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Ahsan Manzil: The Pink Palace of Dhaka's Glorious Past

Exploring the Legacy, Architecture, and History of Dhaka's Iconic Heritage Site

By Md Mostafizur RahmanPublished about a year ago 2 min read

Ahsan Manzil, known as the "Pink Palace," is a famous and historic site in Dhaka, Bangladesh. It is situated by the Buriganga River in the city’s older area. This grand building not only showcases impressive architecture but also has a rich history, representing the wealth of the Nawab family who lived there in the 19th and early 20th centuries. Built in 1872 by Nawab Abdul Ghani, a key figure in Bengal’s elite society, Ahsan Manzil was the official home of the Nawabs, who were important leaders during British rule. Its design combines Indo-Saracenic and European styles, highlighting the Nawabs' affluence and the cultural exchanges happening in Bengal at that time.

Originally, Ahsan Manzil served as a kuthi, or trading house, for a French company, showcasing Dhaka's strong trading history, especially in textiles. Nawab Abdul Ghani renovated this building and named it after his son, Khwaja Ahsanullah. Over the years, the palace expanded significantly, featuring a grand two-story layout with a striking dome, spacious courtyards, and lovely staircases. It contains more than 30 rooms, including reception halls, dining areas, drawing rooms, and galleries filled with artifacts connected to the Nawabs and Dhaka's cultural history. The palace stands out with its unique architecture, including columns, arches, and detailed moldings, all painted pink, which is why it is called the "Pink Palace."

In addition to its beauty, Ahsan Manzil is historically significant as a hub for political and social events. During British rule, it served as a gathering place for the elite and played an essential role in the area's social and political activities. The palace was a witness to important events, such as discussions about the partition of Bengal in 1905 and the founding of Muslim educational institutions. The Nawabs supported cultural and educational initiatives and often used the palace to promote these efforts.

However, over time, Ahsan Manzil suffered significant damage, especially after the zamindari system ended in 1947. Without the same wealth, the Nawab family struggled to maintain the palace, which fell into disrepair due to neglect and natural disasters. There were even talks of demolishing it. Fortunately, because of its historical value and the dedication of heritage activists, the Bangladeshi government chose to preserve Ahsan Manzil as a national museum.

In the 1980s, the government of Bangladesh began a large restoration project to bring Ahsan Manzil back to its original beauty. This effort turned the building into a museum that opened its doors to visitors in 1992. Today, Ahsan Manzil is a symbol of Dhaka’s rich history, drawing in tourists, researchers, and students eager to learn about the country’s cultural heritage. The museum displays a variety of items, including artifacts, paintings, portraits, and furniture from the Nawab family, each piece reflecting the luxurious lifestyle and historical moments tied to the palace. A visit to Ahsan Manzil provides a special chance to step into the past and witness the elegance and history that shaped Dhaka.

Currently, Ahsan Manzil stands as not only a beautiful architectural landmark but also as a symbol of Dhaka's strength and cultural history. The building is well-maintained, and its beautiful gardens, complete with fountains and paths, enhance its appeal, offering a peaceful retreat from the lively city. This pink palace continues to fill Bangladeshis with pride, reminding them of their historical roots and the cultural exchanges that have influenced their identity. As an important part of Dhaka’s lively past, Ahsan Manzil is a valued site, connecting history with the present and remaining steadfast through the years.

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About the Creator

Md Mostafizur Rahman

I am a simple writer who loves sharing thoughts and stories through honest, relatable words. With a passion for connection, they believe in the power of simplicity to inspire and touch hearts.

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