
I. I stay behind for a while
consumed
raised on hyacinth peaks
of the moment who uses her autopsy record
hysteria means attracting
attention
I repeat the Nabokovian mantra/ life is
a game of delights and delusions
the ones beyond the glass beyond the line/ of his.
he. adept of the (epicusim) epic
neurotic pulse
of mediocrity monopolized by the weak.
I. animus narandi
subterranean voluptuousness
of every banal gesture
fallen smoke apples
vanitas
i like movement/alternate upload
that borders on a dull logic
a kind of golden meat
like a
lie of self
(come-back/ has the obsession of originality too)
he. stands in the perspective of my past
on the tips and
consumes painkillers
seasons chew scales
and thorns/ antinomy with nothing
always dreaming of the sea with foam.
I. am the sea and describe
the penetrations and the unravelling of forms
and he feeds the dolls with currant blossoms
black berries.
me again. there's a n.p. in every/ I think
you are someone else
like you on the stripe
a point of north
where memory lies in excess
it. it's the point where you wonder if
you can kill yourself in a lush palette/ rarely accepted
because I liked the prompt: gloss
me. i am incestuous after all
loving the other
caressing her like a circle gone vicious.
he. breathing heavily reaches a room
huge sometimes it's
arbitrary and discreet, sometimes dramatic and flamboyant.
Me. I rediscover sleep in circles.
concentric circles the asphalt that
breathes in the rain
his molecular thought enters my dress
landscapes
printed melt into my flesh/ I travel
I laugh in colour
with a Turkish name
with them I paint clay pots in the markets/ from Morocco
I want an umbrella for
a Parisian rain
earrings for a night in tokyo
music from my berlin
pop art with lots of yellow
and art nouveau.
him. nothing scares more
than the genitive.
voilà c'est moi yours
mine is a clinical twitch / curettage without anaesthesia
an apocatastasis of green
time melts away serenely
I. cry again with tears of clover
About the Creator
Andreea Felciuc
Operating at the intersection of technology and biology, I am an architect and designer calling for a fundamental shift in the way we design and live, from consuming Nature to augmenting us.



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