Illustration
Christmas art
If you have seen the movie 'It's a Wonderful Life' you have heard this quote many times. Every year I watch this movie and hear JuJu, George Bailey's youngest child, say this line for it brings a smile to my face every time I hear it. This is another Christmas picture that I used crayon with reds, greens, and gold for the main picture red for the berries and ribbon and gold for the bell and wings and green for the holly leaves and the wreath. I used brown and black for the border that I think is a wall and black for the words of the quote.
By Mark Graham3 months ago in Art
Christmas art
Another illustration from Valentin Ramon and his Christmas movie coloring book. This really could be from any of the movies he presented in his book. Sorry for the blurry picture for I took it on a cloudy day. I used crayons with this picture using colors red, purple, yellow. green and gold for the bells and more yellow for the garland and stars are gold. I used brown for what I think is either a wall or a door where the wreath maybe hanging.
By Mark Graham3 months ago in Art
A Modern African Tarot
The sixth card in A Modern African Tarot shifts the journey from personal authority to public influence. Where IV EMPEROR represents legacy and leadership, V PASTOR explores spiritual power in the modern age—how faith, charisma, and community converge in one figure. This card reimagines the traditional Hierophant through the lens of African religious life, media visibility, and social aspiration.
By Vongani Bandi3 months ago in Art
A Modern African Tarot
The fifth card in A Modern African Tarot marks a shift from nurturing abundance to establishing structure. Where III EMPRESS celebrates creation and communal prosperity, IV EMPEROR introduces order, protection, and legacy. He is the archetype of leadership—reimagined here through African heritage, modern influence, and ancestral responsibility.
By Vongani Bandi3 months ago in Art
A Modern African Tarot
The fourth card in A Modern African Tarot shifts the journey from introspection to embodiment. Where O FOOL begins the walk, I MAGICIAN channels intention, and II HIGH PRIESTESS guards sacred insight, III EMPRESS celebrates manifestation. She is the archetype of fertility, creativity, and prosperity—reimagined here through the lens of African womanhood, economic power, and communal abundance.
By Vongani Bandi3 months ago in Art
A Modern African Tarot
The third card in A Modern African Tarot deepens the journey begun by O FOOL and I MAGICIAN. Where the Fool steps into possibility and the Magician channels intention, the High Priestess turns inward—toward silence, intuition, and ancestral knowing. She is the guardian of mystery, the voice between worlds, and the embodiment of spiritual depth.
By Vongani Bandi3 months ago in Art
A Modern African Tarot
The second card in A Modern African Tarot continues the journey begun by O FOOL. Where the Fool walks forward into layered realities, I MAGICIAN stands still—anchored, intentional, and aware of his tools. This card reimagines the traditional Magician archetype through the lens of African intellect, spiritual agency, and modern mastery.
By Vongani Bandi3 months ago in Art
A Modern African Tarot
Tarot has always been more than cards—it’s a mirror, a guide, a way to tell our stories. For centuries, the decks most people know—like the Rider Waite Smith—have been built on European imagery and symbolism. Castles, knights, biblical archetypes… powerful in their context, but distant for those of us whose roots and rhythms are African. These images speak to a worldview shaped by medieval Europe, but they often feel foreign when held in African hands.
By Vongani Bandi3 months ago in Art
A Modern African Tarot
This card marks the beginning of a powerful journey—a series of African-themed Major Arcana reimaginings that will culminate in the final card: The World. Each card in this series is designed to reflect modern African life, symbolism, and spirit, offering a fresh lens through which to explore timeless archetypes. We begin, as all journeys do, with O FOOL.
By Vongani Bandi3 months ago in Art
The Woman Who Became a Mirror
In the history of performance art, few moments have struck the human conscience as sharply as what unfolded in a modest gallery in Naples in 1974. It was an experiment that involved no words, no movement, and no stage—only a woman, a table of seventy-two objects, and the unpredictable landscape of the human soul. To this day, Marina Abramović’s Rhythm 0 remains one of the most disturbing, enlightening, and unforgettable explorations of human behavior ever witnessed.
By Ikram Ullah3 months ago in Art











