movie review
Movie reviews for horror fans; from gruesome bone-chillers to dark horror thrillers, a showcase for frightful films that seek to entertain and to terrify.
Reed Alexander's Horror Review of 'The Changeling' (1980)
I honestly can't understand why this movie didn't get just as much recognition as The Exorcist (X1). It wasn't as graphic or controversial as X1 so perhaps that's why it didn't get the notoriety? The thing is, The Changeling is every bit as good. It's got a fantastic cast, with our old friend George C. Scott, and even the venerable Melvin Douglas. So the acting solid and matched by a great character driven plot with solid dialog. The over arcing premises of the plot is clever, and it was the first of it's kind at that time. The story was brilliantly plotted, tho a bit poorly paced. And while there are a few questions sort of just left to interpretation, the plot is strongly devoid of holes.
By Reed Alexander6 years ago in Horror
'Doctor Sleep' Film Review
Mike Flanagan takes on the job of adapting Stephen King’s novel, titled Doctor Sleep, but there is a catch: Flanagan’s film exists in the same universe as Stanley Kubrick’s adaptation of King’s The Shining. As soon as I was cognizant of this information, my feelings toward it were already conflicted. I was not going to criticize the film without having seen it, however—but, now that I have, I feel that it is appropriate for me to proceed with what I am going to say.
By Anna Cheney6 years ago in Horror
Reed Alexander's Horror Review of 'The Devil's Rejects' (2005)
Rob lost the fucking plot. Plain and simple. House of 1000 Corpses (HO1kC) was a rare and special moment, and this sequel just didn't know what to do with its damn self. It's like Rob forgot who the characters were. Baby Firefly from the first movie was a deranged infantile psycho. This movie has her as a boring bully. Yeah she still has the childish lean, but it's almost too mature from the daffy character I loved from HO1kC. Otis Driftwood was a god damn artist (at least in his own mind). This movie paints him as a mindless brute, a simple thug with a level of ruthless efficiency. Hell, he gets rapey. He wasn't rapey in the first movie. Maybe a bit perverted, but not rapey. Captain Spaulding was the only one who got his fucking character right.
By Reed Alexander6 years ago in Horror
A Filmmaker's Review: 'Hereditary' (2018)
Hereditary (2018) is a movie I have watched many many times, all the way through, in individual parts, in sections and even backwards, forwards and inside out. I have tried over and over again to see what the hype was all about and, I have even tried telling myself repeatedly that I must love this movie because everyone else does. Let me explain why I finally gave it a two out of five rating.
By Annie Kapur6 years ago in Horror
A Filmmaker's Guide to Jordan Peele's 'Us' (2019) - Part 3
We can all agree that Jordan Peele's Us (2019) is quite possibly one of the best films of the last ten years and has potential to be one of the greatest movies of the 21st Century (but not the greatest, that space is saved for There Will Be Blood (2007), sorry Peele). Us (2019) is a brilliant movie in which subtleties reign supreme in exciting the audience's understanding of the film. Everyone guesses what everything means and so, we're going to look at some subtleties of our own and see how they're used to create meaning. This should be interesting seeing as, especially in horror film, these subtleties in usage are becoming evermore popular. If you'd like to start at the beginning of this series of articles, then please proceed to click here: https://shopping-feedback.today/horror/a-filmmaker-s-guide-to-jordan-peele-s-us-2019 - but you don't have to read the others in order to understand this article. They are entirely separate and can be read in any order at all. So once again, here's your spoiler alert if you haven't see the film. Let us get on with this article on the subtleties used in Jordan Peele's Us (2019).
By Annie Kapur6 years ago in Horror
A Filmmaker's Guide to Jordan Peele's 'Us' (2019) - Part 2
Jordan Peele is very well known for inventing new and exciting methods for horror, especially where his filmmaking skills are concerned. Now on his second movie, he has quite a good streak of horror films under his belt already with Get Out (2017) having an Oscar and Us (2019) on its way to having one. If you haven’t done so already then you probably want to read the first article in this series (https://shopping-feedback.today/horror/a-filmmaker-s-guide-to-jordan-peele-s-us-2019). This article isn’t going to continue from the previous one though - so you don’t have to read the one before to understand it. The thing I do want to cover is how Jordan Peele uses this film to establish his own signature style. These are the points we’ll go through to see how that works:
By Annie Kapur6 years ago in Horror
Reed Alexander's Horror Review of 'The Devil Inside' (2012)
I really think it's important for my fans to read my review of The Taking of Deborah Logan (TTODL) first to understand why this movie is so much better, regardless of the fact that TTODL had a better plot and even better actors. Check out that review at the link below.
By Reed Alexander6 years ago in Horror
‘Doctor Sleep’ Movie Review
Doctor Sleep, based on Stephen King’s book of the same name, is a sequel to The Shining (in the movie’s case, the 1980 film version). A now-grown Dan Torrance (Ewan McGregor) has become a distraught alcoholic. He still sees his old friend Dick Halloran (now played by Carl Lumbly) from time to time, in the form of “shining” (the ability to communicate using one’s mind) from the afterlife. After a man named Billy Freeman (Cliff Curtis) meets him and takes him in, Dan joins AA and begins to repair his life. Soon, however, Dan discovers a girl (Kyliegh Curran) who can shine more powerfully than anyone he, or the evil psychic superhumans hunting her (led by Rebecca Ferguson), have ever experienced, and Dan feels the need to protect her from them.
By Will Lasley6 years ago in Horror
