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Call it Political Involvement for Dummies: Guides to learn how to become an activist, run a campaign or do anything in the political sphere.
The Universal Architecture of Complex Systems
We find ourselves in an extraordinary era where data accompanies nearly every aspect of our lives. This holds true not only for our human experiences but also for the intricate fabric of our biological and universal existence. As we deepen our understanding of the world, we uncover its inherent complexity—a web of intricate systems at play. From the intricate genetic and molecular networks governing our biological existence to the multifaceted interactions within society, it becomes evident that our world is far from a mere aggregation of individuals.
By Myke & Amy3 years ago in The Swamp
How I Wrote "The Mermaid of Little London,"
I couldn't sleep. It was one of those nights when my mind wouldn't quiet down, and the minutes seemed to stretch forever. It was 3 a.m. Instead of lying there, I got out of bed and did what I usually do every morning. I read Google News, The Washington Post, and The New York Times, searching for a story to spark my imagination and become the seed for a story or poem. Nothing worked. So, I read some stories on Vocal to see if I could find something there.
By Geoffrey Philp 3 years ago in The Swamp
Sometimes It Feels Wrong To Be Right
Introduction Something came to mind yesterday due to everything that is going wrong at the moment (don't worry it is all manageable) just about how those that shout the loudest almost always get the credit and belief of people. They don't have to be right, just louder than anyone else.
By Mike Singleton 💜 Mikeydred 3 years ago in The Swamp
The Mermaid Meets the Dread
I had a few vague ideas about the plot when I began writing “The Mermaid of Little London” as part of the Vocal Word Hunt Challenge. “Mermaid” was the first word I found, so I knew it would be some form of speculative fiction . I’ve written a few stories that use elements of magical realism, such as “Bob Marley and Bradford’s iPod” but every story is different. While I may create a recognizable world in the opening scenes, I want readers to be as surprised as I am when the story takes a sudden turn into the unpredictable.
By Geoffrey Philp 3 years ago in The Swamp











