Further back in the many spaces
That fill the beautiful squares
Of information and memory
That hold the beautiful secrets
In my head, a symbol of my
thoughts, a symbol of my dreams
Slipping into this enchanting place
Of wonder and excitement and love
Everything much more intense
Everything much more beautiful
Everything much more complicated
Everything has its flaws
Nothing is certain
Nothing is forever
She steps into this
Unknown place
Scared but ready for change
Scared but ready to become
What she has always felt
Has always known
That she could become.
She has so much potential that
No one even saw, but
She's not going to think that way anymore---
She's going to explore, and live, and love
She's going to let her true self shine
Above all else, she must be true to that,
True to herself.
Brave and courageous,
Inspired by beauty, and love, and freedom.
She is me,
Anne Marie
is
she
is
me
is
you
is
them
is
us
is
every
thing:
the
star
dust
fell
from
the sky
one
day
and
it
believed
that
you were
special,
so you exist.
you are valuable,
you are loved,
you are
whoever you choose to be.
About the Creator
Slgtlyscatt3red
Slightly scattered. Just a woman with autism and ADHD that loves to write poetry, create art, and sing.
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'20/20'
"Do It Again" the track that would ultimately open the Beach Boys final album on Capitol Records which was released on February 10th 1969 had originally been released as a single in August of 1968. The track was the first of many post-Pet Sounds era throwbacks to the early Beach Boys sound which would become continually more cliched and eventually lead the Beach Boys to the level of self-parody they would eventually succumb to in the 1980s while their closest contemporaries The Beatles nearing the end of their run in 1969 would go on to be viewed as the most influential band of all time. However, the song itself is not bad on its surface, and it opens with a futuristic sounding (for 1969) drumbeat captured by then-Beach Boys engineer Stephen Desper using tape delays on the drums performed by Dennis Wilson and John Guerin. The song has been re-recorded numerous times over the years on various Beach Boys-related projects most notably the 2011 re-recording at Capitol studios featuring the five surviving Beach Boys at the time backed instrumentally by various members of both the Brian Wilson Band and Mike Loves touring "Beach Boys" to promote the then upcoming Beach Boys 50th Anniversary reunion tour in 2012. The hammering and power drill sound at the end of the song was an excerpt from a track called "Workshop" that was to be a part of the uncompleted "SMiLE" album.
By Sean Callaghan7 days ago in Beat
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