
At the tail end of the night
Cement’s too gritty on your back
And fog blinds the alleys
South of Spring Street.
So you creak to your feet
Wrap that greasy blanket round your shoulders
And drag yourself down to Mama Silva’s.
Catty corner from the mission
Next to the barred-up liquor store
She’s open all the time.
Crack heads and knife fights
And sirens in the night: no matter.
Mama Silva just goes on.
Light from her window full of flowers
Washes down the puddles on the street.
Blue beads chatter in her doorway.
You shrug off the blanket
Just like a snake shedding skin
And you step into her sanctuary.
The sign out front says Botanica-Yerberia
But maybe she’s a healer, maybe not.
The front room smells of herbs and incense.
There’s Jesus bleeding and Virgins weeping
And heads on the wall staring
As you slip through the curtain of beads.
In the back room no one talks about
You sink into warmth and sweet tea
And her voice like honey on a hot morning.
Candlelight flickers as you curl on the floor
And the rustle of wings
And the whispers from all her corners
Sing you off to sleep again
So when Mama Silva takes her price
You never feel the pain.
Behind the Scenes: I used to teach night classes at a college near downtown LA. On my way home, I traveled through dark streets where shadowy people drifted down alleys and past boarded up shop windows. But there'd be the occasional burst of light from a little shop like this one, keeping strange hours for the people of the night. Mama Silva also figures in several of my urban fantasy stories set in the fictional southwestern city of Soledad.
About the Creator
Jean McKinney
Writer/artist reporting back from the places where the mundane meets the magical, with new stories and poems every week. Creator of the fantasy worlds of the Moon Road and Sorrows Hill. Learn more and get a free story at my LinkTree.



Comments (1)
A great tale you wove of real things you witnessed, and wonder of that small light in the window - who is there, what are they doing? Where is that guy heading?