”Strays Gods The Roleplaying Musical” for Nintendo Switch is a masterpiece of an animated, roleplaying “choose your own ending” game that will have you falling in love with a fresh take on Greek Mythology. The music is so artfully written and it’ll have you singing song while you are playing!
About the Creator
Hope Martin
Find my fantasy book "Memoirs of the In-Between" on Amazon in paperback, eBook, and hardback, in the Apple Store, or on the Campfire Reading app.
Follow the Memoirs Facebook age here!
I am a mother, a homesteader, and an abuse survivor.
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Epilogue
I sat in my office, twisting the wooden ring that Leon had carved for me on my finger. I was uncomfortable, hot, and cranky. And I was bored. Leon was making me a cup of tea in the adjoined kitchen. Estrakulius was resting peacefully next to me against the desk. I had taken up residence in CiCi’s old office as it was easier than moving everything into mine. It had been interesting to find things about CiCi after she was gone. It made me feel like she was still here and comforted me. And she was right, all of the millions and millions of reports were very helpful, no matter how much I hated them.
By Hope MartinExclusive • 2 months ago
Standing While Falling
Quotation from Friedrich Nietzsche "He who wrestles long with monsters should beware lest he himself become a monster. And if you gaze long into an abyss, the abyss also gazes into you. Man is not destroyed by suffering, but by the meaning he makes of it."
By LUCCIAN LAYTH4 days ago in Critique
Angry People Click More: The Economics of Manufactured Dissent
(Ideas from the book The Economic Policy of Online Media: Manufacture of Dissent, Routledge, 2024) Abstract This article examines the formula ‘angry people click more’ as a core logic of contemporary online media and as a structural transformation of propaganda in the digital age. It argues that the defining feature of the current attention economy is not only the circulation of misinformation, but the systematic deployment of openly implausible claims designed to provoke moral outrage and sustain profitable engagement cycles. The analysis links Oxford’s 2025 Word of the Year ‘rage bait’ to earlier lexical markers of epistemic crisis such as ‘truthiness’ and ‘post-truth’, and situates this trajectory against the older ‘manufacture of consent’ model of Herman and Chomsky. While classical propaganda in totalitarian and mass-media systems sought ideological unity through censorship and the Big Lie, the emerging Propaganda 2.0 model, articulated by Peter Ayolov, monetises anger by manufacturing dissent and deliberately populating the public sphere with absurd, polarising narratives. The article interprets this dynamic through the allegories of ‘The Emperor’s New Clothes’ and Václav Havel’s greengrocer, showing how the move from fearful silence to permanent online rage changes both the psychology and political economy of propaganda. Drawing on Evgeny Morozov’s critique of fake-news moral panics, Frances Haugen’s disclosures about Facebook, and the documentary The Social Dilemma, it concludes that anger has become a tradable asset and that blatant lying has shifted from an authoritarian instrument of control to a market mechanism in a global ‘free trade in slogans’.
By Peter Ayolov2 days ago in Critique
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