The Curious case of The Temporal Anomaly.
Detective Fiction meets Western life.

Sherlock Holmes arrived at King’s Cross Station with precious few minutes to spare. He planned on boarding the 10:17 train to Highbury Street...but he stepped onto the curious new Platform 8.5 with a raised eyebrow. The brass placard looked freshly bolted, the numbering illogical. Even the air felt wrong - a faint scent of hot iron and sagebrush drifting where London fog should have been.
Holmes paused, fingertips brushing the sign, before boarding and seating himself in the far corner of the train...a vantage point of sight and observation. To the untrained eyes, nothing seemed out of place. But he felt a certain inconstant shift in the air. An irregular variable had inserted itself into the regular equation of time. Curious, Holmes thought, very curious.
“Someone has tampered with the order of things,” he murmured.
The train lurched forward before he could finish the thought.
A Dislocation in Transit.
The journey was brief - impossibly brief. No rhythmic clatter of wheels, no whistle, no conductor. Only a sudden, bone‑deep stillness.
Holmes stepped out, half expecting the familiar bustle of London...But somehow prepared for an abnormality in the order of things.
Instead of a mad dash of London activity, he sank ankle‑deep into red dust.
The sky was a hard, merciless blue. Wooden storefronts lined a single dirt road. A tumbleweed rolled past with theatrical timing. And directly ahead, two groups of men squared off, hands hovering over holstered revolvers.
Holmes recognized the tableau instantly - though he had only ever seen it in American newspapers and dime novels.
The Gunfight at the O.K. Corral.
He had stepped out of the train and into a legend.
The Consulting Detective Meets the Cowboys, he mused. Watson would have loved to be here.
A man in a long duster coat glanced at Holmes with mild confusion.
“You lost, friend?” he asked, thumb hooked casually near his Colt.
Holmes straightened. “Quite. I appear to have disembarked at the wrong… century.”
The man blinked. “Name’s Wyatt Earp. And unless you’re here to help, I’d suggest finding cover.”

Holmes observed the positions, the angles, the tension in each gunslinger’s stance.
“This confrontation is staged,” he said calmly. “Someone has engineered it.”
Wyatt frowned. “Engineered. What nonsense? This is a feud years in the making.”
Holmes shook his head. “No. Look there - the dust patterns. Footprints overlapping in impossible directions. And the sun’s shadow… it shifts inconsistently. This is not a moment in time. It is a reconstruction.”
Wyatt stared at him as if he were mad. Who was this stranger, What's with the hat and why was he not concerned about bullets.
The Hidden Puppeteer.
Holmes knelt, brushing his fingers across the dirt. Beneath the surface, he found a thin metallic filament - whirring faintly.
“Aha,” he whispered. “Temporal machinery.”
A voice echoed from behind the saloon.
“Bravo, Mr. Holmes. I knew you’d spot it.”
A figure stepped out - a man in a tailored suit far too modern for the 1880s. His pocket watch glowed with unnatural light.
“I am Professor Aldus Finch,” he said. “Historian. Inventor. And admirer of your work. I brought you here to solve the greatest mystery of the American West.”
Holmes turned slowly. “You abducted me across time.”
“I prefer to think of it as… inviting you to witness history firsthand.”
Wyatt Earp stared at the two confusing characters. “This just got real strange.” He muttered.
The Real Crime
Holmes studied Finch with razor‑sharp focus.
“You’re not here to observe history,” he said. “You’re here to alter it.”
Finch smiled thinly. “Why preserve a legend when one can perfect it?”
Holmes stepped forward. “And what becomes of the men whose lives you rewrite?”
Finch shrugged. “Collateral.”
Holmes’ voice hardened. “Then the true crime is not the gunfight - but your manipulation of reality.”
The Showdown Behind the Showdown
As the famous gunfight erupted in the street, Holmes and Finch faced off in the alley behind the saloon - intellect against invention.
Holmes lunged, snatching the glowing pocket watch from Finch’s hand. The device sparked, the world flickering like a lantern in a storm.
Wyatt Earp shouted from the street, “What in blazes...?”
Holmes crushed the watch under his heel.
🌪️ The Rending of Realities
The sky tore open with a sound like ripping silk - there was no thunder or wind, but something more intimate, more final. A seam split across the heavens, glowing with a pale, electric light that pulsed like a heartbeat. The desert sun vanished, replaced by a swirling vortex of stars, gears, and fractured time.
🕰️ Sherlock Holmes
Holmes staggered backward, shielding his eyes from the impossible brilliance. His cane sank into the red dust, now lifting in spirals around him like smoke. The logical scaffolding of his mind strained - this was no illusion, no sleight of hand. The sky had become a wound, and time was bleeding through.
His coat flapped violently, caught in winds that smelled of coal smoke and gun smoke - London and Tombstone colliding. He saw flashes: Big Ben ticking backward, a revolver firing in reverse, a train steaming into a mirror.
Holmes whispered, “Temporal rupture. Someone has torn the veil.”
🤠 Wyatt Earp
Wyatt Earp stood his ground, boots planted like roots in the dust. His hand hovered near his holster, but the threat was not of bullets - it was of an impossible reality unraveling. He saw his brother Morgan alive again, then gone, then alive. The town flickered between wood and iron, saloon and gaslight.
He turned to Holmes, voice low:
“Is this your doing, stranger?”
Holmes shook his head. “No. But I suspect it’s our undoing.”
🏜️ The Setting
The town twisted. Buildings stretched and collapsed like accordion folds. A steam train reversed into the horizon, its whistle echoing backward. Horses reared and vanished, replaced by carriages, then bicycles, then skeletal automatons.
The ground cracked, mimicking an earthquake, but with "Chronoshift" in different concepts and context. Gaming maybe - as a support power that allows teleportation of vehicles on the battlefield.
Could there also be devices designed to harness quantum entanglement, enabling users to shift through time and parallel worlds.
These definitions highlight its use in both tactical gameplay and theoretical concepts related to time manipulation.
A cactus bloomed into a Victorian lamppost. A tumbleweed rolled past, then paused, then rolled again in reverse.
The air pulsed with overlapping realities - the West, the Empire, the future. A child’s voice sang a lullaby in Latin. A revolver fired a bullet that turned into a quill in-between its flight.
🧠 The Consequence
Holmes reached into his coat and pulled out a futuristic device, it was not his own, he had no idea how it got there. It was glowing with the same light as the sky.
“This is Finch’s anchor,” he said. “The device that distorted and melted time together.”
Wyatt nodded. “Then we tear it loose.”
Together, they hurled the remote-like object into the sky’s wound.
It vanished.
The sky sewed itself closed with a sigh.
Dust settled.
The town was quiet.
But something had changed - subtly, irrevocably. A sign above the saloon now read 221B. A horse neighed. And Holmes, brushing dust from his coat, muttered:
“Reality is a palimpsest. A manuscript...but with writing which has been superimposed on effaced earlier writing.
And someone has begun to rewrite.”
Return to Platform 8.5
Holmes blinked.
He stood once again on Platform 8.5 at King’s Cross. The brass sign was gone. The air smelled of coal and rain.
A conductor approached. “Sir? Are you boarding?”
Holmes adjusted his coat, dust still clinging to the hem.
“No,” he said quietly. “I believe I’ve already taken quite the journey.”
He walked away, mind racing.
Somewhere, in some fractured corner of time, the Gunfight at the O.K. Corral played out as it always had - free from the meddling of Professor Finch.
But Holmes knew one thing for certain:
Someone had built a door between worlds. And doors, once opened, rarely stay shut.

About the Creator
Novel Allen
You can only become truly accomplished at something you love. (Maya Angelou). Genuine accomplishment is not about financial gain, but about dedicating oneself to activities that bring joy and fulfillment.
Reader insights
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Excellent work. Looking forward to reading more!
Top insights
Compelling and original writing
Creative use of language & vocab
Excellent storytelling
Original narrative & well developed characters




Comments (2)
Great combo! Good job. :)
Novel, you knocked this out of the park. It was so refreshing to read a mismatch that includes western without any of that godawful “Howdy pardner” nonsense. This was fantastic. If you have a moment, check out mine (mythology and southern humor): https://shopping-feedback.today/fiction/dinner-yjree0j3j%3C/span%3E%3C/span%3E%3C/span%3E%3C/a%3E%3C/p%3E%3C/div%3E%3C/div%3E%3C/div%3E%3Cdiv class="css-w4qknv-Replies">