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Silent Instruments: The Uncertain Future of Afghan Music

Exploring the Challenges Facing Afghanistan's Musical Heritage and the Struggle to Keep Traditional Instruments Alive

By Prof. Islamuddin FerozPublished 4 months ago 4 min read

Silent Instruments: The Uncertain Future of Afghan Music

Author: Islahmuddin Feroz, Former Professor, Department of Music, Faculty of Fine Arts, Kabul University

Abstract

Afghanistan is a land rich in melodies, songs, and diverse musical instruments. Various ethnic groups live in this country, each with distinct languages, cultures, traditions, dialects, and climates, and their music reflects unique beauty and characteristics. When different instruments are played, remarkable diversity and dynamism can be observed in musical expressions. These songs emerge from the peaks of towering mountains, deep valleys, and roaring rivers, representing the love, pride, and freedom of the people. However, these valuable sounds are now silenced under the shadow of hatred and threats from extremist groups and are increasingly at risk of disappearance. This article provides a brief overview of the impacts of extremist policies on Afghan music and the uncertain future of this cultural heritage.

Keywords: Music, Afghanistan, Artists, Taliban, Culture, Traditional Music.

Introduction

With the rise of the Taliban in Afghanistan, music was officially banned; playing, listening to, and even making musical instruments were considered crimes. Indigenous and traditional artists, the bearers of the country’s rich cultural heritage, faced threats, harassment, and even torture in many regions. This systematic suppression not only silenced musical voices but also put Afghanistan’s cultural diversity and artistic identity at severe risk. Today, it is evident that Afghan music — one of humanity’s most precious intangible heritages — is facing unprecedented threats, and its future remains shrouded in uncertainty and doubt.

The Consequences of Music Suppression

The continuation of the Taliban’s repressive policies could seriously threaten Afghanistan’s musical heritage, a unique treasure of the country’s history, culture, and identity. Over time, this negative trend may destroy many of the rich cultural assets of Afghan music. A significant part of this heritage includes ancient instruments, songs, melodies, and dances that have been passed down orally for centuries, as well as seasonal and ceremonial music closely tied to festivals, rituals, and the changing seasons.

Traditional Afghan music is not merely sounds and instruments; it is a mirror reflecting the linguistic, literary, and cultural beauty of the country’s diverse ethnic groups. With ongoing bans and suppression, many musicians, masters, and instrument makers may no longer be present, and these melodies may gradually fade from memory. This process not only leads to cultural impoverishment in Afghanistan but also limits the country’s ability to represent its art and culture both regionally and internationally. If this trend continues, Afghanistan’s music and art, which form the backbone of the people’s identity, will be at risk of complete destruction. Therefore, the world and the region need Afghanistan to be active in the field of arts and culture, especially music, in order to maintain its cultural standing. Otherwise, Afghanistan will remain culturally and economically disadvantaged in this vital sector, losing valuable opportunities to showcase its rich heritage to the world.

Isa Qaderi is one of the most renowned Rubab players of Afghanistan (https://www.facebook.com/rubab.maker.yousuf.qaderi/videos/392275517041887/)

Efforts and Hopes

The Taliban’s ban on music forced many Afghan artists either to abandon their profession or migrate to other countries. Those who have migrated strive to preserve Afghanistan’s musical identity and keep its musical traditions alive. Artists such as Dr. Ahmad Naser Sarmast and Khalid Arman are among those who work to sustain authentic Afghan music. Likewise, artists such as Ustad Asif, Ustad Ghulam Hussain, Homayoun Sakhi, Murad Sarkhosh, Dawood Pezman, and several others have continued their valuable efforts to preserve and sustain Afghanistan’s traditional music abroad. In neighboring countries, including Pakistan, Iran, Uzbekistan, and Tajikistan, Afghan musicians are also working to keep their country’s traditional and folk music alive. Afghan music is a rich blend of styles, modes, and melodies, accompanied by a wide variety of instruments. Therefore, preventing its complete disappearance requires the cooperation of the international community and active support from artists both inside and outside Afghanistan. Despite the challenges and restrictions, hope remains alive. Every small effort to teach, record, and revive traditional music is an effective step toward preserving the cultural identity of the Afghan people. Future generations will only be able to take pride in their country’s music if this heritage is carefully and lovingly safeguarded today. Preserving Afghan music is not only a national responsibility but also a human and global duty that can bring the sounds of peace, art, and culture of this land to the world.

Conclusion

Afghan music, with its deep roots in history, tradition, and cultural diversity, represents far more than melodies and instruments; it embodies the identity, resilience, and collective memory of its people. The Taliban’s repressive policies have placed this invaluable heritage under grave threat, silencing voices that for centuries carried the pride, spirit, and stories of Afghanistan. Yet, amidst suppression, Afghan artists inside and outside the country continue to strive toward safeguarding and reviving this cultural treasure, proving that music remains an unyielding force of hope and resistance.The survival of Afghan music requires more than isolated efforts; it demands collective action. Support from the international community, collaboration among exiled and local musicians, and recognition of Afghan music as an essential part of the world’s intangible cultural heritage are vital steps to prevent its disappearance. Protecting Afghan music is not only about saving art — it is about preserving the cultural soul of a nation, ensuring that future generations inherit a legacy of creativity, identity, and pride. In the end, Afghan music must not be allowed to vanish into silence. Instead, it should continue to echo as a universal language of peace, unity, and resilience, reminding the world that even in the darkest times, the human spirit finds expression through art.

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About the Creator

Prof. Islamuddin Feroz

Greetings and welcome to all friends and enthusiasts of Afghan culture, arts, and music!

I am Islamuddin Feroz, former Head and Professor of the Department of Music at the Faculty of Fine Arts, University of Kabul.

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