Proofreading

Getting Legless With Drunk Aliens - Editing A Winning Poem
For this entry into the Self-Editing Epiphany, I wanted to do something a little strange. It’s easy, in some ways, to look back at pieces we know were flawed because they didn’t get well received or didn’t place in a challenge or competition. But what about those pieces that did have success—ones that not only placed in a challenge but came first place? Could any editing, especially with time passed and experience gained since the piece was published, improve upon a winning poem?
By Paul Stewart10 months ago in Critique
The Monster. Content Warning.
The monster in my room. Have you ever woken up to find a monster in your room? I did, when I was four years old. It wasn’t your typical monster, it didn’t look like a monster but it was. It had taken over someone else. I was told by my parents to sleep in the same bed as the monster. This same monster had attacked several people. That’s what it did, it would attack one person and then that person would become the monster. Then that monster would attack someone else and then they would become the monster. Then when I was four the monster had attacked my sister and she became the monster. Then the monster attacked me. But for some reason no matter how hard the monster tried, I wouldn’t let it take over me. I would have dreams about myself becoming the monster and wake up terrified and shaking. But I didn’t want to be a monster, so I didn’t become one. And that’s when I realized that no matter what happened to the people before me, they weren’t forced to become the monster, they chose to. They were introduced to the monster and then they had to make a choice. Become the monster or defeat it, stop it from destroying everyone. The monster attacked me and it was bad but to me becoming the monster was so much worse because I would rather be hurt than hurt someone else. And that’s all it took, the way to defeat the monster was so simple and yet it had taken years for someone to stop it. All along all anyone had to do was stop being the same monster that had attacked them.
By Raine Fielder10 months ago in Critique
A Moment On My Soapbox. Runner-Up in Self-Editing Epiphany Challenge.
Pulls out soapbox. History never repeats itself, but it loves playing a good cover. When we cease to understand, and only imitate, we doom ourselves and others into repeating the same chords, the same notes, eventually writing off a cover as a different song entirely.
By Matthew J. Fromm10 months ago in Critique
"The Fan" Gets Another Chance.... Honorable Mention in Self-Editing Epiphany Challenge.
Here is the original poem: There are some Challenges where I feel that the Vocal Gods are smiling down on me. There is work that I have produced that has brought out the best in me; sometimes it has brought out things I did not know existed in me. And I feel that I really do have something to say with this one.
By Kendall Defoe 10 months ago in Critique
What goes through the mind of an empty envelope?
Humans! Aah, the notorious ones gospelled with the prowess of pouring their hearts onto the folds of power, of unleashing the confinement of unsaid pain through the enigmatic flair of woven syllables through the crevices of their glistening minds.
By Hridya Sharma10 months ago in Critique
Why My First Drafts Look Like a Crime Scene (And Why Yours Should Too)
Do You Have the Guts to Butcher Your Own Work? Have you ever written something so imperfect that you wanted to set it on fire? Good. That means you’re on the right track. Writing isn’t about getting it right the first time—it’s about being brave enough to get it wrong, then ruthless enough to fix it. The true magic happens in self-editing, where creativity and cold-blooded analysis collide. But how do you edit without suffocating your originality?
By Alain SUPPINI10 months ago in Critique
Editing Isn't Fun
When I relit my creative candle, I knew that one of the most dreaded steps in being a writer and content creator (I have recently learned that being a content creator does not include being a writer) was going to be editing. Typically, when I edit my work, it includes approximately an hour of self-hate and intense criticism, so much so that the actual editing process doesn’t start until at least the two-hour mark of my dedicated editing time. This, however, only becomes true if I even get to the two-hour mark of editing. Now that I am a slightly more experienced writer, I can make very small edits on the fly when I’m writing, even when I’m experiencing a writer’s high. Eight years ago, when I was beginning to find a voice and style that I could seriously narrow on, I was still in the experimental stage of finding who I am as a writer. The following is an excerpt from a vocal challenge four years ago:
By Anthony Diaz10 months ago in Critique
Are Ukrainians prepared for concessions and a ceasefire? What the polls say is as follows:
The idea of a negotiated end to the three-year war has been put on the agenda and in the hands of Russian President Vladimir Putin thanks to an agreement between the United States and Ukraine on a ceasefire proposal. However, the parties' positions are pretty clear even before Moscow responds.
By Md Mirajul Islam10 months ago in Critique
Trump’s Tariffs on Steel and Aluminum Go Into Effect
President Trump’s sweeping tariffs on foreign steel and aluminum went into effect on Wednesday, escalating America’s trade spats with global competitors, including close allies already reeling from his on-and-off approach to trade penalties.
By Md Mirajul Islam10 months ago in Critique
Canada’s most consequential election is on the horizon
The contest that resulted in Mark Carney becoming the leader of the Liberal Party and the next prime minister of Canada has turned out to be a dull fait accompli. Chrystia Freeland, the once-reliable confidante and trusted deputy prime minister of Prime Minister Justin Trudeau, played the role of Judas in the drama that appeared to inevitably result in Carney's persuasive coronation on Sunday evening.
By Md Mirajul Islam10 months ago in Critique
Editing Like a Daredevil: How to Take Creative Risks Without Crashing
Are You Editing, or Just Playing It Safe? Ever feel like your writing is missing something? You tweak a sentence, polish a paragraph, and yet, the spark isn’t there. Maybe the problem isn’t your writing—it’s your editing. Too often, we treat editing like a cleanup job instead of what it truly is: an opportunity for risk-taking. What if you stopped seeing revision as a process of smoothing things out and instead, as a chance to push your creative boundaries? Welcome to the world of fearless editing, where breaking the rules, defying conventions, and making bold choices transform good writing into unforgettable storytelling.
By Alain SUPPINI10 months ago in Critique
The Meta of Writing
Writing about the process of writing is difficult these days because of two main technological advances: word processing software and AI. Editing on Word is much easier than the “old-fashioned” way of writing by hand and making editing suggestions in the margins as Shakespeare and Coleridge did. Most spellings are autocorrected, making that bit of proofreading almost obsolete. I edit as I write, revisiting my piece days later with fresh eyes. Using AI in original work is completely unethical. To approach this prompt, I had to write on paper. I chose the first part of the next challenge. I examine one sentence at a time.
By Barb Dukeman10 months ago in Critique