When the World Turns Crystal
A meditation on the first frost
The maples empty themselves in silence now,
their final leaves not wanting to let go,
suspended, stiff, as if they've forgotten how
to fall. The garden rows lie fallow, and low.
The pond makes noises it has never made,
small fractures creeping outward from the edge,
a soft percussion, delicate as jade
snapping along an invisible ledge.
The air itself has texture, thicker, dense,
it moves reluctantly, as though it costs
something dear to shift. There's evidence
everywhere in the making of the first frost.
On every surface, patterns appear.
The windowpane becomes a theorem, proof
of mathematics blooming. Thirty years
I've lived here, never seen such patterns proof
themselves across the woodpile, the fields,
the pumpkins not harvested. Each object grows a skin
of crystal, intricate and Biblical,
as if the cold were voices seeping in.
The willow makes a sound like shattering,
but nothing breaks. Its branches, newly glazed,
collide in wind, a strange and chattering
percussion. Everything has been rephrased
in winter's dialect. The rain barrel wears
a lid of opacity. The gravel drive
has petrified. The clematis that climbs the trellis
looks embalmed, still reaching, still alive,
but locked mid-gesture, flash frozen in its climb.
The compost heap has ceased its smoldering.
No steam rises. There's no more time
for transformation, for the rendering
of waste to soil. Everything must wait.
The garden hose lies rigid on the lawn,
its coils unwilling to cooperate,
too stiff to move. The gentleness is gone.
Above, the clouds sit low and puffy,
a ceiling pressing downward, squeezing out
the space between the earth and sky. Now quick,
the daylight fails. There is no gradual rout,
just sudden dimming, as if someone turned
a dial leftward. Dusk at three o'clock.
The marigolds, once orange, now look burned,
their petals lacquered brown, their stems like shock,
still upright but no longer living. Stopped.
The birdbath holds a disc of milky ice.
The cherry tree's last fruit has dropped
and hardened on the ground, a sacrifice
to this new order. Every sound rings out
with sharpness: the gate's complaint, the snap
of twigs beneath the weight. Without a doubt,
the axis tilts. The season springs its trap.
The silent multiplies. No insects are singing.
The squirrels have disappeared. The world retracts
into itself, waiting for what must come,
the white erasure, the undisputed facts
of winter's governance.
The light goes flat. The change
arrives abruptly and obscene
in its totality, its ruthless, strange
insistence. Everything submits. The ground
refuses penetration. All goes still.
I stand here listening for any sound
of resistance. I hear none. And never will.
About the Creator
Tim Carmichael
Tim is an Appalachian poet and cookbook author. He writes about rural life, family, and the places he grew up around. His poetry and essays have appeared in Bloodroot and Coal Dust, his latest book.



Comments (2)
Wow- you capture the essence of the first frost and the cold of winter-- that falls without hearing resistance.
This is a beautiful poem, Tim! I don't like winter so much,but for a brief moment I wanted to be out there, in the snow. I love the phrase 'mathematics blooming'. Some people say,t he entire universe is just mathematics.