AHEAD.

By Drew Hays on Unsplash

The novel follows Sophia, a teenager who's just become old enough to take part in the annual ball at the king's palace. The ball is a mandatory event, forcing young women to put themselves on display for three years to try and find a husband like how Cinderella found her Prince Charming at the first ball. During the ball, Sophia escapes from her restrictive life and dives headfirst into the fringes of society to learn the truth.

She dedicates herself to freeing herself and other women, who are all seen as subpar citizens, from the shackles of their oppressive world and giving them a better life.

Sophia is your typical young adult female protagonist: filled with inherent questions no one else around her is asking, headstrong, and a disdain for being glamified. We find her first in love with her best friend, Erin, though that affection transfers to the rough-and-tumble Constance who turns out to be a descendant of one of the ugly stepsisters.

After escaping dramatically from the ball, Sophia follows Constance along from Cinderella's tomb to Cinderella's childhood home to the fairy godmother's hut in the woods (very Baba Yaga style). She doesn't have to work for the knowledge she gains from the fairy godmother who turns out to really be an evil, necromantic witch who's singlehandedly to blame for the tyrannical king they're trying to overthrow.

She cast love spells on Cinderella to wed her son, the aforementioned king, when Cinderella had gone to the ball with her stepsisters to assassinate him. Turns out, the king is actually an undead creature who sucks the life out of young, beautiful girls. Sounds a bit trite? That's because it is.

Cinderella is Dead admittedly has good bones. Fraktured fairy tales are a guilty pleasure of mine when done well, and there was a lot of potential in this plot for something amazing in the times of PC culture rejecting most classical Disney princesses for one reason or another. However, each page turn felt like more and more of a tumble down the rabbit hall in the most disorienting of ways.

The king being a soul-sucking demon is a thinly veiled metaphor for how men act in this society overall: abusive toxic procreators all with an inherent god complex. They see women as property, as their crowning jewel. Women are only as good as their beauty. Granted, this is still sometimes the norm in our own world, but at least here men can sometimes be held accountable.

In a world rampant with toxic males, the main character being gay opens the doors for those anti-LGBTQ+ to claim "Well of course she's a lesbian, she never met the right man. She never had a good man to love and be loved by." This argument is one of the oldest in the book, and one of the more toxic. Personally, I fully support gay retellings of classical tales, though you have to be careful about how you do it to ward away as much homophobic criticism as possible.

Overall, I'd give the book a 3.5/5. The original concept is intriguing, and the main character - despite her makeup being overdone female protagonist clichés - isn't hard to read. However, the inundation of twists and turns makes it hard for me to take the novel seriously.

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About the Creator

Lilah Lee

22 y/o getting a MFA in creative writing for children and young adults. I write a little bit of everything, though mostly my works have a LGBTQ+ character or two. I write fiction, poetry, and opinion pieces.

I upload every week!

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