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Chainsaw Man

A Review of the Manga by Tatsuki Fujimoto (Book 1)

By Tom BakerPublished about a year ago 3 min read
Denji with chainsaw head.

Denji’s got a serious problem: he’s broke—like, beyond broke. Worse than your average homeless person. He’s starving most days, barely scraping by hunting down “devils” in some weird alternate Tokyo, where these hellions run wild like there’s no one in charge. To quote a line from Slayer, “the devils are free to roam,” and Denji’s barely holding his own in this hellscape. Not that he has much choice—he’s stuck paying off his dead father’s debts to some sleazy Yakuza who don’t even have the decency to treat him like a person. They’ve got him on a leash, keeping him desperate, dangling survival in front of him like a carrot.

Of course, it gets worse. The Yakuza—predictably scummy—set him up, feed him straight to the Zombie Devil. That’s their master plan: betray him, kill him, and cash in. But Denji’s got one thing going for him, and that’s Pochita. His pet devil-hunting dog isn’t just any mutt; he’s got a freakin’ chainsaw sticking out of his forehead. When the Yakuza’s scheme plays out, and Denji’s at death’s door, Pochita steps in and merges with him, bringing Denji back from the brink. But not as the same guy. Oh no. Now Denji’s got a chainsaw head, Tetsuo-the-Iron-Man style, and he’s ready for some blood-soaked revenge.

After slicing through the devil scum, Denji catches the eye of the Public Safety Devil Hunters, a government agency that deals with this supernatural mess for a living. Enter Makima. She’s Denji’s boss and the object of his immediate infatuation. Denji’s simple in his desires—he just wants to live, maybe have something to eat, and, well, let’s be honest here, touch some boobs. Specifically, Makima’s. His motives are about as deep as a kiddie pool, but for a guy who’s had nothing his whole life, you can’t really blame him.

Denji’s new life isn’t all chainsaw fights and devil hunts, though that’s a big part of it. He doesn’t have to wear the chainsaw head all the time, thankfully, so he can blend in when he’s not out cleaving devils in two. But devil hunting has its complications, starting with Aki Hayakawa, his new partner. Aki’s everything Denji isn’t: disciplined, serious, and downright miserable to be around. He’s also a bully, which doesn’t go over well with Denji. After Aki tries to push him around, Denji, ever the problem-solver, kicks him square in the balls. Repeatedly. They’re a match made in hell, but somehow, it works.

Then there’s Power, another devil hunter who’s not exactly human herself—she’s a devil, through and through, but somehow, she’s on their side. At least, most of the time. Power’s a loose cannon, more interested in causing chaos than actually working with the team, but Denji’s too infatuated with the idea of maybe, someday, getting a shot at touching her chest to care much about her unpredictability. Together, Denji and Power face off against the Bat Devil, a giant blood-sucking monstrosity that almost kills Denji. Power’s loyalty is sketchy at best, and just when you think you know where her allegiances lie, she throws a curveball.

Another bloody image from CHAINSAW MAN.

But the real horror of Denji’s world isn’t just the devils themselves—it’s what they represent. The devils in Chainsaw Man are tied to the fears of humanity. Kill a devil, and the fear it embodies gets wiped out, erased from existence. This isn’t just about personal stakes; it’s global. Events like the Holocaust and the Soviet Union’s existence are forgotten because the devils representing those horrors have been destroyed. It’s a grim reality where fear controls memory, and nothing is permanent.

And Denji? Well, he just wants to touch some boobs. His obsession with it is laughable, but there’s a tragic undertone there. The guy’s never had anything—no love, no warmth, just an endless grind of survival and debt. So yeah, maybe his goal is shallow, but in a world this messed up, it’s the only thing keeping him going.

Chainsaw Man, created by Tatsuki Fujimoto, is a gory, twisted ride through a brutal world where nothing is sacred and everything’s up for grabs. The manga is raw, violent, and full of dark humor. It’s like Junji Ito meets Evil Dead, only it doesn’t take itself too seriously. Sure, it’s packed with action and blood-soaked panels, but it’s also oddly sweet in its own screwed-up way. The art is slick, the pacing relentless, and while it doesn’t reinvent the wheel, it leans so hard into the chaos that you don’t mind the ride. It’s a wild, gruesome romp through hell, and, honestly, isn’t that what we all signed up for?

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About the Creator

Tom Baker

Author of Haunted Indianapolis, Indiana Ghost Folklore, Midwest Maniacs, Midwest UFOs and Beyond, Scary Urban Legends, 50 Famous Fables and Folk Tales, and Notorious Crimes of the Upper Midwest.: http://tombakerbooks.weebly.com

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Comments (2)

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  • angela hepworth11 months ago

    Awesome! One of my favorite manga!

  • animetipzabout a year ago

    Loved Chainsaw man! Great description of the story

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