
Wrapped in the warmth of wanted
my insecurities slowly soften
as the sun beats down on my skin.
I wonder when we learned
we needed others to see us
the way we want to see ourselves.
If I delve into my dissociated past
I would find more questions than answers
and one, in particular,
that struck a chord:
There was a gourd on the desk
of a classroom labeled “Hawaiian 101”
or as my ancestors would call it – an ipu.
I grew to understand that I held
no right to call it that myself because my skin
was a few shades too light.
I was born White, Chinese, and Hawaiian –
on an island once inhabited solely by the last
in the middle of a vast Pacific Ocean.
There seems to be this notion
that these circumstances would be conducive
to understanding my native culture.
Yet, assumed rapture was replaced
with austere rejection as I went through life
wearing a pale complexion.
So there I sat,
as the teacher who donned
a name with more letters than the English alphabet
comprised only of letters found in the Hawaiian one
asked everyone:
“What does mana mean to you?”
I couldn’t even get through a full moment
of feeling I was finally where I was meant to be
when she turned to me
and with a tilted voice that let us both know
she delivered her query from the callous
where trauma lives, said:
“Travis, do you know what mana is?”
My face flushed red
with the Hawaiian blood
she wished didn’t flow through me.
A sea of anger
crackled in my bones
laden with our shared past.
The contrast
of who gets to wear the hurt
and who has to admit having caused it
can be seen in the tint of skin
and the texture of hair.
I’ve learned to wear the scar that I am.
In 1778, Europeans explorers made contact with Hawai’i
bringing disease that decimated a thriving population.
This desecration became a mode of operation
for a culture that thrived on oppression
and suffocation.
And with each new generation
Hawaiian and White blood further mixed
creating a pathway for the uninvited
to introduce the idea of “blood quantum”
that caused division amongst a people that were once one.
As the number of Hawaiians dwindled
the United States sent more settlers until,
having deemed it a strategic “military stronghold in the Pacific,”
overthrew and imprisoned Queen Liliuokalani in 1893.
From the darkness of her cell, she sent out a plea:
“People of Hawai’i,
stand down, so we may one day stand up.”
I grew up dreaming of the day a Hawaiian hand
would be extended in my direction to help me understand
the culture that underlies my existence.
All I have come to find, however,
is that my very existence is triggering.
I am sorry,
I never intended to be born a living manifestation of your deepest trauma –
the Hawaiian blood that spilled into White veins.
It pains me to know my existence causes you so much hurt.
But buried in the dirt of this ‘āina
is a truth that our ancestors dance together.
I spend the better part of always
imagining how calloused feet would feel when free
to frolic in the sacred sands of acceptance –
I fear I may never get that chance.
I wonder when you learned
to mispronounce my name – Travis Kā’eo Cundiff
as “Hā’ole” –
“Hā” meaning breath that sustains life
and “’ole” meaning without or none.
The truth is,
I am done apologizing for the breath that flows through my body.
If I embody your scars then don’t look at me.
I’m tired of waiting for someone else to set me free.
Perhaps the purest form of perpetuating
the plea given by our beloved Liliuokalani
is when I looked my teacher in her eyes,
a pulsating piece of a past she wished didn’t exist,
after she questioned if I knew anything of my own culture
and said:
“No.”
I’ll never forget the smile that cracked
from the corner of her broken.
And yet,
this “no” said more than a “yes” ever could.
Because "mana" is the strength it takes
to give someone a small victory at the cost of your dignity.
"Mana" is going home every night
and feeling like you are not enough so others can feel like they are.
"Mana" is holding other people’s trauma
when they get tired of holding it themselves.
Perhaps,
after all this time,
I am a product of the White blood that spilled into Hawaiian veins –
and not the other way around.
But until we can walk together
on the hallowed grounds of understanding,
I’ll be sitting here at the beach –
tanning pale skin,
so that if you do decide to look at me
maybe you’ll see the lengths I have gone
to try and understand
the color that I truly am.
About the Creator
Travis Kā'eo
Try as we might, words will always fall short of true understanding. And yet, they are all we have to speak of the wonders this life holds. So, I find myself playing with their essence in vain attempts to give a voice to my voiceless heart.



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