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All Debts Forgiven

Ongoing. Redacted. Refused.

By Shay Pelfrey Published 8 months ago 9 min read
Image Credit: https://your-photography.com/blog/abandoned-factory-kathmandu/

My father died with thirty-two dollars in his wallet and a ledge hidden beneath the floorboards. There was no obituary, no funeral. Just a voicemail from the county office letting me know the body had been claimed, processed, and cremated, and that I was still listed as next of kin. The voice was soft and detached, as if it were telling me a library book was overdue. They offered me a cardboard box with his effects, and I said no.

I hadn't spoken to him in seven years. Not since the last time I left without warning, without saying goodbye, without asking for anything. I'd always believed he wanted it that way. He was a man who preferred absence of apology, now he was one himself.

The house still had my name on the mailbox, written in marker beneath his. I parked on the grass like I used to, tires sinking into the damp edge of the lawn. The front door had no lock anymore. When I stepped inside, the hinges groaned like they recognized me-- not fondly, just factually. Like a house that knew what it had survived.

It smelled like mildew, cardboard, and something sweeter that had long since gone bad. The furniture was exactly the same: the corduroy couch with the hole in the arm, the low table with the burn mark shaped like a question mark. Even the framed cross-stitch above the fireplace was still crooked. Grace is earned, it read, in blood-red thread. It was never funny, even when I was a child.

I didn't plan to stay long. A few days, maybe. Long enough to box up what mattered, throw out what didn't, and disappear again. I made a pot of stale coffee, opened all the windows, and began my slow, sullen inventory.

The ledger wasn't hidden well. It was wrapped in a threadbare dish towel and wedged behind the heater vent in the study-- the one room in the house I'd sworn never to enter again. I wasn't looking for it. I was trying to find the breaker box to kill the hum in the kitchen light, which had buzzed without flickering for as long as I could remember.

I unfolded the towel and found a black, cloth-bound book. It had no title, no clasp, nothing to suggest importance. But it was heavier than it should've been. Solid in the hand, like something dense with breath.

Inside: thick, yellowed pages. Each one lined with small, sharp handwriting, uneven and insistent. Some entries were dated. Others just floated in space, pinned only by the words themselves.

August 2, 1998 - I never should have let you walk home alone.

May 17, 2002 - Forgive me for the red room.

March 9, 2006 - I still remember you name in my mouth.

Some line had names next to them, others were anonymous. A few, to my growing discomfort, were signed with my name.

I flipped backward, then forward again, scanning. A pattern emerged-- not linear, not even logical, but rhythmic. Like an argument that keeps starting itself over. Some entries repeated, nearly word for word, but with different handwriting. Others contradicted each other entirely. It felt less like reading a journal and more like overhearing confessions through a wall, made by people who didn't know they were being overheard.

One line near the center stood out. Faint, almost erased:

November 14, 2003 - I couldn't find the fence in time. -Anna

My name. But I hadn't written it. And I hadn't been old enough, then, to remember writing anything at all.

There was no fence in that house.

Except now I could almost remember one. The impression of slats. The pressure of splinters. A boundary line that hummed with consequence. Like a place you once dreamed of being warned away from.

I closed the book. My hands didn't shake, but they felt foreign. Like I was holding something that remembered me more clearly that I remembered myself.

I didn't sleep that night. I stretched out on the living room floor with my jacket as a blanket and the ledger beside me, unopened, a companion I hadn't invited. The silence in the house had a texture-- thick and porous, as if it were trying to breathe me in. At one point I dozed off and woke up to the sound of the heater clicking on, even though I hadn't touched the thermostat. It smelled fainty of burnt sugar and rust.

I told myself I was imagining it. I didn't open the ledge again until morning.

That day, I wandered through the rooms like I'd never lived in them. The walls were faded, but I couldn't remember what color they used to be. The hall closet had a false back panel. I'd always known that-- as a kid, it had been a kind of myth. Dad keeps his real self behind there; I used to joke. Maybe it wasn't a joke.

I pried it open. It caught at first, then gave way with the sigh of old nails. Behind it: a narrow corridor with no right to exist. It led to a room no bigger than a utility closet, every wall painted the same choking shade of red. No windows. A single chair in the center. And on the floor, an empty showbox and a matchstick burned down to the wood.

That night I dreamed of the girl again.

Same age as me, but she looked older somehow-- not in years, but in ache. She stood in the red room, watching the door. When she turned to look at me, her face flickered. My mouth. My chin. Not quite my eyes.

"You said you'd come back," she whispered.

I tried to speak, but the words stuck to my teeth like tar. She stepped forward.

"You promised to forget."

The next morning, I found a new line written in the ledge-- in different handwriting:

Jone 11, 2025 - The inventory was always your burden. -Anna

Today's date. My name. Not my words.

I flipped to the front-- something I hadn't done before. On the inside cover, in ink so faded it looked like shadow, was a single line:

This record was made possible by loss.

Underneath it: Debits only.

By the end of the week, I had catalogued more than fifty entries. Some were gentle, small regrets with razor edges.

I should have said it back.

I took the lighter. I said it was for the smell.

I called her a liar and made it true.

Some were so specific they read like surveillance.

You left the milk out again. She cried in the stairwell.

You were ten. You knew. You pretended not to.

You shut the red room door.

I started responding in the margins. I didn't plan to, it just happened, like an old muscle remembering how to tense.

I didn't know.

What else could I have done?

That wasn't me-- was it?

The next morning, my notes were gone, not erased. Removed. Like they had never belonged.

The girl was outside the house now.

I saw her first in a reflection-- a window I hadn't cleaned, standing just behind me, face blurred by sun, motionless. When I turned, no one was there. I checked the yard, nothing.

Later, she appeared in a photo.

I found it tucked behind the heater, folded into the last gas bill. A photo of the hallway-- the thin corridor-- but warped somehow. Longer than it should be, darker. And just at the edge of the frame: her hand, fingers spread against the wall. No face. Just that touch.

I didn't remember taking the picture. But it had my handwriting on the back.

"Don't forget her again."

I stopped calling her "the girl."

I started calling her Red.

Red was always at the corner of things. In the doorway, in the space between mirrors. Once, in the pause between a blink and a breath, she sat across from me at the kitchen table, head tilted, fingers curled around a chipped mug that didn't exist. I didn't speak. She didn't need me to.

She looked like everything I'd buried to survive. One entry in the ledger changed while I was watching it.

June 13 - There were no photographs because you chose not to remember.

It scratched itself out as I read it. Letter by letter, ink bleeding backward into the paper. A new line bloomed in its place:

June 13 - She was not a metaphor. She was the room.

That night, I sat in the red room again. No light. Just the match, relit from a long dead box of kitchen staples. I let it burn to my fingers before dropping it on the floor.

I didn't ask for forgiveness. I didn't deserve it.

I said her name out loud-- my name, the name I wore when I was ten and afraid and trying to be invisible.

Red smiled. Then said, "You remember now. But you still don't believe me."

I stayed in the house longer than I meant to. One week became two. I made no calls, sent no emails. Time thickened. The days became memoryless, soft-edged. The only thing marking their passage was the growing mass of entries in the ledger-- some mine, some not.

They no longer appeared in order. Some bled through multiple pages at once, the same sentence echoing upward through the paper grain:

Forgive me for making you a witness.

I dreamed of chalk outlines where people used to sit. Of dinner plates set for names I never spoke. Of my father at the bottom of the stairs, muttering numbers as if trying to calculate guilt.

One day I opened the pantry and found a second book. Thin, navy blue, with nothing on the cover. I flipped it open expecting to find more confessions-- but instead I found names.

Just names.

A full register. Hundreds, maybe thousands. Some I recognized: neighbors, childhood teachers, my old dentist, a girl from high school who vanished the year we graduated.

A few were circled in red pencil. One of them was mine. Next to it, a symbol I didn't recognize: a tony loop, half-broken.

Below it, in small red print:

"Ongoing"

The last night I stayed, I saw red clearly. She was waiting in the studying chair, arms crossed, face tired. She didn't speak at first. Neither did I. I just watched her-- the shape of her knuckles, the way she tapped the side of side of her thumb against the fabric like it was code. She looked like someone mid-sentence.

Finally, she said, "You kept the fire to yourself."

I shook my head.

"I didn't know how."

"You didn't want to."

There was no accusation in her voice, only ache. She stood and walked past me. Not through me-- past. Like I was just another part of the house she no longer feared. I followed her to the red room.

She pointed to the far wall. I hadn't noticed the writing before. There, scratched shallow into the paint:

We do not bury the ones we forget. We become them.

That was the last time I saw her.

I didn't sleep that night. I filled the bathtub with water and dropped all the ledgers in, one by one. When they softened, I tore the pages apart with my hands. I dried them in the over. Then burned them.

The last one-- the navy-blue book-- I buried beneath the old dogwood tree.

In the morning, the house was quiet in a new way. Not empty, just... sated. The hum in the kitchen was gone. The crooked cross-stitch above the fireplace had fallen in the night and shattered its frame. I swept the pieces into a shoebox. Not to keep. Just to contain.

The only thing I took with me was a single page from the ledger-- the one I wrote the night I first said her name. I folded it into my coat pocket, knowing I'd probably lose it.

Before I left, I taped three sentences to the red room wall. I didn't write them.

They were the last things Red ever said to me-- not in the dream, not in the house, but from the mirror above the sink. Her voice came from my mouth, and I didn't stop it.

We own ourselves a record.

Memory is not mercy.

Forgiveness is not return.

I drove away with the windows down. Not one glance in the rearview. When I stopped for gas two towns over, the receipt had something extra printed beneath the total:

ALL DEBTS FORGIVEN

And below that, in faint red ink:

Until they aren't.

Short Storythriller

About the Creator

Shay Pelfrey

I'm a grad student just writing short stories to help fund my way through school. Each story either fuels tuition, a caffeine addiction, and maybe my sanity. Thank you all for reading!

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  • Brian Grant8 months ago

    Finding that ledger by accident must've been strange. I've had unexpected discoveries too.

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