The Quiet that Remembers
Sometimes leaving and staying are just different ways of drowning...

Where the River Splits...
Some nights, Lena dreams she is two women standing in the same rain.
One stands at the kitchen sink, wrists submerged in cloudy dishwater, eyes fixed on the window as the sky turns the color of bruised fruit. Her wedding ring glints each time she moves.
The other walks barefoot down a gravel road that smells like rain, a suitcase in her left hand and her ring in the right. She keeps glancing back, as if the house might rise and follow.
They share the same breath, the same trembling pulse.
Only the choice is different.

⸻
The One Who Stayed
She lives inside a hush that smells of lemon cleaner and cooled coffee.
The house listens. Every hinge, every pipe, holds its breath when he walks through. His voice fills rooms the way smoke does—slow, invisible, inescapable.
She’s learned to smile from the corners of her mouth only. Learned that silence can be armor if worn long enough.
In the mirror, her eyes look like wet marbles—smooth, expressionless, heavy.
The neighbors call her lucky.
He still calls her “baby,” though the word now sounds like a closing door.
At night, when he sleeps, she studies his back and imagines pouring light into the hollow of it—enough to warm something again. Nothing happens.
So she traces the cracks in the ceiling instead and pretends they’re rivers on a map leading somewhere she hasn’t been allowed to go.
⸻
The One Who Left
The cabin smells of pine and old storms. She thought solitude would sound like peace, but it hisses—like a pilot flame that never shuts off.
Her ring sits in a jar on the windowsill. Sunlight hits it sometimes and throws a small circle of fire across the wall. She turns her face away when it happens.

Freedom feels too wide at first. The silence presses from all sides. At night, the wind claws the roof, whispering his name through the chimney.
She keeps the lights on until dawn, afraid the dark might start speaking.
She eats toast over the sink. She forgets to lock the door. She cries without knowing what for—him, or the ghost of herself that kept forgiving him.
The tears come in quick, ugly bursts, like hiccups from the soul.
⸻
The River
Then the dreams return.
A place that doesn’t belong to time: a river narrow as a scar, black as wet ink.
One woman on each bank, facing the other through mist so thick it hums.
The water doesn’t move; it waits.
“Did you find peace?” calls the one who stayed.
“Only quiet,” answers the one who left.
“Isn’t that the same thing?”
“No. Quiet remembers.”
Their words echo off nothing. The river keeps their secrets and gives back only shivers.
When they wake, both smell rain in their hair.
⸻
The boundaries start to fray.
The woman who stayed sometimes sees cedar walls behind her wallpaper, as if the cabin were hidden inside her house. The air smells faintly of smoke instead of soap. Once, while folding laundry, she finds a pine needle tucked into a sleeve. She stares at it until her throat hurts.
The woman who left hears the house groan in her sleep. She dreams of a kettle whistling in another kitchen, a man asking, “Are you okay?”—the question that always meant Don’t start.
Each morning, both write the same line in separate notebooks without knowing:
Maybe love is just the habit of waiting for change.
⸻
When the Storm Comes
It arrives in both worlds at once.
Lightning veins the sky; thunder shakes the dishes where one still lives, the beams where the other hides.
They rush toward the river in their sleep, barefoot, hair plastered with rain.
The air tastes of iron and regret.
“Tell me which of us was right!” the one who stayed shouts over the roar.
“You think there’s a right way to leave yourself?” the other cries back.
“Then why does it still hurt?”
“Because pain doesn’t need witnesses.”
The water rises to their knees, black and shining, trying to decide who to keep.
When they reach out, their fingers almost touch—heat to heat, pulse to pulse—but the surface trembles and blurs them together.
For an instant, there’s only one reflection in the river, and it’s crying.

⸻
After
Morning smells of rain and something sweet.
Only one woman wakes.
The room around her is both—the house and the cabin stitched imperfectly together.
Half lace curtains, half cedar planks.
A coffee mug and a chipped jar share the same table.
On the sill, the wedding ring gleams faintly beside a stack of river stones.
She tries to remember which choice she made. Nothing answers.
Her body feels heavier and lighter at once, as if carrying its own absence.
She walks outside. The world is damp, forgiving. The air hums with that low tone that comes after lightning—half warning, half lullaby.
She kneels and touches the mud. It’s cool, alive. Somewhere beneath it, the river still moves.
⸻
That night she dreams one last time.
The river is shallow now, clear enough to see her face doubled on the surface—one side tired, one side free.
She steps in; the current folds around her calves like cool hands.
On the far bank, her shadow kneels, washing something invisible.
It looks up and says, “Was it worth it?”
She answers, “It had to be.”
“Does it still hurt?”
“Yes, but it’s mine now.”
The shadow nods and dissolves into ripples that smell faintly of his cologne and rain.
⸻
She wakes with dawn in her mouth—bright, bitter, new.
The sheets are clean, the air soft. Somewhere, a kettle hums. Maybe it’s memory, maybe it’s mercy.
She doesn’t reach for the ring or the suitcase. She just sits there, breathing like a woman whose lungs have finally remembered how.
Outside, the river moves unseen beneath the earth, carrying both versions of her toward the same wide sea.
About the Creator
Ana Carter
Entirely too deep for a bio...
I'm a loving wife, mother, lover a n d fighter.




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