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Atlas of Humanity

A Giant’s Solace in a Small Town

By Muhammad saifullah KhanPublished 6 months ago 4 min read

Leon stepped out of his car at the edge of the field. Before him, the tall grass shimmered in the evening light—the same grass that, not long ago, had only brushed past his knees. Tonight it curled around ankles twice as tall.

He scanned the horizon. At first, nothing. Then: a figure. Tall, impossibly tall. Growing.

He turned his head, thought it was the wasp’s hum. But the figure kept rising—lean shoulders, dark hair, a hand brushing the clouds. Leon felt a tightening in his chest, like staring at the night sky and realizing how small Earth had become

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The figure came forward. Each step bent the earth. Grass flattened under massive feet. Leon blinked but didn’t move.

“Leon.” The voice was soft—low, deep, resonant like wind in a canyon.

He swallowed. “You… you’re huge.”

The figure smiled. “I know.”

Something in its eyes—kindness? sadness?—shivered the air.

Leon took a step forward. His foot sunk into a footprint the size of a dumpster. A thumping pulse echoed through the ground. He steadied himself on a blade of grass.

“Why here?” he whispered.

The giant kneeled. Grass flattened beneath him. Beneath his gentle gaze, Leon felt seen.

“I grow,” the giant said. “Always growing, but I don’t know why. I wander, find new ground. Sometimes I’m afraid—I’ll grow too big, lose touch.”

That resonance—the giant’s insecurity—made Leon’s skin prickle.

“My town lies beyond the hills,” Leon said. “You’ll crush it.”

The giant closed its eyes. He exhaled, wind rippling through grass. “I’ve been careful,” it said. “But one day...”

Leon shook his head. “No! There must be a way.”

The field went quiet, as if listening.

They talked until the stars rose. Leon told stories—of childhood, a broken streetlamp that hummed like a lullaby, his mother’s last call. The giant listened, nodded, whispered apologies to the wind.

At midnight, Leon saw something glimmer under the giant’s arm—like a small trophy. As the giant shifted, Leon realized it held a single wildflower: red petals, tiny as his fist.“For you,” said the giant. “I saw it when I passed the stream, thought of your town—life persisting. I meant no harm.”

Leon held the bloom, trembling.

They stood for a long time.

“I want to stay,” the giant said quietly. “But it’s not safe.”

Leon looked around at the field. “I’ll help you.”

So they devised a plan. Leon would lead the giant to the old quarry. It lay abandoned behind thick pines—a perfect basin to contain something... or someone. The rock walls were high, but crumbled.

By dawn’s first light, Leon guided the giant to the quarry’s edge. He took the flower, set it on the ground.

“Watch the flower,” Leon said.

The giant knelt again—deliberately, slowly—its fingers cupping the bloom. Leon held his breath. Inch by inch, finger by finger, the giant lowered itself into the pit. The stone walls scraped along its arms, shoulders, until it was entirely within—its head peering over the rim like a gentle mountain.

Leon sprinted to the edge and climbed the broken railing. When he reached the top, he looked down. In the giant’s hand, the flower still stood tall.

They sat like that until twilight—Leon perched on the lip, the giant’s shoulders folding inward, contained at last.

“Will you come back?” Leon asked.

The giant’s voice was a whisper across the rock. “I will visit. One day I’ll shrink… or maybe I’ll stop. But I need to understand myself first.”

Leon looked at the quarry’s dark basin. “We’ll see each other.”

The giant nodded. A crowd of birds settled on its massive shoulders. The wind shook the quarry walls. Leon shivered in awe and relief.

He watched as the giant retracted its head and shoulders underground. When only the curve of a back remained, Leon whispered: “Goodbye—for now.”

The next morning, Leon returned alone. No footprints. No massive form. Just the flower, dormant in the cold quarry air.

He picked it up.

Over the years, Leon would revisit the quarry—planting new flowers each time and leaving them at the center. He told others—some scoffed, some believed. But he felt the giant’s presence in every breeze, every quiver of earth.

One evening—many seasons later—Leon saw a distant shimmer over the rim. A gentle rockslide, then a silhouette rising into the sky. The giant’s head emerged, then shoulders.

Leon smiled, tears in his eyes. And in the green world around, he heard another soft whisper carried on the wind:

“Hello, friend.”

Reflections & Inspiration

Scale & Surreal Mood: Echoes the uncanny atmosphere of giants in the hills—as in Clive Barker’s “In the Hills, the Cities”

creating a sense of both wonder and existential absurdity.

Emotional Undercurrent: The giant’s loneliness and search for understanding mirrors themes of isolation in Jaime DeBlanc Knowles’ “The Giant” .

Nature as Anchor: Using a simple flower as a bridge between human and giant offers emotional symbolism, giving the story both surreal and tender grounding.

Let me know if you’d like edits to tone (more haunting, mystical, hopeful) or to continue their next reunion!

🔑 Key Design Tips for The Big Human:

Focus on One Visual Anchor

Choose a single powerful image to avoid clutter—either the silhouette, symbol, or landscape inside the figure

Use Visual Hierarchy & Typography

Make sure your title stands out. Experiment with contrasting fonts and positioning above or beside the visual focal point

tank you..........

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About the Creator

Muhammad saifullah Khan

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  • saifullah6 months ago

    Good thing

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