interview
Interviews with authors, film directors and horror snobs of all kinds; conversations that will unsettle, and shed light on all things dark and mysterious.
Elias Witherow's The Black Farm, 2025 Expanded Edition
Introduction Since its initial release, The Black Farm by Elias Witherow has been a cult favorite among horror fans because of its grotesque imagery, psychological torture, and unrelenting brutality. With the 2025 Expanded Edition, Witherow has reworked his ghastly creation once more, adding new terror layers, more lore, and even more visceral storytelling. The expanded edition of The Black Farm is the subject of this article, which examines its themes, new content, and the reasons why it continues to be one of the most terrifying horror novels ever written. How does The Black Farm work? For those who aren't familiar, Nick and Jess is a horror novel about a couple who kills themselves together and wake up in the dreadful afterlife known as the Black Farm. The Pig God, a monstrous deity who thrives on suffering, is in charge of this realm. The Farm is a place where the damned suffer incessantly as they are mutilated, harvested, and subjected to unimaginable horrors. Nick embarks on a terrifying journey through the Farm in an effort to flee, encountering other lost souls, ethereal monsters, and the constant threat of the Pig God's wrath. The original novel was praised for its unflinching depiction of despair, emotional depth, and relentless brutality. What's New in the 2025 Expanded Edition? Not only is the 2025 Expanded Edition a reprint, but it also significantly expands on the original story. Witherow has completed:
By Silas Blackwood8 months ago in Horror
American Horror's Development
How Fear Reflects the Anxieties of the Nation Through [Meh-X] The Atlantic Horror is more than just a genre; it is also a gauge of culture. American horror has always reflected the nation's deepest fears, from the eerie folklore of early settlers to the psychological horrors of modern cinema. From the Puritanical dread of the unknown to paranoia during the Cold War, from the racial tensions of the 20th century to the existential threats of today's digital age, the monsters and menaces that haunt our stories have evolved alongside societal anxieties over time. This evolution reveals a fundamental truth: why we are scared is just as important as what scares us in horror. We can see how American horror has changed over time to reflect the changing nightmares of the country by following its history.
By Silas Blackwood8 months ago in Horror
The Scariest Horror Stories You’ve Never Read
Unearthing Forgotten and Overlooked Tales of Terror By [Mehedi Hasan] | The New Yorker Horror fiction has long been a staple of literary terror, with names like Edgar Allan Poe, H.P. Lovecraft, and Shirley Jackson dominating the conversation. But lurking in the shadows of obscurity are chilling tales that have slipped through the cracks—stories so unsettling that they’ve been forgotten, suppressed, or simply overlooked. In this deep dive into the macabre, we uncover some of the scariest horror stories you’ve likely never read. These are not the usual suspects from The Tell-Tale Heart or The Lottery, but rather obscure, bizarre, and deeply disturbing works that deserve a second look—if you dare.
By Silas Blackwood8 months ago in Horror
The female horror film audience : viewing pleasures and fan practices. Part: 01
29 March, 1999 Abstract The Female Horror Film Audience: Viewing Pleasures and Fan Practices What is at stake for female fans and followers of horror cinema? This study explores the pleasures in horror film viewing for female members of the audience. The findings presented here confirm that female viewers of horror do not refuse to look but actively enjoy horror films and read such films in feminine ways. Part 1 of this thesis suggests that questions about the female viewer and her consumption of the horror film cannot be answered solely by a consideration of the text-reader relationship or by theoretical models of spectatorship and identification. A profile of female horror film fans and followers can therefore be developed only through an audience study. Part 2 presents a profile of female horror fans and followers. The participants in the study were largely drawn from the memberships of horror fan groups and from the readerships of a cross-section of professional and fan horror magazines. Qualitative data were collected through focus groups, interviews, open-ended questions included in the questionnaire and through the ommunication of opinions and experiences in letters and other written material. Part 3 sheds light on the modes of interpretation and attempts to position the female viewers as active consumers of horror films. This study concludes with a model of the female horror film viewer which points towards areas of female horror film spectatorship which require further analysis. The value of investigating the invisible experiences of women with popular culture is demonstrated by the very large proportion of respondents who expressed their delight and thanks in having an opportunity to speak about their experiences. This study of female horror film viewers allows the voice of an otherwise marginalised and invisible audience to be heard, their experiences recorded, the possibilities for resistance explored, and the
By Silas Blackwood8 months ago in Horror
The Best Horror Books of All Time – Esquire
Horror literature has the unique power to unsettle, terrify, and linger in the mind long after the final page is turned. From Gothic classics to modern psychological thrillers, the genre has produced some of the most chilling and thought-provoking works in fiction. Whether you're a seasoned horror fan or a newcomer looking for a good scare, this list of the best horror books of all time—curated in the spirit of Esquire—will guide you through the most haunting tales ever written.
By Silas Blackwood8 months ago in Horror
The Exorcist (1973): A Cinematic Masterpiece of Horror
Introduction Few films have left as indelible a mark on the horror genre as The Exorcist (1973). Directed by William Friedkin and based on William Peter Blatty’s 1971 novel of the same name, The Exorcist is widely regarded as one of the greatest and most terrifying horror films ever made. Its shocking imagery, intense performances, and profound exploration of faith and evil have cemented its place in cinematic history. Upon its release, The Exorcist became a cultural phenomenon, sparking controversy, inspiring countless imitations, and leaving audiences traumatized. Even decades later, its power to unsettle remains undiminished. This article delves into the film’s production, themes, impact, and legacy, examining why it continues to haunt viewers to this day. The Origins of The Exorcist William Peter Blatty’s Inspiration The story of The Exorcist was inspired by a real-life 1949 exorcism case involving a young boy (referred to as "Roland Doe" in records). William Peter Blatty, a novelist and screenwriter, came across the story while studying at Georgetown University and was fascinated by the themes of demonic possession and the battle between good and evil. His novel The Exorcist became a bestseller, blending horror with deep philosophical and theological questions. From Page to Screen Blatty adapted his own novel into a screenplay, and Warner Bros. enlisted William Friedkin, fresh off the success of The French Connection (1971), to direct. Friedkin approached the film with a documentary-like realism, insisting on authenticity in performances and special effects. This commitment to realism would contribute to the film’s visceral impact. Production: A Grueling and Controversial Process Casting and Performances Ellen Burstyn as Chris MacNeil – The actress brought emotional depth to the role of a desperate mother. Linda Blair as Regan MacNeil – Only 12 years old during filming, Blair delivered a performance that was both innocent and horrifying. Her physical and psychological transformation remains one of cinema’s most disturbing portrayals. Jason Miller as Father Damien Karras – A struggling priest grappling with faith, Miller’s performance added profound emotional weight. Max von Sydow as Father Lankester Merrin – Though only 44 at the time, von Sydow was aged with makeup to play the veteran exorcist. His presence brought gravitas to the film. Mercedes McCambridge as the Demon’s Voice – Her guttural, otherworldly vocal performance heightened the terror. Challenges on Set The production was plagued by rumors of a "curse," including injuries, fires, and even deaths among crew members. Whether coincidence or superstition, these incidents added to the film’s mystique. Friedkin pushed his actors to extremes: Burstyn suffered a permanent back injury during a violent scene. Blair endured grueling makeup sessions and psychological strain. The infamous "spider-walk" scene (cut from the original release but restored in later versions) required a stunt double to crawl backward down stairs. Groundbreaking Special Effects Special effects artist Dick Smith created some of the most iconic horror imagery: Regan’s spinning head, levitation, and vomit scenes. The grotesque makeup for her possessed state. Practical effects like freezing breath and furniture moving on its own. These effects were revolutionary for their time and remain disturbing even by modern standards. Themes: More Than Just a Horror Film Faith and Doubt At its core, The Exorcist is a story about faith. Father Karras, a psychiatrist and priest, struggles with his belief in God after his mother’s death. His crisis mirrors the film’s central question: How can evil exist in a world governed by a benevolent God? The exorcism becomes not just a battle for Regan’s soul but a test of Karras’s own faith. Science vs. Religion The film contrasts medical and supernatural explanations for Regan’s condition. Doctors initially diagnose her with neurological disorders, but as her condition worsens, science fails to provide answers. The exorcism ritual, though archaic, becomes the only solution—suggesting that some evils lie beyond human comprehension. Innocence Corrupted Regan’s possession represents the ultimate violation of innocence. Her transformation from a sweet child into a profane, violent entity is deeply unsettling, tapping into primal fears about the corruption of youth. Release and Cultural Impact Initial Reception Upon its release on December 26, 1973, The Exorcist became a box office sensation, earning over $441 million worldwide (adjusted for inflation). It was nominated for 10 Academy Awards, including Best Picture—a rarity for a horror film. Audiences reacted viscerally: Reports of fainting, vomiting, and panic attacks in theaters. Religious groups protested, accusing the film of being blasphemous or Satanic. Some theaters provided "barf bags" for viewers. Legacy and Influence The Exorcist reshaped horror cinema: Demonic possession films became a subgenre (The Omen, The Conjuring universe). Foundational for psychological horror—its slow buildup and realism influenced later films like Hereditary and The Babadook. Enduring popularity—multiple re-releases, director’s cuts, and a franchise (sequels, prequels, TV series). Why The Exorcist Still Terrifies Psychological Horror Unlike modern jump-scare-heavy horror, The Exorcist relies on dread and psychological torment. The idea of an unseen, malevolent force violating a child taps into deep-seated fears. Religious Terror For believers (and even non-believers), the film’s depiction of demonic forces challenges the safety of the spiritual world. The exorcism scenes feel like a genuine confrontation with evil. Uncanny Realism Friedkin’s documentary-style direction makes the supernatural events feel plausible. The lack of overt CGI (compared to modern films) enhances the horror. Conclusion More than 50 years after its release, The Exorcist remains the gold standard of horror cinema. Its masterful blend of psychological terror, groundbreaking effects, and profound themes ensures its place in film history. Whether viewed as a terrifying supernatural tale or a deep meditation on faith, The Exorcist continues to shock, disturb, and captivate audiences—proving that true horror never dies. Final Thought The Exorcist isn’t just a movie; it’s an experience. And like all great horror, its true power lies in what it makes us believe—even after the credits roll.
By Silas Blackwood8 months ago in Horror
Some people don't believe it, is it true or is it just a mistake in people's minds? Please comment and let me know.
(One Night's Story) The drought has been going on for a long time, the canals have dried up, the trees are drying up all around, people's cows and goats are dying due to lack of grass.... Shiuli's two cows have died, they are suffering from lack of food. Their father used to catch fish in the canal and sell them in the market, but there are no clouds, the canal has dried up. Their house is not near the food at night. The younger brother is crying because of hunger. Shiuli is sitting with her mother in her arms. Sheuli does all the work. The father goes fishing. But because of the lack of clouds for a long time, everything has become chaotic. It is 10 o'clock at night and his father is not coming. The younger brother is crying. A house alone. At the call of Maghrib, Shiuli's father always comes. He never lets them be alone at night. But what happened today? He has not seen his father. Today, suddenly the wind started blowing. Shiuli is sitting near the door. The wind is blowing outside. Shiuli's hair is flying. A beautiful scene has emerged in the light of the hurricane. Suddenly, I saw my father coming from afar, with a market bag in his hand. A smile on his father's face. He brought a big fish. Rice. This is it. Where did my father get the money? I am sitting in the market today feeling sad. I don't know what to do. Then a customer came to me. When the fish was being sold. He used to take fish all the time,,,,, He took a lot of fish, when he saw me he said what's up Mia you can't be seen now,,, I came to the market looking for you but I can't find you anywhere,,,,,,, I asked people who they were but someone said you have given up this business now,,,,,,,, what is the truth you have not given up
By Ratul Shrikh8 months ago in Horror
The Last Call from Apartment 7B
I wasn’t even supposed to be home that night. The plan was simple: grab dinner with friends, catch a movie, maybe crash at Maya’s place like I usually did on Thursdays. But around noon, something in my gut told me to cancel. I don’t know why. It wasn’t a bad feeling exactly—just… off.
By Sohanur Rahman8 months ago in Horror
I Fell in Love with a Ghost
They met every Sunday beneath the old willow tree by the lake. Aarya had been coming to this lake since childhood, but after her father’s sudden death, she stopped visiting. The pain was too raw. It wasn’t until last autumn—when the silence in her house felt unbearable—that she returned. The trees were painted in golden hues, the lake shimmered under a soft sun, and the willow stood there, timeless and still.
By Yasir Hamid 8 months ago in Horror
