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‘The Midnight Sky’: Film Review

2020 ‧ Sci-fi/Drama

By AjayPublished 3 years ago 4 min read
The midnight sky

George Clooney is a well-known Hollywood actor and director who has directed and starred in the post-apocalyptic sci-fi survival drama on Netflix, 'The Midnight Sky,' alongside Felicity Jones. In the movie, he plays the role of a visionary astronomer named Augustine Lofthouse, who is battling a terminal illness and believes that the residents of Barbeau Observatory, where he is stationed in the Arctic Circle, will not last long due to the catastrophic event that has occurred on earth. The movie is based on Lily Brooks-Dalton’s 2016 debut novel, Good Morning, Midnight, and is a desolate elegy for a diseased planet and a prayer for the creation of life elsewhere in the universe.

The movie is a departure from Clooney's previous behind-the-camera projects, and he has done an excellent job of pulling off a considerable leap in scope. Screenwriter Mark L. Smith, who is known for his feel for inhospitable terrain in The Revenant, has done an excellent job of depicting the end of the world as a stunned fait accompli, rather than a violent cataclysm. The movie opens with the residents of Barbeau Observatory being evacuated by helicopter in 2049, three weeks after “the event.” It’s later revealed that they’ve been transported to underground shelters. Augustine is the lone holdout who believes none of them will last long.

Clooney's Augustine is a weathered veteran who is battling a terminal illness and wanders around the deserted compound thinking back on his years as a young astronomer. At a conference where he expounds on early evidence that Jupiter’s previously undiscovered moon, K-23, appears to have suitable conditions to support human life, he met and became involved with fellow scientist Jean. Returning to 2049, he’s haunted by regrets over being too consumed by his work to sustain a relationship and is feeling the stress of isolation when he finds a young girl mysteriously left behind by the evacuees. She doesn’t speak, but draws a picture to illustrate her name, Iris.

The movie is emotionally involving from tense start to poignant finish and is a thoughtful reflection on the toll of environmental devastation. The flower reference, a delicate symbol of life on a planet gone dark, recurs more than once in the film, notably in the intricate design of Aether, a spacecraft returning from a two-year exploratory trip to K-23 that has lost contact with Mission Control. Desperate to alert the crew not to return to global catastrophe on Earth, Augustine takes Iris and travels north by snowmobile through harsh conditions to a weather station with a stronger communications satellite.

The film’s most gripping set-piece involves Sully, Ade, and first-timer Maya taking a walk out into space to repair damage to the radar following a meteor shower. The ship’s exterior, with its dandelion-like communications dishes on stems, matches the webbed interior, giving the entire vessel a quite beautiful, almost organic look for an artificial environment, captured in all its majesty by DP Martin Ruhe, who worked with Clooney on Catch-22 and The American. The problems that occur due to further meteor activity during the repairs lead to a wrenching tragedy that plays out with striking visual impact in zero gravity.

The loneliness of space travel is shown in lovely interludes where Mitchell shares his breakfast time with holograms of his wife and kids, while the younger Maya chills with flickering images of her sister and college friend. There’s also a sweet running thread where the crew keeps suggesting names for the baby that Sully and Ade are expecting, with Mitchell continuing the flower motif by pushing for his mother’s name, Hyacinth. Chandler’s easygoing masculinity is offset by his character’s introspective side. Mitchell is a career explorer but also emotions, it also provides a necessary counterpoint to the stark visuals.

The Midnight Sky raises important questions about humanity's relationship with the environment and the consequences of our actions. It's a sobering reminder that the planet we call home is fragile and that we need to take care of it. But it's also a story of hope and resilience, showing that even in the face of seemingly insurmountable challenges, there is always a glimmer of possibility.

George Clooney delivers a powerful performance as Augustine, conveying the character's sense of despair and regret with nuance and subtlety. Felicity Jones is also excellent as Sully, capturing the character's strength and vulnerability in equal measure. The supporting cast, including David Oyelowo, Kyle Chandler, Demián Bichir, and Tiffany Boone, all turn in solid performances, adding depth and complexity to the story.

One of the film's strengths is its visual style, which captures the desolate beauty of the Arctic and the majesty of space travel with equal skill. The production design is top-notch, with the Barbeau Observatory and the Aether both rendered in intricate detail. The special effects are also impressive, seamlessly blending practical and digital elements to create a believable vision of the future.

At times, The Midnight Sky can feel a bit heavy-handed in its messaging, and some of the flashback scenes feel unnecessary and overly sentimental. But these are minor quibbles in an otherwise compelling and well-crafted film.

In conclusion, The Midnight Sky is a thoughtful and moving exploration of humanity's place in the universe, anchored by strong performances and impressive visuals. George Clooney proves himself to be a capable director, crafting a story that is both emotionally resonant and visually stunning. Whether you're a fan of sci-fi or simply looking for a powerful and thought-provoking drama, The Midnight Sky is well worth your time.

Production companies: Smokehouse, Anonymous Content

Distributor: Netflix

Cast: George Clooney, Felicity Jones, David Oyelowo, Tiffany Boone, Demián

Bichir, Kyle Chandler, Caoilinn Springall, Sophie Rundle, Ethan Peck

Director: George Clooney

Screenwriters: Mark L. Smith, based on the novel Good Morning, Midnight, by Lily Brooks-Dalton

Producers: Grant Heslov, George Clooney, Keith Redmon, Bard Dorros, Cliff Roberts

Executive producers: Barbara A. Hall, Todd Shuster, Jennifer Gates, Greg Baxter

Director of photography: Martin Ruhe

Production designer: Jim Bissell

Costume designer: Jenny Eagan

Music: Alexandre Desplat

Editor: Stephen Mirrione

Visual effects supervisor: Matt Kasmir

Casting: Rachel Tenner

Rated PG-13, 118 minutes

Science

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Ajay

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