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Loss Wrapped in Ritual

In a house where absence echoed louder than words, she kept setting the table for the dead.

By Abuzar khanPublished 6 months ago 3 min read

The morning after her mother’s funeral, Miriam boiled the water exactly three times.

Once to cleanse the kettle.

Once to remember her voice.

And once for the ghost she now invited to sit at the table.

Her mother, Leila, had always believed in rituals. Not religious, not spiritual even—just everyday habits that acted like spells. “If you hum while folding sheets, the dreams won’t leak out,” she used to say. “If you stir your tea clockwise, it brings clarity.”

Miriam never believed in those things. Until now.

On the third day after the funeral, she found herself opening the pantry and pulling down the chipped blue teacup. The one her mother used only when guests came. Miriam was not a guest. But she was no longer a daughter either, not in the way she used to be. She poured the tea and set the cup across from her on the small kitchen table.

That morning, the steam curled like smoke from incense, and for a moment, Miriam could have sworn the seat across from her held more than air.

She didn’t cry much at the service. Grief had not yet found its teeth. But now, it circled her slowly—cloaked in routines. It sat beside her as she swept the floor and reminded her which corners her mother used to scold her for missing.

At night, she lit a candle and placed it on the windowsill. Her mother always believed the dead came back through light.

“I don’t want them knocking,” she had said once, slicing peaches, “just come in gently.”

So Miriam kept the flame alive. Night after night. Even during the windstorm that howled like forgotten things through the trees, bending them like grief bends time. The power cut out, but the flame never wavered.

On the seventh day, Miriam opened her mother’s dresser.

She didn’t intend to. She only meant to dust. But the drawer slid out too easily, like it wanted to be found. Inside: old silk scarves, perfume samples, a single earring shaped like a leaf. And at the bottom—folded into quarters—a letter addressed simply: “To whoever stays.”

Miriam did not open it at once.

She made tea. She swept the floor. She watered the dying plant in the kitchen window.

Only then did she sit with the letter.

It read:

“Rituals are not for the dead. They are for the living.

So that when the world forgets to call your name,

you still answer.

So that when the days blur into salt,

you still remember what sweet once felt like.”

“Don’t worry if I visit.

Don’t panic if I don’t.

Just keep the kettle warm.”

From then on, Miriam wrapped her grief in ceremony.

She hummed as she folded towels. She lit incense on Thursdays, because her mother said Thursdays were sacred for new beginnings. She kept three spoons beside the sugar jar, never two.

And every Sunday, she baked a pie. Not because she liked pie. But because her mother did. And the smell of cinnamon and butter did more for her sorrow than any condolence card.

She began to speak out loud while doing chores.

“I bought your favorite biscuits today.”

“The mailman still hates our dog.”

“There’s a new crack in the kitchen tile—looks like a spiderweb.”

She didn’t care if the neighbors thought she was mad. They hadn’t been raised by someone who knew how to make sorrow feel like ceremony.

Then one day, while watering the plants, she noticed the lily her mother had once called stubborn had bloomed again. After three years of nothing.

Its petals were almost white. But if you looked close enough, the edges were kissed with pink. Just like the lipstick her mother wore to weddings.

Miriam touched the flower’s soft face and smiled.

“You remembered.”

People visited less over time, as they do.

But Miriam kept the rituals.

She began writing them down in a notebook:

Light the candle.

Boil the kettle thrice.

Bake on Sundays.

Open the windows before noon.

Speak even if no one answers.

One day, a neighbor’s teenage daughter came by with muffins and sat awkwardly at the table. Miriam poured tea into the blue guest cup and handed it over.

The girl stared. “Aren’t you supposed to drink from that?”

Miriam smiled. “No. That one’s reserved.”

“For who?”

She didn’t answer.

Just passed the sugar.

Years passed. The table never changed.

It always had two seats.

One for Miriam.

One for absence.

But even absence, when honored long enough, becomes something close to company.

humanity

About the Creator

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