In the silent midst
of this great oppressive blackness
the distant lights of fog-obscured offices peer
across the pier
at the slowly rolling sea
hiding in the dark and writhing
beneath the barrage of rain,
the looming veil of stars
glistening and gargantuan,
watching on from their safe distance,
burning.
The man, alone, on the wooden boat
fights tirelessly, chasing
some absent heat in this cold night
something nostalgic, lost and missed.
Leathered hands grope at
and tease thick ropes,
to tame the rippling sails,
his pursuit determined,
spirit resilient and hopeful.
Somewhere far in front of him
lie blurred droplets of hope
on lands for now invisible,
but the struggling, groaning wood
cannot be encouraged.
The man continues
fighting, bleeding
loving, feeling,
charging, needing
forcing his way
towards the beguiling silhouette of loss.
But his weakened boat collapses in the water,
and sleeping cranes dare not intervene
the metal hands too passive and reluctant
to dig this lost soul
a cold, watery grave.
On the surface
they live in mourning
awaiting a return,
black dress an old custom
followed blindly, like bedtime prayers,
beady eyes searching every crevice
of the silent unseen
in this endless night sky.
They hope,
they imagine,
they fantasise
that somewhere along these hungry waters
his arms still hug the equator tight
and that gravity protects
and caresses his missing figure.
They hope, but they know that it is hopeless.
And they feel their way back home
clumsy in the black,
hands-first through the unlifting fog,
those office lights turned off
those unmanned cranes still lost in
grand, mechanical dreams,
the future dormant
but not mourning,
withered bodies
swallowed whole by
starved waters
unchanging,
lost in the mist while the cityscape looms,
a series of concrete and cold metal graves.
About the Creator
Reece Beckett
Poetry and cultural discussion (primarily regarding film!).
Author of Portrait of a City on Fire (2020, Impspired Press). Also on Medium and Substack, with writing featured… around…



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