Plague Dr

Venice, the Floating City of Italy, reached its most significant prominence at the dawn of Rome's 15th-century "Resurrection".

During this time, various developments in technology and mathematics brought about what we would now consider a professional architect, separate from the hands-on craftsman. For example, paper was not used for drawing until this period. The introduction of linear Perspective, it's the use of different projections to describe 3-dimensional buildings in 2-dimensions, together with an increased understanding of dimensional accuracy, helped building designers communicate their ideas. 666 years ago, a plague from China had just begun that was about to kill roughly half of humanity. The outbreak struck crowded conditions of city-states like Florence, where the heart of innovations lay. This Renaissance starts with a treatise named De pictura published in 1435; it contains the 1st scientific study of Perspective.

It's author, Leon Battista Alberti (1404 – 1472), an Italian Humanist author, artist, architect, poet, priest, linguist, philosopher, and cryptographer. He was the ultimate Renaissance Man.

Documented to have been raised in Venice, his establishment of the laws of linear Perspective became a powerful instrument to depict mechanical devices for the 1st time in a realistic manner. His treatises give modern historians of science invaluable insights into the standards of technology of the time. Leon Battista Alberti showed a strong proclivity to experimental study, inspiring a variety of technical devices, many of which appeared for the 1st time on paper. While there's a tendency to attribute inventions based on their 1st pictorial debut, I view his work as a product of evolution. A natural selection that often went back to another brilliant mind with access to an abundance of intel for the 1st time.

In his day, there was no clear distinction between architect and engineer. He used the expression "We Painters", but not as a painter, or sculptor; as a teacher. The truth is, "In painting, Leon Battista Alberti achieved nothing of any great importance or beauty," wrote Giorgio Vasari. "The few paintings of his are far from perfect, but this is not surprising since Alberti devoted himself more toward research than to draughtsmanship." Vasari argued that recorded progress in art reached its peak in Michelangelo, emphasizing Leon Battista Alberti's scholarly achievements, not his architectural talents: "Alberti spent his time studying the proportions of ancient buildings; but above all, he concentrated on writing rather than on applied work. With Albertian ideals of beauty on his mind, Italian polymath Leonardo da Vinci filled his notebooks with Leon Battista Alberti's observations on human proportions."

Leon Battista Alberti's 1st major written work, Della pittura, did more than inspire Renaissance pictorial art in Florence. Alberti's work became a model for both Medieval Romanesque architecture and Enlightenment-era neoclassical literature. In the mid-18th-century, his architecture inspired neoclassical architecture seen at White House and Capitol in Washington, DC. He ascribed symbolic and sacred meanings to specific geometric shapes and proportions. Alberti designed everything using infinitely self-similar, iterated, and detailed mathematical constructs with fractal dimensions. By analyzing nature about designing, he explored the elements of Perspective. Like his contemporaries, I became so obsessed with nature that I thought of little else. I applied the fractal patterns found in nature to the technology, art, music, architecture, education through the laws of seasteading. I then experimented with Alberti's perspective in the blueprints for a giant oceanic doomsday bunker.

Leon Battista Alberti did not mean that architects should imitate nature objectively, as it is; the architect should be especially attentive to beauty, "for in constructing beauty is as pleasing as it is necessary."

The term extremophile comes from the Latin word for "extreme" and Greek word for "love." Extremophiles are rugged organisms that can apply to the modification of large vessels like broken-down cruise ships for seasteading in the harshest conditions.

Leon Battista Alberti said, "So let's take from nature what we are going to design, and from nature, we choose the most worthy things." It is hard for carbon-based organisms with water as a solvent (such as all life on Earth) to survive in nature. I based this amphibious nation on lifeforms that possess optimal growth in conditions considered unlivable.

In theory, water, Sun, and wind power will get harnessed, using the structure to convert waves into energy. To protect against system failure, our hybrid energy system will use photovoltaics and turbines. Additional forms of power include wind, biomass (wood & waste), alcohol fuels, and geothermal energy.

Leon Battista Alberti propounded a new theory of Humanism through early Quattrocento architects such as Brunelleschi, Donatello, and Ghiberti. Alberti primarily provided them with a practical handbook to "Renaissance." I came up with numerous ways to implement Albertian principles into seasteads with interlocking modules made of reinforced concrete used in Venice. I'd then superimpose Albertian beliefs over contemporary technologies like oil platforms, dams, and other marine structures.

Leon Battista Alberti rebuilt the Vatican long before he managed to realize only a fragment of his visionary plans. Through his books, he opened up his theories and ideals of the Renaissance to architects, scholars, and others. De re aedificatoria "Florentine Vitruvius" was written not only for craftsmen but for anyone interested in the dark arts (liberal arts), as Alberti put it.

He regarded math as the common ground of art and science. In his treatise, Della Pittura, he said: "I will take 1st from the mathematicians those things with which my subject is concerned." Albertian Criteria became a standard feature of civic building facades in the later Renaissance, Baroque and Classical Revival buildings. I designed ™ using his fractal methods for an expandable unfolding symmetry - so replication is the same at every level. Since few parts of the 7 Seas are currently being utilized, alterations would have minimal impact on both the environment and residents.

In terms of Aesthetics, Leon Battista Alberti is the 1st in defining art as the imitation of nature. Studying extreme environments on Earth helped him understand the limits of habitability on other worlds. We'll look for ways to apply the extremophile adaptation of amino acid composition, to affect our protein folding ability under the conditions here and "abroad." Like Deinococcus radiodurans, our radioresistant vessel will survive cold, dehydration, vacuum, and acid. COVID-19 won't stand a chance!

2.) Introduction

As ™'s primary architectural references, I wanted to learn more about Leon Battista Alberti. It turns out, he became the architectural advisor to Pope Nicholas V and was involved with several projects at the Vatican. Alberti's treatise led to the increasing study of both out-of-date records, as well as a rebirth of classical styles of Latin. From the Resurrection, 1st in Italy, and then increasingly across Europe, Humanism took hold of chronological studies.

In Rome, Alberti had plenty of time to study its old sites, ruins, and objects. His work, De re aedificatoria (1452), clearly emulates De architectura by Vitruvius (30 BC). In looking further into Vitruvius, I read about this Russian mathematician named Anatoly Fomenko (born 1945). He developed a statistical method that, professedly, proved Leon Battista Alberti was Vitruvius. I immediately started thinking about da Vinci's text, written in mirror writing. His Vitruvian Man came from the proportions of the human body, as described in Vitruvius' De architectura 3.1.2–3. This led me to believe that fractals aren't limited to geometric patterns, but they've displayed processes in time as well. Admittingly, subjective perception is known to have fractal features.

I'll start by saying that chronology is a continuing dialogue between the present and the past. My interpretations of it are subject to change in response to new evidence, new questions, and the unique viewpoints I might have gained by the passage of time. Although Leon Battista Alberti is often characterized exclusively as an architect, this does him no justice. James Beck said: "to single out 1 of his fields over others as somehow functionally independent is of no help to characterize his extensive explorations." Because of this, a later book will explore many aspects of seasteading in detail, from waste disposal to flags of convenience. This 1st installment is more of a creation myth if you will.

As my research continued, I found Leon Battista Alberti to be a pioneer in the field of Italian grammar. He modified the Latin language with that of Medieval Rome for use by the Vatican. Such properties led to the modern Italian linguistic style we hear today. Alberti's study of language preserved in written sources was concerned with understanding texts from the classical period. The roots of philology lie in his lifetime. Alberti attempted to return to the Latin of the classical period; he tried to produce more accurate editions of out-of-date texts. He used these for translation efforts into Latin.

Alberti also practiced Roman Law. His most important patron was Pope Nicholas V (1397–1455). A Pope well documented to have funded translations and architecture related to the distant past. As intel declined with the fall of Western Rome, so did their texts; many remained without a Latin translation. The fragile nature of papyrus meant that older documents not copied onto expensive parchment would eventually crumble and be lost. So how do we know what's original? To the eye, the final decline and cataclysms of the Byzantine come from Pope Nicholas V. This heightened the activity between Byzantine scholars and Leon Battista Alberti's translations into Latin; plus, a full range of counterfeits ensued, including our most cherished historians, poets, playwrights, and philosophers. Most of which are superimposed "phantoms," mirrored scary stories of those in his circle and "outside of his square" (enemies). Many architects attempted to design figures which would satisfy Vitruvius' claim that a human could fit into both a circle and a square. Figuratively speaking, Alberti pulled it off through a network of explorers, artists, cosmographers, and dealers.

Leon Battista Alberti applied fractal patterns with various degrees of self-resemblance into his images, structures, literature, and sounds. The geometry used in his construction of Vatican altars and tabernacles is sacred to this day. His concepts applied to everything from holy wells to religious art. If his geometric ratios were employed in phantoms of Medieval Roman architecture and pre-Vatican cathedrals, did Alberti incorporate this into "sacred sites" throughout the planet? We know De re aedificatoria became a significant reference for architects - but to what extent? Is the timeline of the chronological record encrypted similarly? Such fractals would then be different from finite geometries in how they level.

As far as one can see, Constantinople fell on Leon Battista Alberti's watch, marking the end of the Romans (Byzantines). This led to the migration of scholars and texts directly to him (and his colleagues), which brought about the invention of a mechanical movable type called the Press. Cataclysms like the Pest, aka Pestilence, can reduce the world population in half; it sure did so during the Resurrection. It took hundreds of years for the human population to recover to its previous level, recurring as Black Plague outbreaks in Italy for centuries. This enabled Leon Battista Alberti to assign different dates and locations to various accounts of the same recorded events, creating multiple "phantom copies" of these events.

These "fractal copies" could have been misdated by-centuries or even millennia, possibly ending up being incorporated into our conventional chronology. It seems that cataclysms that may have included the Black Death killed an estimated 25 million Chinese 15 years before it reached Constantinople 666 years ago. However, a plague also arrived in Constantinople in 542. Both cataclysms would go on to kill over a 3rd of the city's population each time. Such catastrophes mirror, or "reflect" as I put it, similar events with remarkably similar characters over vast periods.

For example, Fomenko compares the contemporary chronicle of Rome written by Titus Livius with a modern history of Rome written by Russian historian V. S. Sergeev. He calculated that the 2 have a high correlation, and thus that they describe the same period of chronicle, which is undisputed. He also compares modern texts which describe different periods, and calculates low correlation, as expected. However, when he compares, for example, the early chronicle of Rome and the Renaissance records of Florence, Genoa, and Venice, he calculates a high correlation. He concludes that the early history of Rome is a copy of the Late-Medieval records of Rome, thus clashing with mainstream accounts.

Organizations, including states, religions, and corporations, may sometimes use organized crime methods to conduct their activities. However, their powers derive from their status as formal social institutions. This distinction concerning organized crime is not always apparent, and academics continue to debate the matter. We know such "deep states" are formed by clandestine governments with covert networks of power operating independently of a state's political leadership, in pursuit of hidden agendas.

Leon Battista Alberti was a welcomed guest to soldier-Princes and shrewd military commanders that generously spent money on the patronage of Latin records. He dedicated several of his treatises to such individuals. Similar to how Vitruvius dedicated De architectura (The 10 Books on Architecture) to the emperor Augustus, Marcus Agrippa, and others. De re aedificatoria is the only surviving major book on architecture from classical antiquity. Not much is recorded about Vitruvius' life. Most inferences about him get extracted from his only surviving work De Architectura. We know he was born Marcus Vitruvius Pollio (backdated 70 BC – 15 BC). This Marcus Pollio became a Latin author, architect, civil/military engineer. If De Architectura inspired surviving Roman monuments such as the Pantheon and the Baths of Diocletian and it wasn't printed until Renaissance that can only suggest one thing. Even Marcus' cognomen Pollio is uncertain.

I argue that Marco Polo (1254 – 1324) reflects, or imitates, Marcus Pollio. Marco Polo was an Italian merchant who traveled through Asia along the Silk Road between 1271 and 1295. Best known for "seeing many things that had previously been unknown to Europe." With the Florentine cosmographer Paolo Toscanelli, Leon Battista Alberti collaborated in map-making through astronomy (a close science to geography at that time), producing "Descriptio Urbis Romae." It was Toscanelli who provided Columbus with the map that guided him on his first voyage. Parallels between Marco Polo and Marcus Pollio suggests Alberti knew about the New World long before Columbus set sail. His search for the wealth and prosperity of India's Bengal Sultanate led to the colonization of the Americas a few years after Leon Battista Alberti's death.

Since the publication of Polo's book in 1300, some have viewed the book with skepticism. I question Marco Polo's travels in China. Polo does not write about the Great Wall of China, and the exact date and place of birth are "archivally" unknown. The Korčulan origin of Marco Polo seems like pure falsification.

Upon further inquiry, I looked into Leonardo da Vinci's collaboration with Luca Pacioli's "father of accounting" and author of Divina proportione. It's not hard to see how the golden ratio is within the Vitruvian Man. Pacioli used the golden ratio when he published the 1st description of the double-entry system. I have reason to believe the Vitruvian man is, in fact, Leon Battista Alberti. Even if the Vitruvian man isn't, or also wasn't sketched by Alberti, before Leonardo da Vinci met Pacioli, his remix of Vitruvius was- by a long shot.

Moreover, double-entry bookkeeping is echoed, or as I say "reflected", in Leon Battista Alberti's remix of Plinius the Elder (70 AD) Tabulae Rationum. It said: "On 1 page all the disbursements are entered, on the other page all the receipts; both pages constitute a whole for each operation of every man". It seems as though Alberti introduced it to fund black ops. Hence, every entry to a black budget account required a corresponding and opposite entry to a different account.

Alberti became tight with the House of Medici, the wealthiest family on Earth at the time. Shortly before his disappearance, Alberti completed a treatise titled "On Ruling the Household," a template for the Medici. Their bank, from 1397 until 1494, was the most respected institution in the world. Commissioned by Giovanni de' Medici, their hilltop Villa in Fiesole was designed by Alberti. This dwelling then became the prototype for all Renaissance villas.

Although there is no immutable "truth" about past events and their meaning, there's ample evidence that Leon Battista Alberti belonged to a supra-national intelligence organization. This spy ring hasn't had to answer known laws, let alone the rules governing the countries which "descended." Although its name is unknown, I refer to it as the Underworld. It ascends when nations can no longer perform essential functions, usually due to pandemics, fractious violence, or extreme poverty. We know that there were human societies in the antique period that were significantly more technologically advanced than the rest, no not aliens, the Underworld.

They seem to have been stationed somewhere around the Romanian of the coastlines of the Black Sea, from Croatia, along the Danube to Northeast Ukraine and further across Russia into Siberia. The Underworld has been cryptically hidden best within democratic countries whose political, social, and economic institutions have come under the control of business oligarchs. It offers them loans for interest, with strict terms of collection upon failure, operating in the open (outside of any authority).

This prehistoric agency seems to have constructed all 5 early civilizations that supposedly arose independently, starting with the Mal' ta–Buret', an archaeological culture in Siberia. The Underworld began with a cataclysm that triggered an extensive biomass burning by an impact winter. The Younger Dryas abrupt climate change contributed to calamities of the Late-Pleistocene, leading to the end of the Underworld's homeland. The impact event forced them to settle elsewhere to survive. Lacking resources, they persevered through providing protection, prostitution, extortion, blackmail, drug trafficking, theft, violence - you name it. Capitalizing on epidemics, this horde of hunter-gatherers has perpetuated this behavior for collective gain ever since. Refining our character each time, we've become more and more civilized as a consequence of natural selection.

In terms of this Gothic era, the Goths were a Ukrainian bunch living North of the Danube, who played a significant role in the fall of the Western Roman Empire and the emergence of modern Europe. Today, the term Gothic elicits the dark imagery of 19th-century horror films (black makeup, hair, and clothes from the Victorian and Belle Époques.)

Invaders from dark waters emerging out of the Black Sea region have perpetuated themselves throughout history. In the chronicle of Europe, the Gothic era was also known as the Medieval Ages. I argue that we were still hunter-gatherers up until the time Leon Battista Alberti. Thus, behavioral modernity began with the fall of the Western Roman Empire then merged into the Renaissance and the Age of Discovery.

Speculatively, I suggest humanity's shift toward behavioral modernity occurred after a viral outbreak along the Black Sea 666 years ago. It's possible that humankind was suffering from a case of amnesia, and Rome's “scary story” served to remind us. It's possible we couldn't have made sense of anything after the Pest. Traumatized, we might have been in a state of collective schizophrenia; displaying the psychological aspects of zombification. The physical elements of zombification were ascribed to human decomposition in pre-industrial societies. For example, Tuberculosis (consumption) was said to cause visitations from "dead" family members who ate themselves to death.

The Black Death, from what I can tell, caused a widespread global rise of people with schizophrenia who became hostile to all life after suffering from famine. This assault on mother-nature was over by the time Leon Battista Alberti wrote Profugorium ab aerumna "Refuge from Mental Anguish" (1450).

This is based on my analysis of mainstream Renaissance scholars, who happen to show the 1st positive signs of literary self-awareness. Shared nightmares from pandemics cause acute collective trauma. After these cataclysms, most of us aren't at all conscious of what's going on, per se. I think our behavior was based on "command hallucinations," similar to what directs the expressions of people with schizophrenia. Between that and how the Black Death breaks down lung tissue, secreting blood around the lips - we practically had ourselves a zombie apocalypse 666 years ago. Interestingly, evolutionary psychologists suggest the gene that imparts plague resistance, in homozygous form, has a direct link to schizophrenia.

Rather than making rational evaluations in unexpected situations, what if (back then) we'd hallucinate a voice and think it came from the "monsters" in our nightmares? Some of us still do. This is based on my literary analysis of texts mainstream scholars deemed to be ancient, which show the 1st appearances of the "concept of self" by Alberti. Here, I borrow from Julian Jaynes' Bicameral Mind theory as it suggests behavioral modernity occurred in the Bronze age. However, my argument is that most Bronze age content was created in the 15th-century.

I find it hard to distinguish the difference between all Pre-Renaissance humans and movie-style zombies. Since we were still practicing cannibalism in the stone-age, I argue humans were consuming each other as a food until the 15th-century.

As they encountered human hosts, I think zombies were primarily used to increase the risk of Black Death pathogen transmission. I contend zombies were used to regulate population numbers for the Underworld, whereby resources became more readily available with the decrease of human competition in areas of interest. I'm not creepily saying that those who got bit became zombies, I'm assuming the rate of cannibalism increased in regions that became nutritionally poor due to their lack of self-awareness. As zombies sought additional food sources, relatives - horrifyingly - became meal tickets.

Without self-awareness, food availability becomes constrained to this day. Shockingly, starving people will still use others as an additional food source. Perhaps, this increased the survival rate of controllable zombies and provided the Underworld with an advantage in environments where people refused to think critically. Thus, Alberti's behavioral adaptations forced humanity to decrease our rate of cannibalism, turning zombies into behaviorally modern people - i.e, the Resurrection.

Conceivably, this Underworld crystallized during the Late-Gothic Crisis. The Pest wiped out the entire system. This intimidatingly sudden end to the previous period led to massive scientific changes during the Gunpowder warfare period. It may be that they 1st used incendiary devices in gory sieges with the zombies. By 1346, I presume Underworld cannons would play a vital role in the Hundred Years' War. Once they came up with the matchlock, their guns were able to be aimed and fired while held steady with both hands, like an arquebus. I don’t know all the details, I just wasn’t there.

One thing’s for certain, all major inventions like handguns, print, ocean navigation occurred in Alberti's lifetime. Feasibly all the chronology of the "Old World" is known to us from manuscripts that date from "the Resurrection" (Renaissance) to the 18th-century, but describe events that allegedly happened thousands of years before, the originals regrettably and conveniently lost. The English chronicle of 640–1040 and Byzantine records of 378–830 are emulations (reflections) of the same late-Gothic original by the looks of it.

During Renaissance Europe, the chronology was about states or nations. The study of records changed during the Enlightenment and Romanticism. Voltaire described the timelines of certain ages that he considered important, rather than describing vast timelines in chronological order. Chronology became an independent discipline. The "philosophia historiae" didn't exist anymore, but merely history (historia).

Interestingly, Leon Battista Alberti developed a bizarre theory bearing the same name beforehand, "Historia." The whole idea of art and culture dying during the Dark Ages, then resurrecting during the Resurrection, is cryptic. It's illogical that Greco-Romans under Byzantium could fail to use the intel left by early Greece and Rome, especially when it was of urgent military use. Inspired by historian David Rohl's New Chronologies, I claim that most recorded records began during the Resurrection. Many events that allegedly occurred before that point either never really happened or are merely ghostly retellings of events that occurred either much later or much earlier.

One might wonder why we should want to revise the chronology of early records today and base our revision on new empirical-statistical methods. Let me remind you that during the Resurrection, chronology was a subdivision of mathematics.

My unnerving task was difficult due to a deficiency of physical evidence: for example, Sparta was a leading Greco-Roman city-state. Yet, little evidence of Sparta survives to study. What we have comes from Athens, Sparta's rival; likewise, the Romans destroyed most evidence (cultural artifacts) of earlier conquered peoples. However, the Peloponnesian War between the Spartans and Athenians seems to describe something later. The conflict between the Duchy of Athens and the Duchy of Neopatras in Greece, held by the Catalan Company. The Navarrese Company attacked them in the Late-14th-century.

NOTE: misdated to 430 BC, the Plague of Athens devastated the city's population. The zombie outbreak also affected much of the Eastern Mediterranean region. The apparitional Black Sea moves into the Mediterranean from the Aegean. One could draw parallels between these events and the Pest. Recurrences of zombies and other cataclysms caused by this region bring a continuing decline of the population over and over again. Their spine-chilling hordes facilitated the trophic transmission of the Black Death.

In the Western Provinces, the fearful Latin mob lost many Greco-Roman manuscripts that were not preserved by monasteries. However, due to the expense of writing materials, monastic scribes recycled old parchments. The parchments became reused after scraping off the ink of the early texts and writing new books on the previously used paper, creating what is called a palimpsest. Fortunately, the old writing can still be retrieved, and many precious works, which would have otherwise got lost, have been recovered. However, accurately dating such recycled materials is virtually impossible.

With the decline of Latin authority in Western Europe, literary development became confined mainly to the Eastern Romans and the Persian mob. Latin, never 1 of the primary literary languages, rapidly declined in importance (except within the Vatican). Leon Battista Alberti's Italian soon morphed into modern Spanish. The principal literary styles were Greco-Roman and Persian, though other words such as Syriac and Coptic were important too.​ Influenced by the classical Western tradition, he cryptically named early models, or alluded to in particular works. Alberti infers artistic influence through comparative methods that reveal reflections of thought. Sometimes copies of said Greco-Roman texts will contain handwritten annotations that offer direct evidence of his remixing.

Leon Battista Alberti traveled to Rome in 1431, where he took holy orders and entered the service of the papal court. The Vatican continued to evolve during the Gothic ages and remains a significant facet in the modern Western world. I believe Fomenko is correct when he states that the world record before Alberti was deliberately falsified for political reasons. I think it was 1st fabricated by the Medici’s Vatican and then later by pro-German Romanovs from the Black Sea regions. The Underworld both revealed and concealed concepts like money, horses, and the wheel in various parts of the world to maintain power. To this day, it's a criminal organization that functions more like a religiously-motivated terrorist group.

3.) Leon Battista Alberti was Pachacuti

Arguably Leon Battista Alberti is best remembered as Pachacuti Inca Yupanqui, meaning "he who overturns space and time." The name Pachacuti, by itself, is translated as "Cataclysm." Is there a coincidence his native population in the Americas plummeted from around 50 million in 1492 to 8 million after his disappearance? Native Americans mostly died by outbreaks of the Pest brought by the Underworld's private armies from Spain and Portugal. I also have a sneaking suspicion that Pachacuti was simultaneously another Native American ruler named Nezahualcoyotl, founder of the Aztec Empire.

Nezahualcoyotl inserted himself as the 9th Sapa of the Kingdom of Cusco and founder of the Incan Empire. Hence, both Aztec in Mexico and Incas in Peru are dated to have begun at the same time. Pachacuti reminds me of those homunculus cups (the little man inside the head of the little man inside the head, etc.). Self-resemblance itself is not necessarily counter-intuitive; Pachacuti metaphorically casts the infinite regress in parallel mirrors.

All 3 revered polymaths lived from 1402 until 1472. These men share way too many similarities for it to be sheer coincidence. Alberti's European studies, achievements, exiles, and family status get echoed through both Native American timelines. While advising war criminals to fund the arts, they trained philosophers, painters, musicians, and sculptors to wage war.

Exhibit A: the Voynich manuscript, an illustrated codex hand-written in an unknown writing system. The vellum is carbon-dated to when and where Alberti wrote De iure "On Law" in 1437. Radiocarbon dating by the University of Arizona indicated a date between 1404 and 1438. The goat-skin binding/covers are not original to the book but dated to its possession by the Collegio Romano, a Jesuit university. In 2014, Tucker and Talbert positively identified 37 plants, 6 animals, and 1 mineral referenced to plant drawings in the Badianus manuscript, a 15th-century Aztec record. The atacamite in the paint suggests some of the materials came from Mexico. Some letters represented Nezahualcoyotl's native Nahuatl language enciphered. The different syllable signs enabled the representation of this Underworld language.

The text goes from left to right, and most of the pages have illustrations or diagrams. Some pages are foldable sheets. The Voynich manuscript has never demonstrably been deciphered, none of the many hypotheses became independently verified. The cipher system makes use of a "verbose cipher," where single letters in a plaintext get enciphered into groups of fake messages. The 1st 2 lines of page f15v strongly resemble how Latin numbers would look if verbosely enciphered. Polyalphabetic ciphers came from Leon Battista Alberti.

Pachacuti introduced "Quipu" as recording devices for his fashion from strings to conceal intel in the region of Andean America. This encryption system consisted of cotton-fiber lines. He used them for collecting census intel, keeping tax records, monitoring calendrical obligations. Quipu duly received these records for his military. The cords stored alphanumeric values as knots, often encoded in a base 10 positional system.

Pachacuti's polyalphabetic encryption system modified ciphers so they wouldn't yield texts where all shapes occur with roughly equal probability anymore. His written "words" were like codes to be looked up in a codebook. The Voynich manuscript's internal structure is similar to Roman numerals, which at the time would be his natural choice for the codes. Since book-based ciphers contained short messages, they were very cumbersome to write and to read. It also includes a meaningful text that was intentionally rendered obscure by mapping it through 1 of Pachacuti's ciphers; this algorithm operated on individual letters.

He designed the "Alborada de Nezahualcoyotl," a system that was still in use over a century after his death. Texcoco "the Athens of the Western World," contained remains of hilltop garden fortresses, sculptures, and a massive above ground and underground aqueducts. Tenochtitlan's aqueducts came from springs on the banks of the lake. They also organized a system that collected human waste for use as fertilizer. In Rome, Leon Battista Alberti was Ironically employed by Pope Nicholas V for the revamping of the Roman aqueduct of Acqua Vergine. His Italian patron's hilltop castle became a villa that served as a template for future architects.

The psychoanalyst Otto Rank said: "Almost all important civilized peoples have early woven myths around and glorified in poetry their founders of religions, of dynasties, and cities. The record of their birth and their early years get furnished with fantastic traits; the amazing similarity, sometimes geographically far removed from 1 another, is well known and has struck many an investigator."

Reflections of invaders globetrotting, as a state within states, have persisted ever since fragments of a sizable disintegrating asteroid struck the planet 12,800 years ago. I believe it was this Mal' ta–Buret impact event is why Incan people called Pachacuti "The Earth Shaker." He defines the term, most recent common descendant (MRCD). This term is also used about the human ancestry of genes (haplotypes) rather than organisms. The age of human MRCD is unknown, I'm speculating. Most tie her to the Younger Dryas (around 12,900 BC). The impact temporarily reversed the gradual climatic warming after the Last Glacial Maximum started receding approximately 20,000 BC. I argue that humanity was, pretty much, stuck in this state until the 14th-century.

Next time someone tells you, "it's good for you because it's organic and natural" reply, so are asteroids, supervolcanic eruptions, lethal gamma-ray bursts, and geomagnetic storms. Don't forget to mention our predictable Sun transforming into a red giant star engulfing the Earth. The Black Sea undersea river has current through the Bosphorus Strait that can be wielded for energy. As in the preface, I aspired to have underwater habitats along the seabed of the Black Sea immune to existential anthropogenic risks that can be caused by zombies (disease, tech, governance, climate), or non-anthropogenic (external) risks that are generally outside of our control (global warming, crop failures and AGAIN disease).

I assume the Underworld used zombies as so-called co-religionists to "band together" and defend themselves from perceived persecution. Their cadaverous private militias were formed by and fall under the influence of charismatic spies, becoming instruments of Underworld ambitions. In Asia, the Underworld penetrated the Afghan Pashtun Lodi mob to pay for the Forbidden City of Beijing, commanding the Chinese to explore (and avoid) various parts of the world. In Africa, they used Islam to destroy the kingdoms of Nubia, who wouldn't pay for protection, only leaving behind Alodia (their vassal).

Then they dissolved Arab Spain (Al-Andalus) through a Vatican Reconquista. I suspect the formerly vast Mali gang teetered on the brink of collapse under pressure from the Underworld's Songhai sect. In the Americas, both Inca and Aztec were commanded by Pachacuti. By changing the course of chronology, I consider the Underworld hijacked Alberti's global black market dedicated to the sale of things that are subject to prohibition elsewhere. As you might imagine, Pachacuti was deceived through postmortem betrayal - by the ones he loved most - his family.

Sponsor of Christopher Columbus's voyages, Spain was just the 1st Latin power to settle and colonize the most considerable areas, from the U.S and the Caribbean to the Southern tip of America.There's plenty of sources for similar cultural practices between societies on opposite sides of the oceans. I hypothesize that the Underworld's hyperdiffusion is in the traditions of their lost early civilizations. Unlike trans-cultural diffusion, I do not use trading and cultural networks to explain their expansion. Instead, their impact suggests that all significant cultural innovations and societies derive from her. Religious institutions are clear proof of their existence, as similar worship ceremonies and symbols recur in geographically separated communities.

Leon Battista Alberti held the appointment of canon in the metropolitan church of Florence. He had the leisure to devote himself to forgeries. Gifted in many ways, his only known European sculpture is a self-portrait medallion, so it's hard to tell what he looked like exactly. We know he was tall and athletic, allegedly being able to jump over a man's head.

The Resurrection saw a dramatic expansion of the Underworld's espionage activities. Various armies grew much more extensive, with corresponding budgets. Likewise, their foreign ministries all increased in size. Underworld budgets expanded to pay for these expansions, like intelligence departments with full-time staff, and well-paid spies and agents. The Underworld became more bureaucratized and sent out military attaches that were personable officers abroad. I presume Alberti's attached diplomats evaluated the world's armies and navies.

Italy was the most significantly powerful nation with many enemies and few friends. I sense the Underworld tried to keep track of them all through a well-organized intelligence system based in major cities all over Europe. The Underworld combined the best practices from others at the highest political and financial levels. The establishment of other dedicated intelligence organizations became directly linked to the colonial rivalries between the significant Latin powers and his accelerating development of military technology.

Alberti's treatises covered a wide array of innovations, from an architectural viewpoint to accounting. Under his leadership, the Gothic ages came to an end; as the case may be made for an allegorical resurrection. His criminal organization was more like a mob. The Underworld later controlled a mob with syndicates that still maintain diverse subcultures and communities through Leon Battista Alberti's networks.

Leon Battista Alberti did not concern himself with the practicalities of building, and very few of his significant works were completed. We know as a student of early Roman remains, Pachacuti grasped the nature of column and lintel architecture. From the visual rather than structural viewpoint, Alberti correctly employed the Classical orders. Unlike his contemporaries, who utilized his work to produce tangible results, I suppose Pachacuti preferred the flexibility to go where he wanted as he pleased.

Wikipedia says he designed Piazza Pio II in Pienza. The village, previously called Corsignano, was the birthplace of Pope Pius II, in whose employ Leon Battista Alberti served. After its sack, the Pope feared other Vatican kingdoms would suffer the same fate as Constantinople. He strongly advocated for another Crusade, while Nicholas of Cusa supported engaging in a dialogue with the Ottomans. Pius II wanted to use the village Leon Battista Alberti was designed for him as a retreat to reflect the dignity of his position.

The pontiff (Pius II) condemned slavery as a "great crime" in 1462 in the Canary Islands. The pontiff instructed bishops to impose penalties on transgressors. The pontiff was expected to inaugurate a liberal paganized Vatican. In 1435 Pius II was sent by Cardinal Albergati on a covert mission to England as well as Scotland. The pontiff played a leading role in concluding a compromise in 1447 with the German princes. One of the first acts of Pope Nicholas V was to make Pius II the Bishop of Trieste. The pontiff later served as Bishop of Siena. In 1450 Pius II was sent to negotiate a marriage with Princess Eleonore of Portugal. In 1451, Pius II went to Bohemia and made an arrangement with the Hussites.

Pius II wrote exhaustive refutations on Sufism. The pontiff wrote numerous tracts on the political and religious controversies of his day, as well as on ethical subjects. After allying himself with Ferdinand and Isabella, his next important act was to go against the Turks. In 1459 Pius II called for a new crusade against the Middle-East so Alberti was rebranded as Mehmed the Conqueror. There's no accident Mehmed was a master linguist who gathered Italian humanists at his court and allowed the Byzantines to continue functioning. Aside from his patronage of Renaissance artists, Mehmed built a library that contained over 8000 manuscripts in every known language at the time (and place). Mehmed's affinity towards Latin culture did not have support within his court, his son sold Mehmed's collections.

In 1460 Pius II proclaimed the official crusade that was to last for 3 years. The pontiff, as a form of controlled opposition, influenced Alberti to reinvent himself as Vlad III Dracula to start a war against himself, i.e Mehmed the Conqueror. This involved the Wallachians from Romania trying to assassinate him. Pius II addressed “Mehmet” in a letter, urging him to side with the Vatican. Orchestrating events like the Hundred Years' War, Battle of Castillon, Wars of the Roses and the Battle of Bosworth Field, I suspect the Underworld reestablished itself within the Tudor mob before Dracula vanished into Transylvania. Emanating from the Black Sea coasts of Romania, I imagine Alberti's common tongue evolved simultaneously into the various Latin languages that exist today (notably Italian, French, Spanish, Portuguese, Romanian, etc.).

Alberti’s chief patron, Pope Nicholas V, was well aware of the competing Transylvanian and Ottoman claims for the legal succession of the Roman Empire. The Black Sea has coasts in 6 major countries (Ukraine, Romania, Turkey, Bulgaria, Georgia, and Russia). Transylvania is centered in Romania. It is the only Latin country bordering the Black Sea. Well-known monsters in fiction originate in Yamnaya folklore, whose vengeful dead are led by a Transylvanian King. Did Leon Battista Alberti possibly die as Vlad III Dracula or Vlad the Impaler (1428 – 1472)? I'm of the opinion that Pachacuti was Voivode of Wallachia 3 times between 1448 and his death. Since Transylvania became 1 of the most famous places in Wallachian records, I suggest Dracula is a national hero of Romania.

Did Leon Battista Alberti die in "Rome" in 1477? In the sense of his former identity, yes, his past was spent fabricating fictitious pasts of others. I assume he felt it was time to start leaving his own mark. I don't think he was a vampire nor do I suspect he "made" any others like him. If that was the case, and Leon Battista Alberti fed at least once a month, and every person became a vampire, then within hell-raising 3 years of his genetic mutation, everyone on Earth would have been turned.

Similar events are reflected in the Antonine Plague cataclysm from 165–180. Also known as the plague of Galen, after the Greco-Roman physician living in Roman times who described it, the total deaths have been estimated at 5 million, and the disease killed as much as one-3rd of the population in some areas and devastated the Latin army. Clinical lycanthropy was 1st detailed by Galen who allegedly dealt with people who displayed the qualities of a wolf. Interestingly, Nezahualcoyotl's name means "Coyote who fasts". Moreover, the word for werewolves derives from the actual word nahua, a Nahua-tl (language) word spelled nahuālli, meaning magician. In English, it's translated as "shape shifter". No, Alberti probably didn't have the ability to shapeshift into a wolf (full moon or not). However throughout this book, I substitute the terms Mal' ta–Buret' for werewolves and Yamnaya for vampires because it sounds cool.

Dracula's reflections has invisible political overtones. Alberti’s father was effectively a billionaire. Alone in the Alberti castle, apart from his guards and servants, his family became symbolic for the parasitic bankers infesting the Roman Empire and were forced into exile. I've speculated on historical vampires and werewolves and found both wolves and bats carry rabies; a disease leads to a desire to bite others. Their susceptibility to garlic and light is a symptom of rabies; a disease leads to nocturnal sleep patterns. Those infected with rabies tend to roam around with blood frothing at their mouths.

Cannibalism, however, not only came from schizophrenics experiencing food shortage due to viral outbreaks. It also occurred among some humans who were self-aware naturally. This shouldn't be a shocker, human cannibalism still occurs in recent times. I'm not suggesting they existed but how do we know if a murder attributed to cannibalism has any association with wolves or the like? It could be the Underworld has been eating people in their animal kingdom since the dust of recorded history (as werewolves invented writing, more on this in a bit).

I think their “hairy” consumption of human flesh involved the ingestion of human growth hormones. For vampires, perhaps their intentions were not only aimed toward faster growth rates and higher fitness levels, maybe the nutritional benefits of drinking blood allowed them a better energy conversion than werewolves, allowing them to expend it for faster mental development. I'm sure this perceived increased intellect failed to give them any added protection when competing for resources with their werewolf progenitors, the red hairy beasts as they referred to them. Both parties (the Underworld) most likely used cannibalization as a public spectacle to sacrifice warriors from conquered lands.

Perhaps scary stories of aliens interacting with humans, imparting intel and technology, and impregnating women to create monsters were encounters with Alberti? Were these so-called abnormalities who share similarities separated by vast distances eyewitness accounts of visitations, or could it have been merely the Underworld?

I posit that during Nezahualcoyotl's main reign (1456–1462), he impaled 50,000 Saxon settlers off the Black Sea's coastlines. As the Ottoman Sultan Mehmed, now called Kayser-i Rum, Alberti ordered himself, as Dracula, to pay homage to him personally, but he had the Sultan's 2 envoys impaled. In February 1462, the Underworld attacked Ottoman territory, impaling 50,000 invading Ottoman Bulgarians. Dracula went to Transylvania to seek assistance from Da Vinci's chief patron, Matthias Corvinus, King of Hungary, in Late-1462, but Corvinus had Alberti imprisoned. Once released, Dracula was said to have been mortally wounded in battle. At the time, the land he was defending was considered Rome by his criteria. As such, he “died in Rome.” Or did he?

What if the Underworld used zombies to regulate population numbers? This could have benefited the Underworld as resources were freed, thereby increasing his control by lowering combative crowds. The elimination of his competition was mainly for better mating opportunities, identifying immune females, allowing him to spread his bloodline - just like every other male organism inherently seeks.

Haplogroups define lines of descent. I contend Dracula's maternal descendants correlate with Haplogroup HV1b2. It has been detected in the Ottomány culture (anachronistic 2100–1600 BC), in modern-day Bihor County, Romania is connected with highly advanced hill-forts, rich burials, and trade over vast distances. Ottomány (not to be confused with Ottoman) gradual decline was due to environmental causes. Their "explosion" in bronze working, included 1st examples of authentic swords and axes, which changed the everyday life of prehistoric man in the 15th-century.

The lore about Alberti being a werewolf started in the spring of 1485, when Leonardo da Vinci traveled to Hungary on behalf of Sforza to meet King Matthias Corvinus and paint a Madonna. In Eastern Europe, 1st the Bulgarian, then the Serbian, and ultimately the Russian czars proclaimed to be Roman Emperor (Czar derived Khazar thus from Caesar). Russia adopted the idea of being a 3rd Rome (with Constantinople being the 2nd). Being the most potent Vatican state, the Tsars were thought of in Russia as succeeding in the Eastern Roman Empire as the rightful rulers of the Vatican. Constantinople's native shamans held a reverential light to the werewolf in that some of them would voluntarily be able to transform into one. Perhaps this is why those who were excommunicated by the Vatican were said to become werewolves.

So-called werewolf and vampire sightings were frequent in 15th-century Hungarian Transdanubia. I guess that is why Dracula's paternal descendants can be semi-accurately tracked via Haplogroup E-L29, a genetic lineage. It became an early political mob in Florence that established a flourishing trade company with agencies all over the world.

I visualize the Underworld stemming from werewolves. They are the genetic forefathers of both early Native Americans. Paradoxically, vampires are the strongest candidate for the original Black Sea homeland of the Proto-Indo-Europeans. These coastal Transylvanian Steppes have had dozens of migrations/invasions before and since then so bear with me.

Nezahualcoyotl visually depicted in the 16th-century Codex of Ixtlilxochitl and his prehispanic glyph compared with images of Pachacuti and Leon Battista Alberti can't be ignored. Although these usages can be cryptic, light skin has little melanin pigmentation and has adapted to environments of low UV radiation. Northern Chinese people, for example, have the whitest skin. This vampire mutation is most commonly found amongst the Arctic werewolf populations of Siberia.

There are several peak periods in all 3 lives that go unaccounted for. I don't think Leon Battista Alberti was born in Genoa in 1404, nor was he raised in Venice. I speculate the reason his mother is unknown is that the Americas weren't revealed to the public yet. This whole idea of him being an illegitimate widow's son is cryptic, hermetically sealed in the initiation rites of Freemasonry. I think humanity was in the Stone-Age prior to the 15th-century.

I wonder if his father, Ixtlilxochitl, being exiled from Florence, is a cover-up for him not having a European past until 1428? This philosopher, warrior, architect, poet, ruler (tlatoani) of the city-state of Texcoco was a pre-Columbian born in Mexico. Ixtlilxochitl was a Yamnaya (Norman) vampire and his mother was a Mal' ta–Buret' (Aztec) werewolf.

There's no accident the Germanic pagan wolf-men came from the Normans. The Úlfhednar were berserkers dressed in wolf hides who channel wolf spirits to enhance their battle readiness. Werewolves were mentioned by Norman King Cnut, whose Ecclesiastical Ordinances informs readers of their existence. What if Ixtlilxochitl's ancestors were made to look like they inherited the throne of England long before they actually did, with Forkbeard (antedated 1013–1014) and his son Cnut the Great (1016–1035). The werewolf ethnonym Aztec (Nahuatl Azteca) means "people from Aztlan," Aztlan being their elite's place of origin toward the North. Nezahualcoyotl hid things so that the Southward migration from Aztlán looks like it began after the Crab Nebula events in 1054. This is where Formenko's assertions start to hold weight. It starts to become clear these Genoese condottieri had deep mob ties with the Underworld as Norse sagas have been added to the scholarly canon of intel about the past.

Scientists are puzzled by the genetic code of certain Icelanders who display Native American women with the Vikings centuries before Columbus. I consider Nezahualcoyotl's father as a French Viking (in Italy known as a condottieri). Renaissance, as a word, comes from the Old-French term for "rebirth." He worked closely with Baron of Saint-Martin-le-Gaillard, a Norman cosmetic giant that commanded overseas private brigades funded by a multinational network of vampire royals. In America, he rebranded his werewolf family as Toltec through vampire intermarriage. Ixtlilxochitl controlled the crowned "King of the Canary Islands". He much appreciated the arts and fine craftsmanship of the Toltec, meaning artisan. The Nahuan word "Tolteca" was synonymous with " who brings civilization."

Although most Native Americans do not have heavy beards, there are groups reported to have included bearded individuals. The Aché people of Paraguay, for instance, I assume came from Underworld contact. The Southern Paiute have a similar tale based on what I see. So do the Canary Islands Guanches in Tenerife. This is why they had thick beards and looked more in appearance like Latins than Native Americans. The Guanches of Tenerife were the only native people known to have lived in the Macaronesian region before the arrival of Latins. Like most other island cultures, they go down in recorded history as having been in the stone-age since the 15th-century when, infact, we all were. I envision Ixtlilxochitl had contacts with vampire seafarers who had supposedly visited the Canary Islands from the 2nd half of the 8th-century onwards.

I think Ixtlilxochitl became a French condottieri after he failed to become a Latin monarch (or Pope) so he retired in the Canary Islands to start his own empire. Besides noblemen, Princes also fought as condottieri. Given the sizable income to their estates; notably Sigismondo Pandolfo Malatesta, Lord of Rimini, and Federico da Montefeltro, Duke of Urbino. Despite war-time inflation, their pay was high.

Growing up, I visualise the Underworld focusing on American message confidentiality. He enjoyed rendering text unreadable by interceptors without cryptic intel. He probably attempted to ensure secrecy in communications for spies, military leaders, and diplomats at a very young age. In Italy, he studied the old ruins for the Vatican, exciting his interest in architecture, strongly influencing the counterfeits he later designed. Many Roman inventions were improved versions of the Underworld's devices as far as I'm concerned. After his death, histories were recrafted by 2nd and 3rd generation Humanists and clergy - mostly based on documents of the Underworld's making. To all appearances, they turned against him and weaponized the Black Death to off indigenous American populations; proliferating the Underworld's historical "omni-nightmare."

You're probably asking yourself, how could he get involved with this? When Nezahualcoyotl was young, the Tepanec forces and their Mexica contingents laid siege to Texcoco. Ixtlilxochitl was cornered and assassinated in front of him by Mexica; Nezahualcoyotl fled into exile. From Huexotzingo, I imagine he sailed across the Atlantic Ocean to the Canary Islands. Due to the strategic situation of the Canary Islands as a crossroads of Underworld maritime routes and commercial bridge between Rome, Africa, and the Americas, this was one of the places on the planet with the highest pirate presence. From this archipelago, I presume Dracula made incursions into the Caribbean as a Viking. Amassing enough wealth to enter Italy in style. After hiring a private army, he came back home as Pachacuti, forming the Aztec and Inca Empires to finish what Ixtlilxochitl started.

I sense Ixtlilxochitl is why the Canary Islands are the prime location for Atlantis, it's West of Gibraltar, but close enough to the Mediterranean Sea. Popular culture often places Atlantis there, perpetuating the original Platonic setting as he understood it. I question how Ixtlilxochitl's agents (among the best armed people at this time) were defeated by local "cave-men" in the Canary Islands. Perhaps EVERYONE was in the stone-age and humanity was not as technologically advanced as we historically thought. Maybe they were simply the same people?

The location of Atlantis in the Atlantic Ocean has a certain appeal given the closely related names similar to Plato's telling. I suppose this is why people believed that the Mayan and Aztec ruins were remnants of Atlantis. At its peak, Pachacuti not only designed but controlled the largest city in the pre-Columbian Americas. I suspect Pachacuti designed Machu Picchu. Perhaps Leon Battista Alberti's real name is Acolmiztli Nezahualcoyotl, "Lion's Arm." The degrees of many modern societies retain the 3 grades of his Late-Gothic craft guilds. He advanced the field of engineering, including quake-proof masonry, artificial lakes, fountains, pressurized water, roadways, and elaborate terracing.

Tenochtitlan extended to the swamps, which by that time were gradually disappearing to the West. Similar to Venice, Tenochtitlan was connected to the mainland by bridges and causeways leading to the North, South, and West. The paths were interrupted by bridges that allowed canoes and other water traffic to pass freely. The decks - pulled away, if necessary, to defend the city. The city was interlaced with canals so that all sections of the town could be accessed on canoes. Nezahualcoyotl used Pochtecas, people in charge of commerce, as spies and diplomats, and had diplomatic immunity.

Along with the pochteca, before a battle or war, cryptic "quimitchin" was sent to spy amongst enemies, usually wearing the native costume and speaking the native language, techniques similar to secret agents. Although Nezahualcoyotl is known mostly for being an architect in Europe, he was also a mathematician of many sorts. He made significant advances in this field during the Resurrection. At the beginning of 15th-century Europe, views shifted to favor simple Native American geometries. The use of the circle was a staple of his architectural treatise, which described the ideal synagogue in terms of sacred geometry.

Nezahualcoyotl believed that his ⬢, or "Unknowable monster", was the geometer of the world. He found the human body, inscribed in the circle and the square, was the fundamental geometric reflection of the cosmic order. In pre-modern Europe, double-entry bookkeeping had theological and cosmological connotations, recalling both the scales of justice and the symmetry of our collective "Perspective."

Wikipedia tells of a man named Fibonacci popularized a Hindu–Arabic (Indo-Kushan) numeral system in his 1202 "Book of Calculation," introducing a sequence of numbers used for double-entry bookkeeping. Fibonacci (1170 – 1240), also known as Leonardo of Pisa was said to have been the most talented mathematician ever but his name was made up in 1838 by Franco-Italian historians. Fibonacci is short for filius Bonacci or son of Bonacci. The 1st mention of him is in a 1506 a notary mentioning a "Lionardo Fibonacci".

Another place where this Fibonacci figure stands out correlates with the Mayan (and equivalent Aztec) Long Count calendar European dates. The 2 most popular calendars in pre-Columbian America, were the 260-day Tzolkʼin and the 365 day Haabʼ (Xiuhpohualli). The Annals of the Cakchiquels from highland Guatemala contain numerous "Tzolkʼin" (Tonalpohualli) dates correlated with European dates. For example, the fall of Tenochtitlan, occurred on August 13, 1521. This was a Tzolkʼin of Serpent 1. The 13th Baktun or 2012 hysteria was simply a way of applying the Underworld's psyop for invasion.

I wonder if the Underworld used it after Nezahualcoyotl's disappearance to Transylvania. For example, this Mayan eschatology was used by Columbus in 1502. The Underworld told him about the "Maia" off the north coast of Honduras. Columbus believed that his discovery of the Maya was prophesied and would bring about the Apocalypse. I assume this is why end-times fears were widespread during Spanish Conquest. The Underworld's astrological propagandists predicted a 2nd Great Flood in 1524.

The vast collection of unfinished and altered work has promoted much speculation as to both men's intentions and whereabouts. A decade after Ixtlilxochitl's murder, I visualize Nezahualcoyotl (who's not Mexica) would come back as Pachacuti to avenge Ixtlilxochitl's death. Nezahualcoyotl reclaimed Texcoco with the help of Ixtlilxochitl's bodyguard - Itzcoatl, the future ruler of Tenochtitlan. They created a new state religion for Mexica (who assassinated Ixtlilxochitl). They now awaited the fulfillment of a messianic prophecy that would end their civilization. I gather the Underworld used a similar strategy with the Kabbalists in Israel. Ixtlilxochitl's wandering family would find the destined site whose location would be reflected by an eagle with a snake in its beak. This imagery is later reflected in Sumerian and Roman creation myths. Techotlalatzin and Ixtlilxochitl saw this Eagle/Snake vision on what was then a small swampy island in Lake Texcoco, a reflection that is now immortalized in several coats of arms and flags throughout history.

Not deterred by the unfavorable terrain, the Underworld came back to set about rebuilding Techotlalatzin and Ixtlilxochitl's fallen cities. Using the chinampa (Peruvian floating island system) for agriculture, I envision the Underworld expanding Ixtlilxochitl's drug labs to predispose people to living nightmares.

Consuming another human was normal before the eidolic 15th-century. Not all cannibalization served as an essential deterrent against rebellion by subjugated polities. By way of our right temporal lobe for auditory hallucinations, these “monsters” were worshiped as morally ambiguous god-like alien visitors from “the other side.” it’s not hard to see how their covert administration of high doses of these psychoactive drugs is now used universally.

I suspect the Eucharist (John 6:53-56) was written by Pachacuti to veer zombies away from others by substituting human limbs with hallucinogenic mushrooms. Local hallucinogenic species of the mushrooms and Erythroxylon coca contain numerous alkaloids. I sense Nezahualcoyotl used these methods to manipulate zombies and bring them “back to life.” To explain the central mystery of madness, I suspect he experimented with their nightmares.

I hypothesize the Underworld terrorized central Mexico by way of the Toltecs, Oaxaca by the Mixtec, and the lowland Maya area had urgent medical centers at Chichén Itzá and Mayapán. After Alberti disappeared to Transylvania, they rebuilt his tributary kingdom covering most of Central America. For all one knows, the Underworld maintained control by withholding vital resources like suitable beasts of burden, wheeled transport, or the mechanics associated with animal power. Even so, Native American domains were too mountainous and boggy for street development.

Before being deceived by the Underworld he helped establish, Nezahualcoyotl's kingdom had between 90 and 112 million people, a larger population than the Roman Empire at the same time. His Transylvanian languages (notably Italian, French, Spanish, Portuguese, Romanian, etc.) are either official or heavily used in 72 countries around the world. Of the United Nations's 6 official languages, 2, French and Spanish, descend from the Underworld's remixed Latin.

What if most prehistoric remains in some of Earth's cryptic structures and monoliths are the work of the Underworld, not aliens who visited us in the past? Similarities between Gothic structures built on opposite sides of the globe were constructed and designed by Humanist spies. Thus, Dracula's ungodly intellectual movement advocated the study of nature and imitation of classical pre-religious antiquity. Today in the West, I consider the Underworld’s remixes as the cornerstone of a fundamental rounded education; but what are we taught?