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Review: TRON: Ares — A Visual Triumph That Flickers at the Heart

When Light Trails Cross the Real World: A Neon-Drenched Reckoning in “TRON: Ares”

By James S PopePublished 3 months ago 5 min read
TRON: Ares

When the third installment in the iconic franchise—TRON: Ares—arrives, it doesn’t just revisit its neon-glow past. It tries something bold: sending the digital into the flesh-and-blood world, and in doing so, asks what happens when programs become people and grids bleed into streets. The result is, in many ways, a spectacular ride—but one that leaves you wanting more depth beneath the surface shine.

Immersion in the New World

From the opening frames, TRON: Ares hits the senses. The film re-imagines the series’ signature aesthetic—those glowing light cycles, razor-sharp geometry, and bold neon contrast—while transporting us from the virtual “Grid” into a gritty modern metropolis. It’s a clever reversal of expectation. Instead of users entering the digital realm, the digital enters us. That shift alone electrifies the first hour.

The direction (by Joachim Rønning) serves this ambition well. The cinematography lays out a slick world: real reflections, rain-soaked tarmac, streaks of blue and red light, saying “this is the future,” and it’s in our streets. Meanwhile the score—by the industrial rock outfit Nine Inch Nails—underscores the urgency with a metallic heartbeat. When the visuals and the sound align, the film fires on all cylinders.

The Premise and Its Promise

At its core the story is deceptively simple: a sophisticated program named Ares is dispatched from the digital realm into the physical world to carry out a mission whose moral dimensions he gradually begins to question. Along the way he collides with humans and programs alike, weaving a narrative about identity, control, and what it means to be alive.

This premise holds massive potential. The notion of a digital alien in human skin invites philosophical reflection—on rights, consciousness, autonomy. The film hints at these themes in moments of quiet: when Ares studies a flower, when he processes emotion, when he contemplates his directive. These are the moments where the movie has its strongest pulse.

Characters, Stakes & Emotional Core

Here’s where the movie falters slightly. While the spectacle is abundant, the emotional investment is uneven. Ares (portrayed by Jared Leto) is visually arresting—his transformation from cold program to curious entity is the film’s best arc—but some supporting characters lack the depth to match. Human protagonists and antagonists alike are sketched in broad strokes: corporate visionary, rogue AI hunter, idealistic creator. Their motivations are clear, but rarely humanized to the point where you fully feel their struggles or stakes.

Consequently, when major turns in the plot arrive—betrayals, sacrifices, revelations—the emotional payoff sometimes doesn’t land. I found myself admiring the visuals and ideas far more than I found myself rooting for someone’s victory or fearing their loss. That said, the return of a familiar voice (a veteran from the earlier franchise entries) adds weight and a sense of legacy, though it comes late and brief.

The Themes: Man, Machine, and the Middle Ground

One of the film’s more compelling threads is its interrogation of the boundary between human and program. Ares might begin as a tool, but his questions—What is it to exist? What is to belong? What is to feel?—echo human anxieties. Meanwhile, the humans in the film confront their own hubris: technology as saviour, technology as threat.

The visual metaphor is strong: light trails slicing city lights, digital code overlaid on human bodies, the Grid’s geometry invading real architecture. These motifs reinforce the blur. In the best moments, the film doesn’t just show these ideas—it lets you feel them. The trouble is that the script tries to juggle too many themes—corporate power, AI rights, legacy of the original TRON story—without fully exploring them.

Spectacle vs. Substance

Watching TRON: Ares in a large venue (IMAX, Dolby, or similar) delivers an undeniable sensory high. The chase sequences, the airborne battles, the neon explosions… these are dream-sequences for lovers of kinetic sci-fi. The film is at its best when it lets itself go wild: cityscape as grid, programs in human bodies, light cycles on highways at dawn.

However, the flip side: when things slow down, the film’s structural weaknesses show. The pacing drags briefly after the first act; certain character arcs resolve too quickly; the climax, while visually impressive, feels rushed in its logic. In short, it's a feast of sensation, but the meal ends before all courses are cleared.

Critics seem to agree: praise for the design and sound, but criticisms for the story. One review noted: “A sensory feast of vivid neon hues and a hypnotic soundtrack… too narratively programmatic to achieve an authentically human dimension.” That resonates with what I felt. The movie looks and sounds fantastic—leaves a mark—but a deeper emotional groove eludes it.

What Fans Will Appreciate

For fans of the franchise, TRON: Ares offers quite a lot. It pulls from familiar visual motifs while daring to shift them. It acknowledges the past but isn’t afraid to remap the future. The score alone is worth the price of admission—when the music swells and light trails burst across the screen, it’s near sublime.

It also opens doors: the ending leaves room for more stories in this hybrid world of “real + digital.” If there is a next chapter, this film plants the seeds. For those willing to forgive narrative shortcuts in favour of style and sensation, the experience is satisfying.

What Might Frustrate Viewers

If you come expecting a traditional “TRON” sequel that picks up exactly where the last one left off, this might feel different. The tone is darker, the settings more grounded, the story less rooted in the original “enter the Grid” premise. Some fans have voiced disappointment that key characters from earlier films are absent or sidelined.

If you also crave character-driven arcs or fully explored philosophical terrain, you may feel the film holds back. The themes are present, but not always deeply mined. Plot holes or rushed transitions may irritate those seeking a tighter narrative.

Final Verdict

TRON: Ares is a bold evolution of a beloved franchise. It commits to style, sound, and visual innovation—delivering one of the most immersive sci-fi spectacle experiences of the year. It asks interesting questions about the boundary between digital entity and human being, and presents them via luminous imagery and pounding rhythms.

But it doesn’t always stick its landing. The emotional core is dimmer than the neon lights, the character stakes blur behind the spectacle, and the narrative sometimes feels compressed. It is less a fully realised philosophical exploration, more a kinetic thought-experiment dressed in glowing armor.

For the general audience looking for a high-concept action spectacle, this film will entertain and dazzle. For die-hard fans of the TRON mythos, it offers fresh paths and visual thrills. And for viewers seeking deep character journeys, it offers promise more than payoff.

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About the Creator

James S Pope

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