Metropolis (1927) Review

"Metropolis" is a German silent film released in 1927, directed by Fritz Lang. The movie is a groundbreaking work of science fiction, and its themes of industrialization, technology, and class struggle remain relevant today.

The film takes place in a futuristic city that is divided into two parts: the wealthy upper city, where the ruling elite live, and the lower city, where the working class toil in factories and underground mines. The plot revolves around the conflict between these two groups and the efforts of a young hero, Freder, to bridge the gap between them.

One of the most striking things about "Metropolis" is its visual design. The film is a masterpiece of set design and special effects, and it remains a benchmark for science fiction films to this day. The film's futuristic cityscape is both awe-inspiring and terrifying, with towering skyscrapers, massive machines, and intricate underground tunnels. The film's iconic "Machine-Man" robot is a testament to the film's technical prowess and creativity.

Beyond its visual design, "Metropolis" is also notable for its social and political commentary. The film was released during a time of great social upheaval in Germany, and its themes of class struggle and revolution resonated with audiences. The film's depiction of the ruling elite as cold and ruthless overlords who exploit the working class is a powerful critique of capitalism and industrialization. The film also explores the role of technology in society, warning of the dangers of relying too heavily on machines and automation.

At its core, "Metropolis" is a story about the struggle for human connection and understanding. The film's protagonist, Freder, is a member of the ruling class who becomes disillusioned with his privileged existence and seeks to understand the plight of the working class. The character of Maria, a working-class revolutionary who seeks to overthrow the ruling elite, provides a counterpoint to Freder's journey. Together, the two characters represent a hopeful vision of a society that can overcome its divisions and work together for the common good.

The film's themes of love, sacrifice, and redemption also add a powerful emotional resonance to the story. The relationship between Freder and Maria is a central thread of the film, and their struggles to overcome the barriers of class and ideology provide a compelling narrative arc. The film's final scene, in which Freder and Maria unite to bring peace to the city, is a triumph of storytelling and visual spectacle.

Of course, it's worth noting that "Metropolis" is a product of its time, and some aspects of the film may seem dated or problematic to modern audiences. The film's portrayal of women, for example, is somewhat limited, with female characters largely relegated to roles as mothers or love interests. The film's treatment of race is also questionable, with a scene in which the workers are depicted as "subhuman" in their obedience to their rulers.

One of the most interesting aspects of the film is its production history. "Metropolis" was a massive undertaking, with a budget of over five million Reichsmarks, making it one of the most expensive films of its time. The film's set design and special effects were also groundbreaking, with hundreds of extras, elaborate costumes, and intricate miniatures used to bring the film's futuristic city to life.

Despite these flaws, however, "Metropolis" remains a landmark of cinema and a must-see for fans of science fiction and film history. The film's impact on the genre cannot be overstated, and its themes of social and political upheaval remain just as relevant today as they were in 1927. If you're a fan of science fiction, or simply interested in the history of cinema, "Metropolis" is a film that should not be missed.