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Jingwei Filling the Sea

A Myth of Rebellion and Unfinished Devotion That Defies the Tides

By David cenPublished 2 months ago 3 min read

In the time when the world was still young, and the boundaries between heavens and earth were blurred, there existed a divine maiden named Jingwei. She was the youngest daughter of the Yan Emperor, also known as the Flame Emperor, a revered ruler and deity of ancient China. The Yan Emperor, a symbol of agricultural wisdom and medicinal knowledge, governed the fertile lands of the Central Plains, where the Yellow River flowed like a lifeblood through valleys and mountains. Jingwei, with her curious spirit and boundless energy, often wandered the earth, marveling at its beauty and mysteries.

One day, Jingwei ventured eastward to the vast Eastern Sea, a realm of immense power and unpredictability. The sea, under the dominion of the Dragon King, was both majestic and treacherous. Its waves could cradle the sun at dawn or summon tempests that darkened the skies. Drawn by the allure of the horizon, Jingwei set sail on a small wooden boat, her heart light with adventure. She sang ancient hymns to the rhythm of the oars, her voice blending with the cries of seabirds and the whisper of the wind.

But the sea, in its capricious nature, turned violent without warning. A storm descended like a wrathful god, churning the waters into a frenzy. Dark clouds swallowed the light, and towering waves smashed Jingwei's boat to splinters. Despite her divine lineage, she was no match for the raw fury of the ocean. With a final gasp, she was dragged into the depths, her life extinguished by the unforgiving sea.

Yet, her spirit refused to fade. Instead of passing into the afterlife, Jingwei's soul transformed into a beautiful bird with vibrant plumage—crimson like the setting sun, with wings as black as night and eyes that sparkled with determination. She became known as the Jingwei bird, a creature born of tragedy but fueled by an unyielding purpose: to fill the Eastern Sea and avenge her death.

From that day forward, Jingwei began her eternal task. Each morning, she flew to the western mountains, where she gathered twigs, pebbles, and grains of sand in her beak. Then, she journeyed back to the sea, dropping them into the tumultuous waters. Over and over, she repeated this labor, her small form dwarfed by the endless expanse of the ocean.

The other creatures of the world watched her with a mix of pity and admiration. The wise tortoise, ancient guardian of the waters, once asked, "Little bird, do you not see the futility of your task? The sea is boundless, and your efforts are but a drop in its depths."

Jingwei replied without hesitation, her voice a melodic yet resolute chirp, "I may be small, but my will is as vast as the heavens. If I persist for ten thousand years, or even a hundred thousand, one day these mountains will diminish, and the sea will yield."

Seasons turned into years, and years into centuries. Jingwei's mission became a symbol of perseverance in Chinese folklore. Farmers in the fields would point to the sky as she flew past, telling their children stories of her resilience. "See that bird?" they would say. "She teaches us that no goal is too great if one has patience and courage."

The Dragon King, ruler of the Eastern Sea, initially mocked her efforts. But as time passed, even he grew respectful of her spirit. He commanded his waves to gentle slightly when she approached, though the sea remained a formidable foe.

Jingwei's story intertwined with the very fabric of Chinese culture, reflecting the values of diligence, resilience, and the belief that even the impossible could be achieved through unwavering determination. Her journey was not just one of revenge, but a testament to the human—and divine—spirit's capacity to transcend tragedy.

And so, the Jingwei bird continues her work to this day, a timeless figure against the backdrop of China's mythical landscape. Where the eastern waves crash against the shores, one might still glimpse her, a flash of crimson and black, carrying hope in her beak—a reminder that every great change begins with a single, small act.

short story

About the Creator

David cen

Share Chinese Sory,which you never heard before.China has 5000 years history and it is A kingdom of artifacts.Such as Chinese Kongfu,Qigong etc.

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