
Chapter 8: The Final Confrontation
Sarah burst into Captain Walker's office without knocking, her clothes still damp with vault moisture, her face pale from her encounter with Porter.
"We need to find the fourth robber," she gasped. "Daniel Carson. He's in danger."
Walker looked up from her paperwork with a frown. "Carson's in the wind. Border patrol has his description, but—"
"He's still got it," Sarah interrupted. "The last piece Porter needs."
Walker's expression hardened. "Mathews, I thought we discussed keeping your theories grounded in—"
"Reality?" Sarah laughed, a slightly hysterical edge to her voice. "Captain, reality isn't what we thought it was." She dropped a manila folder on Walker's desk—photocopies of the Project Threshold documents she'd found in the hidden vault.
Walker thumbed through them with increasing disbelief. "This is... what exactly am I looking at?"
"Evidence of a classified military experiment from 1944. They were trying to create soldiers who could pass through walls. Maxwell Porter was their test subject." Sarah leaned forward. "And now his ghost—or whatever he is—is using bank robbers to collect the pieces he needs to complete the experiment."
To Sarah's surprise, Walker didn't immediately dismiss her. Instead, the captain studied the documents more carefully, her expression grave.
"My grandfather was in Army Intelligence during World War II," Walker said quietly. "He mentioned something once—a project so classified he would only say it involved 'soldiers who could walk through Hitler's bunker.' I thought he was speaking metaphorically."
A spark of hope ignited in Sarah's chest. "Then you believe me?"
Walker closed the folder. "I believe something extremely unusual is happening. Three suspects from the same case dying under mysterious circumstances goes beyond coincidence." She picked up her phone. "I'll put out an APB on Carson with maximum priority."
"We need to find out what he took," Sarah insisted. "Something from a safe deposit box that wasn't on the official inventory."
Walker paused. "How do you know something's missing from the inventory?"
"Because Porter is still looking for it. The other items—the ruby necklace, the lockbox, the surgical tools—they've already been recovered from the other robbers. But he's still not complete."
As if on cue, Walker's phone rang. The captain answered, her expression darkening as she listened. "When?... Keep the scene secure. We're on our way."
She hung up and fixed Sarah with a grim look. "Carson's been found. Holed up at the Parkview Motel on the edge of town. He's barricaded himself in and is demanding to speak with you specifically."
"Me? How does he even know who I am?"
"That's not the strangest part. According to the officers on scene, he keeps ranting about a man coming through the walls."
The Parkview Motel was a dilapidated two-story structure on the outskirts of the city. Police cruisers formed a perimeter around Room 217, where Daniel Carson had locked himself inside.
Sarah approached with Captain Walker and Detective Ramirez flanking her, all wearing bulletproof vests. A negotiator briefed them on the situation.
"He's in an extremely agitated state," the negotiator explained. "Keeps saying someone's in the room with him, though thermal imaging shows only one heat signature. He's requested Analyst Mathews by name, says she's 'the only one who will understand.'"
Sarah took the negotiator's phone. "This is Sarah Mathews," she said calmly.
Carson's voice came through, high-pitched with panic. "He's here! He keeps coming through the walls! I can't stop him!"
"Daniel, what did you take from the bank? Something that wasn't on the inventory."
"A medallion," Carson gasped. "Bronze disk with weird markings. From box 1138. I kept it for myself, didn't tell the others."
Sarah felt a chill. Box 1138—she'd seen that number in the Project Threshold files. It belonged to a military liaison, the "General" who had corresponded with Dr. Westlake.
"Daniel, listen to me. The entity in your room—it wants the medallion. But you can't give it to him. It's the final component he needs."
"How do you know about—" Carson's voice cut off with a terrified scream. "HE'S COMING THROUGH THE WALL! OH GOD, HIS HAND—"
The line went dead.
"Move in!" Walker commanded. SWAT officers breached the door, rushing inside with weapons raised.
Sarah followed despite Walker's protests. The motel room was in disarray—furniture overturned, mirror shattered. Carson lay on the floor, unconscious but alive. Clutched in his rigid hand was a bronze disk about three inches in diameter, covered in strange symbols that resembled circuit diagrams more than any known language.
As a paramedic attended to Carson, Sarah carefully pried the medallion from his grasp. It was heavier than it looked, and hummed with a subtle vibration that she felt rather than heard.
"What is it?" Ramirez asked, peering over her shoulder.
Before Sarah could answer, the lights in the room flickered. The temperature plummeted. In the doorway, visible only to Sarah, Porter's figure materialized—more solid than she'd ever seen him, almost fully corporeal.
"Give it to me," he commanded, his voice audible now even to those who couldn't see him. Several officers turned in confusion, hands moving to their weapons.
"Everyone out," Sarah ordered. "Now."
"Mathews—" Walker began.
"Trust me, Captain. This room isn't safe."
Perhaps it was the authority in Sarah's voice, or perhaps it was the unnatural cold that had everyone's breath fogging in the air. Whatever the reason, Walker nodded.
"Clear the room," she commanded. Officers and paramedics quickly evacuated Carson, leaving only Sarah, Walker, and Ramirez.
"You should go too," Sarah told them.
Walker drew her weapon. "Not a chance. Whatever this is, you're not facing it alone."
Porter's figure advanced into the room, his form solidifying with each step. Objects around him began to rattle and shake—lamps, furniture, even the beds themselves vibrating with escalating force.
"You cannot stop the transition," Porter declared. His voice had changed, becoming layered with something else—something inhuman. "Give. Me. The. Medallion."
"They were wrong about what the experiment would do," Sarah said, backing away. "You're not becoming a soldier who can walk through walls. You're opening a door for something else to come through."
Porter's face contorted in a horrible smile. "I know. I've seen what waits on the other side. Power beyond human comprehension."
"Captain, can you see him?" Sarah asked, not taking her eyes off Porter.
"I... see something," Walker admitted, her weapon trained on a point just to the left of where Porter actually stood. "A distortion in the air."
Porter laughed. "They're beginning to perceive me. The veil thins."
With frightening speed, he lunged toward Sarah. She dodged, clutching the medallion to her chest. Porter's hand passed through the wall where she had been standing, leaving a scorched handprint in the plaster.
"What the hell?" Ramirez gasped, now clearly seeing the apparition.
Porter turned, his movements becoming more fluid, more physical. The room's lights exploded in showers of sparks. The television switched on by itself, its screen showing only static.
From the static came voices—dozens of them, overlapping, inhuman. The same message, repeated over and over: "LET US THROUGH."
"That's what this has always been about," Sarah realized aloud. "Not just your transition. You're a gateway."
"I am the doorway," Porter confirmed, his voice now completely transformed—deep, resonant, ancient. "The first of many. An army that can walk through walls... and bring others with them."
His body began to change, growing taller, broader, his features elongating. No longer Maxwell Porter, but something wearing his shape—something opening from the inside out.
"We need to get out of here," Sarah told Walker and Ramirez. "Now!"
They backed toward the door, but it slammed shut on its own. Windows rattled in their frames, then cracked in perfect synchronicity.
"The medallion is the key," Porter's distorted voice boomed. "The final component. GIVE IT TO ME!"
The entity lunged again, and this time its hand grazed Sarah's arm. Pain like electrical fire shot through her body. She cried out, dropping to one knee.
Walker fired her weapon. The bullets passed through Porter's form, embedding in the far wall, but the entity recoiled nonetheless, as if the disruption of matter itself was painful.
Sarah's mind raced. Elizabeth's notes had mentioned a "reactor core"—the central component of Westlake's machine. The medallion must be that component—the control mechanism for the phase transition.
The room was disintegrating around them, reality itself seeming to warp and bend. Through the static on the television, shapes could be seen moving—forms that hurt the eye to look upon, pressing against some invisible barrier, trying to get through.
Sarah looked down at the medallion in her hand. The strange symbols were glowing now, pulsing with blue-white light. The same light that surrounded Porter's increasingly monstrous form.
In that moment, she knew what Elizabeth had tried to do eighty years ago. Why she had been in the vault with Porter when the fire started.
She hadn't been trying to save Porter.
She had been trying to destroy the medallion.
With sudden clarity, Sarah understood what she had to do. The medallion wasn't just the key to completing the transition—it was the anchor holding Porter to this world. The connection point between dimensions.
"Captain," Sarah said, her voice steady despite her terror, "when I give the signal, shoot the medallion."
"Are you sure?" Walker asked, repositioning her aim.
"Yes."
Sarah held the medallion high. "Is this what you want, Porter? Or whatever you are now? Come and get it."
The entity that had been Maxwell Porter roared—a sound no human throat could produce. It surged forward, reaching for the bronze disk with hands that were no longer remotely human.
"NOW!" Sarah shouted.
Walker fired. The bullet struck the medallion dead center. For a split second, nothing happened.
Then the world exploded into blue-white light.
About the Creator
Shane D. Spear
I am a small-town travel agent, who blends his love for creating dream vacations with short stories of adventure. Passionate about the unknown, exploring it for travel while staying grounded in the charm of small-town life.



Comments (1)
What a great heist! Great work