Korydwen and Le Scélérat Rouge
"The Creative Endeavor" Unofficial Poetry Challenge Entry
Korydwen!
Korydwen!
Truest
of Breton hearts
***
To your beauty
Even the sea
Proclaims
Unrelenting love
***
With a’heart of gold
And eyes of blue
All fawn before
Korydwen!
***
Within your humble keep
The heart of Ys
Flows from your stream
Unto the sea
***
To you they ride
To you they seek
To harvest your love,
Korydwen!
***
La Première!
La Première!
Comes
Le Chevalier
***
Donning no favor
Lance unlimbered
His heart black
as stone
***
Une Seconde!
Une Seconde!
Comes
Le Prince d'Avalon
***
A poet's tongue!
A cloak of gold!
Merlin’s match
For Korydwen
***
At last,
La Finale!
A late suitor
Comes
***
Le Scélérat
In cloak of red
Unlooked for
unacclaimed
***
“Come with me,
Korydwen!”
Le Prince
Proclaims
***
“I love you most
Your beauty unbound
Take my hand
Korydwen!”
***
Before she speaks
Before she pleads
Le Scélérat
Intercedes
***
“Harken to me
If you please
Britannia be
This fool’s necessity–
***
–To take a crown
He needs a queen
You’ll be his token
Korydwen!"
***
“And who are you
Un Scélérat?
A brigand?
A Rook?”
***
“I’ve traveled long
I’ve traveled far
My sword’s pierced
Vile hearts”
***
Korydwen!
Korydwen!
Truest
of Breton hearts
***
With her waved hand
Knew the truth’s within
Le Scélérat’s
Guarded heart
***
She would be
No talisman
So Le Prince
She bid depart
***
“I bring no favors
But I claim you
As mine
Through strength of arms"
***
Ah Korydwen
Korydwen
There’s evil
in your halls
***
Cast them out
Before you fall
Our dearest,
Korydwen
***
“Only your lands
Do I seek
goodbye,
Korydwen,”
***
Le Chevailer
Raised sword aloft
A scythe
For his crop
***
Korydwen!
Korydwen!
Oh beautiful
Korydwen!
***
Should you fall
Within your hall
Ys’ magick
Will forever depart
***
With all his strength
Le Chevalier
Cleaved her hall
Asunder
***
“I strike you down
Korydwen
For your magick
Belongs to Brittany”
***
Amongst the ruins
Amongst the flames
Korydwen's
Fait accompli
***
Mais non!
Le Chevalier toppled
A piercing arrow
Fletched in red
***
And her savior
Stood alone
Before the beauty
Korydwen
***
“Le Prince a fool
Le Chevalier a brute
Now I ask your hand
Korydwen,”
***
“Alas the favor
You seek is
Not mine to
Proffer”
***
“Ah but my ask,
My love
Is for no
Golden harps–
***
–No magick
No myths
No quests
I seek–
***
–All I ask
Korydwen
Is for your hand
In a journey overland–
***
–To Saint Anne
For the Pardon
I am meek
Forgiveness I must seek”
***
Many men courted
Many men fell
Seeking the power
Of Korydwen’s hold
***
But in the heart
Of Le Scélérat
She sensed
A power true
***
So his hand
She took
For the Pardon
Of Saint Anne
***
They traveled long
They traveled far
Over barrowed hills
And far flung fields
***
Until below the stars
“Karout a ran
ac'hanout
Korydwen”
***
The words of old
Breton lore
Flowed through
Her mortal soul
***
And below the moon
Upon her home
To Le Scélérat
She gave her heart
***
She awoke
With the sun
To golden field
Of guardian stones
***
Came a gale
Its perfume wrong
And a fear
Struck Korydwen
***
In the brook
Beside their camp
Her reflection
A heart aghast
***
Korydwen!
Your hair runs gray
Your eyes decay
While fair body crumbles away
***
Oh Breton gods
Korydwen!
What have you done?
Le Scélérat betrays
***
“Le Prince is gone,
Le Chevailer unmade
All Ys’s Magick
I have gleaned–
***
–Name me Mordred
Oh Korydwen
Understand
My foul betrayal–
***
–With Ys’s yield
I usher forth
Arthur’s fall
In Avalon–
***
–Across the sea
I will depart
Off to victory
Wielding your heart”
***
Under the stars
Within her heart
Within her soul
Mordred cursed her everso
***
Pulled from her keep
Pulled from her stream
No hero of old
Saved Korydwen
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Now that you've made it through a 600 word poem, you have to listen to a discourse on my creative process. I felt the best way to go about this prompt was to work backwards from the end result, the poem above, as I think it is a representative example of how I go about any creation.
It all starts, not with with the myth as one may expect, from a song, in this case an obscure (at least on this side of the Atlantic) Breton folk band from the 70s:
This initial vocal riff formed the cadence of the poem, and is not the first time I've used their sound as inspiration (example HERE).
The song itself is a folk story of Korydwen, a translation of the Celtic goddess/enchantress Ceridwen, and her betrayal. I then dove into my second well of inspiration, Classic Arthurian myth, to round out our characters.
But I wanted to keep the Breton myth elements intact and several found their way into the story, namely: centering Korydwen's powers not in her traditional Welsh origins, but in the distinctly French myth of Ys (not enough word space to dive into the origins of medieval myth, Lancelot was French after all), evoking the Pardon of St. Anne (a Breton pilgrimage), and having Le Scélérat swear his love in Korydwen's own Breton tongue, "Karout a ran ac'hanout Korydwen”. To me, it's important to take the time to understand, study, and appreciate the local details of the mythology, lest we let these traditions and stories disappear into focus-group and mass consumption distillated obscurity.
Finally, you might be asking why some random Chicagoan spends time writing epic poems based on Breton/Celtic/Arthurian myths. It's a simple answer...
I Fuckin' love them.
I find beauty in the myths of old that transcends generations. Seeing the Bayeux Tapestry as a wannabe author and historian was my own pilgrimage. Same with walking the walls of Canterbury. Same with standing on the Hill of Tara. I pull from my own experiences of these places whenever I need some additional details or inspiration.
There's a power in these myths that something like AI will never be able to deliver. Both Tolkien and Martin evoke scenes from the Bayeux Tapestry made nearly a century ago. Dickens and La Fanu detail sailing below Dover Castle. That is the throughline that I chase, that I believe gives art its unassailable human depth. It's that element that forces me to create an epic mythological poem when prompted to "to create an original poem whose subject is an introspective reflection on your creative process."
No cursed robot will ever be able to do that. Ever.
Write on friends. Whatever you create is worth it. It is enough for it to exist.
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A/N:
For Gabriel's awesome challenge:
If you've enjoyed this, please leave a like and an insight below. If you really enjoyed this, tips to fuel my coffee addiction are always appreciated. All formatting is designed for desktops. My best stories can be found below:
About the Creator
Matthew J. Fromm
Full-time nerd, history enthusiast, and proprietor of arcane knowledge.
Here there be dragons, knights, castles, and quests (plus the occasional dose of absurdity).
I can be reached at [email protected]


Comments (6)
And Now I think I know you and understand your inspiration that much more. Definitely epic, and the follow up explains so much of the mind we've come to know as Matthew Fromm! Excellent entry! I want one of those original pieces of art. Like seriously! And you all are making it difficult! 😅
I love the magic of your myths and lore...
Your structure is cinematic, suitors arriving one by one, tension rising betrayal blooming and the final tragic revelation. It feels like an epic tapestry unraveling in real time.
Ah clever sir. To show your process through an epic poem of myth and history. This was stunning sir and it felt like a bit of education too, which is always good!
My favorite poem is The Lady of Shalott, and this was really giving those vibes. Great job,
Your love of folklore and Myth are so evident with this poem and many of your writings. Was it 600 words? i read it like a story unfolding in fornt of me. Like a story of old told by bards and a roaming theatrical group. You may be a Chicagoan wityh the heart of a Celt