Proofreading
The Calvin Stickers
Let the grifters grift. It’s their only gift. You work hard on your craft. You spend hours on your craft. Just for someone to drop a link. Or worse, they drop something unrelated. It stinks. Maybe Bill Watterson was right, when he chose to ignore the sticker grifters. We’ll see.
By Atomic Historian2 years ago in Critique
Does size matter?
Does size matter? Am I critiquing an actual work here? Nope. Just expressing a thought. How big should a link be at the end of an article? I often like my pics for covers, because some Unsplash images make links too large when linked at the bottom of an article.
By Atomic Historian2 years ago in Critique
Ethereal Symphony
In this captivating artwork, luminous strokes dance gracefully, forming a breathtaking play of light. Yet, while composition echoes brilliance, an opportunity for deeper narrative connection arises. By intertwining thematic elements, this symphony could evoke profound emotions, ensuring lasting resonance in the observer's heart.
By Peter Tanjala2 years ago in Critique
Shadows of Change
Title: Shadows of Change: The Niger Republic Coup Update In the heart of the Sahel region, where the golden sands whispered tales of ancient civilizations and modern aspirations, the Niger Republic stood as a crossroads of culture and history. The landlocked nation was no stranger to political upheavals, yet the events that unfolded during the summer of 2023 were to become a pivotal chapter in its history.
By Ramadan Joseph2 years ago in Critique
Social Media's Double-Edged Sword: Fueling Civic Engagement or Igniting Polarization in Democracy?"
In the modern digital landscape, the convergence of social media and democracy has emerged as a focal point laden with both potential and skepticism. Within this realm, the allure of boundless connectivity and unparalleled access to information has positioned social media platforms as conduits for personal connections, catalysts for grassroots movements, and catalysts for heightened civic involvement. However, this transformation is not without its detractors, who argue that these platforms bear responsibility for exacerbating societal divisions and fostering the creation of echo chambers.
By Satyam Magar2 years ago in Critique
"Unveiling the Truth: Is the Education System a Beacon of Enlightenment or a Tool for Political Agenda?"
The education system stands as a foundational element within societies, holding the enticing potential to lead us toward understanding and advancement. Yet, behind its noble appearance, a complex dynamic comes into view – a push and pull between its role in nurturing young minds with knowledge, analytical thinking, and values, and the lurking possibility of manipulation for political motives. This intricate interplay sparks a pivotal question: Can education be a radiant force, empowering individuals to shape a brighter future, or does it possess the capacity to be wielded subtly, perpetuating existing power structures?
By Satyam Magar2 years ago in Critique
Charlatan
When they get online, they look to see what they can find. Was their creativity ever there? Is it in decline? Writing isn’t hard. It comes with ease. It takes no more effort than to blow a breeze. Now we question all you’ve created. Was it yours, or just imitated?
By Atomic Historian2 years ago in Critique
Challenging Yourself to Overcome Writer's Block
A critique challenge? Just 50 words? Not sure about this. Seems interesting but hard. Fifty one words! Gotta cut something. That was fun. Another day. Too many positive ones. Should probably balance it with something else. Let me take it to the extreme, and see how many I can write?
By Atomic Historian2 years ago in Critique
National Geographic
What do you do when you don’t have the money to travel? You get a window, that's what you do. Sometimes you buy the window. But when you can't, you borrow it from the library. That’s what National Geographic was for me as a child. The window of my dreams.
By Atomic Historian2 years ago in Critique
Andy Warhol's Campbell Soup Can
Perhaps I am ignorant of how modern art works. Or just perhaps not interpreting the work of Andy Warhol correctly. But I have never understood why his painting of soup cans was so significant. And I am sure the person that created the designs for Campbells was no more impressed.
By Atomic Historian2 years ago in Critique
